‘Murder is The Number’ is dynArec’s with his first full EP for Cultivated Electronics label. He brings his seminal craftsmanship to Cultivated Electronics over four new tracks from the imposing ‘Stop and Stall’ via the electronic funk of ‘First in Motion’ and deeply grooving ‘ Specialized In Anything’, to the twinkling closer, ‘ Lowest Perceived Legitimacy’.
‘Draw The Line’ is a brand new techno compilation from Semantica featuring Regis, Oscar Mulero, ASC, Stanislav Tolkachev, Anthony Linell, Jonas Kopp, Claudio PRC & Blazej Malinowski, Valentino Mora, D-Leria, Sciahri & Desroi, Simone Giudice and Svreca.
Lewis Fautzi’s new EP for Fault Section is full of trippy pads and powerful bass lines. Mesmerizeng techno as its finest and with a small cherry on top of the cake: a remix by Rodhad.
Paleman returns to his home imprint PLMN with 4 new pieces orbiting experimental techno and abstract electronics. Framed against a prolific back catalogue of both experimental club music and exploratory electronics as Paleman, as well as his recent excursions into reduced modular driven music under the alias ‘Fresnel Lens’, PLMN005 represents another progression and milestone in Paleman’s career as a forward thinking innovator within his fields and beyond.
Boogie Woogie NOW! is an ode to the Victory Boogie Woogietunnel and the new connection it creates between The Hague and Rotterdam. Boogie Woogie NOW! was conceived by David Schoch and the creative team behind culture podium PIP Den Haag. Together with artists from The Hague and Rotterdam they developed a light installation, with which they show their interpretation of the boogie woogie. The installation is by David Schoch, Jorick Mulder, Polo Vreedenburgh and Jeroen Meijer of PIP The Hague. Light and installation artist Philip Vermeulen adds 2 of his works. The music has been specially composed by DJs and producers Alden Tyrell and I-F, 2 leaders from the electronic music scene of The Hague and Rotterdam. The whole is introduced with a poetic ode to the Victory Boogie Woogietunnel, by Steven van Lummel, word artist from The Hague, and Dean Bowen, until recently Rotterdam’s city poet.
Third full-length album of veteran Swedish producer Ola Obergman. A heavy collection of 808 based electro-techno fusion tracks in classic Pariter style.
For the penultimate volume in Science Cult’s space exploration-inspired Astra Spectra series, label boss Syrte has served up an EP from arguably Britain’s most decorated electro producer, Carl Finlow. The veteran studio buff delivers a quartet of stargazing excursions, where deep space electronics and sci-fi bleeps ride black hole chords, supernova bass and crunchy electro drums. Including a remix by label co-founder Syrte.
Running Back regular Redshape returns with Release Me. Four tracks and four deeper shades of Techno (or House?). It’s not a secret that the music of the man with the red mask is heavily influenced, inspired and informed by the blueprints and the symbolic language from the twin cities Detroit and Chicago.
Frame Of Mind is back with another piece of art. Synaptic Voyager delivers 6 amazing classic house and techno tracks. Beautifully produced deep and analogue moods.
Rawax kicks off a new 10″ series on Chiwax featuring Shift Imprint label boss, Angelo Santos aka Audiopath.
“”It’s the Monkey!” is one of the most striking and unique reissues of Best Record to date, rises like a flame from the history of the Italo-Disco. Very well arranged and enriched by a creative use of many different sounds. There is nothing else quite like it! Strada was born in a studio where the extraordinary arrangers Ennio Tricomi, Enzo Vallicelli and Romano Trevisani work with Enza Kucic’s superb vocal skills, their favorite backing singer of Crusin’ Records. “It’s the Monkey”, considered to be one of the Top Five Italo-Disco tracks of all time, is a electro monster with all kinds of weird sounds and effects, wicked synth stabs, very original use of drum kits and arpeggios. “Street Dance” on the flip is an underrated electronic track with a deep dance potential, rhythmically slightly slower, with very catchy synth strings.
An Italo Disco rarity from 1984 now again available as 12″ maxi single. On side A there are the rare original versions and on side B two new and exclusive remixes by Flemming Dalum and Hysteric.
Acid Avengers are back with a new split EP with four bangers from two French. Coming from east of France (dynArec) as well as west coast (Captain Mustache), the two froggies deliver here four acid tunes for the floor, with an intense sexual groove and firmly designed to get your body moving.
Johnfaustus is shaping electronic dreams at your disposal. Enter the cabin and let them guide you into their translation of energy and emotion.
Detroit legend Jeff Mills’ returns with an exciting new LP, and as always, there’s a deep concept behind it. Mind Power Mind Control explores various techniques used for mind control, the deceptive techniques devised for such purposes and its power over people. Similarly, the music on offer here is incredibly hypnotic – this is a Mills album after all – with each track’s complex sonic tapestry sure to entrance you. All of The Wizard’s idiosyncrasies are on offer: immaculately programmed 909 rhythms underpin majestic strings and sublime tones, all delivered with his trademark style of futurist minimalism. While less dancefloor oriented than some of this revered DJ’s previous releases, it’s awe-inspiring nonetheless. Essential listening.
J.S.Zeiter is one of those alluringly mysterious artists whose music keeps on drawing us in. Here they kick off the new Maastricht based label Mosae with a serious of deep techno bubblers. There are archetypal dub chords rippling their way over a sublime techno rhythm on opener ‘Sentinel’ while things remain just as war, cavernous and cuddly on the widescreen dub techno delight that is ‘Inflection.’ It all comes to a heady end with ‘Horizon’ which will have you taxing off into the distance lost in your own thoughts.
Versatility does not even come close to describing how the humble Japanese ¥ØU$UK€ ¥UK1MAT$U is considered to be one of the best DJs in the world by many of his peers. In this special mix album, Yukimatsu gathers round his producer friends to build vessels of the story structure. Threading the pages together, interweaved by friendship and sine waves, he has crafted a masterful presentation from their individual messages. Pulling and stretching all sonic shapes and shades while exploring the farthest reaches of sound, the result is a frequency soup of twelve outstanding tracks that when sequenced together, become part of a greater, grander story: Midnight is Comin’.
Bruno De Angelis and Giovanna Gulinello unwittingly met in London in the late 70’s, after being introduced by a mutual friend. It wasn’t until Bruno rescued Giovanna from an awkward date that the pair became a couple. At the time, music was just something they did for fun. In 1981 the pair moved back to Italy and found an apartment in Rome. It’s here that they began to focus on their music and where they started ‘recording’ their tracks. As with many artists during the early 80’s, the Influenza Prods’ sound was the direct result of the accessibility of emerging electronic instruments and the recording equipment available to them. Influenza Prods managed to ‘release’ three tapes which comprised of the Greatest Tits (1983), Cheek-A-Bomba (1984) and Quasi Solo (1985).
Flock is a brand new collaboration between five leading musicians from London’s open-minded jazz and experimental scenes: Bex Burch (Vula Viel), Sarathy Korwar, Dan “Danalogue” Leavers (Soccer96, The Comet Is Coming), Al MacSween (Maisha) and Tamar Osborn (Collocutor).
The Hipodrome Of Music 