
Austrian label Pusic present their second release, featuring four finely crafted boogie house cuts. Proper uplifting house bangers by Roman Rauch, Awanto3 & Andy Hart.

Austrian label Pusic present their second release, featuring four finely crafted boogie house cuts. Proper uplifting house bangers by Roman Rauch, Awanto3 & Andy Hart.

Kelpe makes his first outing on Don’t Be Afraid as part of their coveted DBA DUBS series. Monte Verit sees the London based beat veteran at his housiest (sic) yet. The track sports a low slung four to the floor and a deadly analogue funk bassline. Kevin Reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees.

UK electro pioneer & Breakin Records label boss Ed DMX contributes to the binary catalogue with 7 tracks of dystopian electro funk

Glasgow duo Fancy & Spook make their long overdue return to the label with an intriguing Mini LP, packed full of electro oddities.

Frigio proudly presents one of the best producers from the Detroit techno academy, now based in L.A, Seldom Seen aka Santiago Salazar delivers the amazing Catwalk EP. Fierce, extrava, glamorous, attitude, fabulous, drama…. All these words could describe what you will find on this record of one track and two versions.

Madrid based artist Ideograma (aka DJ F) gets released on Frigio for the first time and delivers the most intelligent and elegant techno tunes you can find at the moment. Geographic Ascending EP comes with 4 unique tracks full of class and emotions. All tracks were done with 100% analogue gear to create sophisticated melodies and a raw texture that make the final result very warm.

Strut, in conjunction with Ambassadors Reception and Future Nuggets, presents the first ever retrospective of fabled band Rodion G.A., one of Romania’s best kept musical secrets of the last 30 years. As a band, Rodion G.A. were a unique phenomenon in their homeland at the time, operating in their own universe during a prolific period of recording from 1978 to 1984 at a time of significant political repression under the Ceausescu regime. Bandleader, Rodion Ladislau Rosca, was an enigma. As half-Hungarian, half-Romanian, he lived near the border in Cluj, a city with a healthy music culture which had spawned important prog rock bands incuding Cromatic, Experimental Quintet and Semnal M. Despite the political conditions, a music scene existed in Romania, mainly within a network of festivals around the country and in seaside towns at restaurants and clubs.
From the start, Rodion was concerned with his own style of composition and set himself apart from the predominant rock sounds that dominated Romanian music during the late 60s. Technically and in his compositions, he was obsessed with every detail. His first sessions were recorded during 1969-1972 – simple, sparse and haunting pieces using reel to reel recorders, based around vocals, guitars and improvised drums. In 1975-6, Rosca formed Rodion G.A., the G.A. comprising band members Gicu Frca. and Adrian Cpraru. Rosca had amassed equipment and became a DIY tech wizard, improvising his own techniques of composing using reel to reels. Surrounded by three or four Tesla tape machines, he would record beats and guitar on one channel of the tape, then stop and add other instruments on the other a raw means of multi-tracking. He would use the other machines to add effects and delays on both instruments and vocals. Other tools in his armoury included an East German Vermona drum machine, a toy Casio VL Tone and a small Russian organ to which he added phaser, flanger and delay pedals. From the start, the band’s sound was incomparable to other contemporaries – dense electronic sounds, raw programmed rhythms, intricate arrangements, prog and classical touches.
Fast forward to 2012 when the myth of Rodion G.A. came to the attention of excellent Romanian production and DJ crew, Future Nuggets, a collective as dedicated to unearthing Romania’s musical past as they are forging new sounds steeped in the country’s traditions.

The long lost sophomore album by Eleven Pond is finally out on Dark Entries. The band formed during the mid-80s in Rochester, NY, while attending art school, and were brought together by their shared love of 4AD and Factory Records. They released their debut LP “Bas Relief” in 1986, reisued in 2009. Before breaking up in October 1987, the band recorded eight songs that would sit in abandoned storage containers for over 25 years. “Assemblege” collects these multi-track recordings, which were originally made between March 1987 and July 1987. The lineup for this period was James Tabbi (vocals, acoustic guitar), Jeff Gallea (bass, drum programs, vocals, synthesizer), Jack Schaefer (electric guitar), Dan Brumley (sequences, samples, vocoder) and new member Tim Masick (electronic drums). “Assemblage” is a logical progression from “Bas Relief” and will satisfy listeners who were left wanting more. The songs are driven by strong melodic basslines, atmospheric synth washes, and textural guitars. James’ signature new wave vocals sound more British than American, recalling the best of New Order or Depeche Mode. Tim Masick’s drum programs add an electro element to Eleven Pond’s DIY sound. Their primary influences were Joy Division, Fad Gadget, and Echo and the Bunnymen, as well another obscure American college rock band, For Against.


Popsimonova is the new upcoming queen of cold electro (wave) … her tracks are cold but with lots of energy… intelligent constructed tracks to make you move but also to makeyou take a step back and let the music work on you in different ways… this is what they call electro beyond the former Iron Curtain…and this is what we move to on any good electro party…

Hailing from Holland Ekman has been haunting the dancefloors for some time now with his deformed acid influenced dark and nasty slow electro and techno tunes… his music is fitting in perfect in between drugged out techno and new beat / early techno stuff… and even some classic electro touches can be found… simply excellent for not your average dance party… but who likes average anyway…

Adam Cummings aka Binny with a new release on Orbis Records. UK-based and clearly influenced by the Detroit sound, he manages to translate the combination of hardware & his skills for arrangement into something special. This EP contains two must have tracks for the floor on the A-side full of 909 drums, 727 stabs, cowbells, hats & the riffs from the Alpha Juno. The B-side gets another character, his deeper inner side where he pulls of to touch emotions in a Parallel World along side Stephen Browns take on “No Surrender”.

Turbo Warehouse Series continue with Gingy & Bordello, backed by a killer remix from Robert Hood. Saturday Night Fervor silkily wraps itself around wiggly disco-inflected samples that guarantee hand raising and foot stomping in equal measure. This is the kind of fun, soulful, inclusive party bomb that makes the world go round.

Effective dub inspired house/techno tracks by this Analogue Solutions offspring by Eduardo De La Calle.

With integrity and passion at the core of M_Rec Ltd’s mission, it’s not surprising to see the relationship between the label and uncompromising techno veterans Dimi Angélis & Jeroen Search continue. M_Rec Ltd. welcomes back the dutch duo with a release under their A&S alias. Through the vinyl-only A&S series, the two producers have continued to deliver a consistent number of solid dance floor oriented tracks, supported by an infinite number of artists.

Part three of the Lost Archives Series including 2 heavy tracks for the floor. On the A-side, Stephen Brown contributes with ‘The Flow’ in which he perfectly shows his own distinctive trademark sound. Moving synths on top of a rolling tribalesque beat. On the B-side we find Jonas Kopp with ‘Telergía’. It’s one of his most melodic pieces to date, which therefore makes a perfect match with Indigo. Up to date techno with old school Detroit influences.