
Ron Morelli – GeezerMix 011



Due to thyphoon Dujuan, Move D and his friends Benoit Bouquin & Marco Wollenberg were trapped in the studio for a few days, when David visited Taipei in 2015 to play Corner Club. All the flights to and from the island were cancelled during the storm, so the three had some extended studio- and red-wine sessions. Looking back from now- these were all worth it and the best thing that could happen- 3 hazy and timeless cuts from the eye of Dujuan.

Frame Of Mind is back with another re-issue of a 25 year old record. Gerd’s very first house release called Afterglow, produced under the alias of It’s Thinking together with two of his (highschool) friends Mark and Dirk-Jan, was picked up by John Acquaviva for release on the short lived Plus 8 subsidiary called Malego back in 1992. The EP features five warm and atmospheric house tracks recorded at a dark attic room somewhere in the west of Holland in 1991. These days Afterglow is quite a sought after record that rarely turns up cheap on discogs.

Hamburg’s Achim Maerz arrives on DBA with an expansive twelve track package. Split across a 12″ ep and a cassette, ‘Experiments’ is a collection of live, improvised house jams recorded in the summer of 2015 in the artist’s home studio. The title refers to the fast and rough recording of the material, with the aim of catching a mood before process and self-awareness take over.

Gnork and Luv Jam have worked closely together for many years now. The Blorp93 yellow vinyl surfaced in 2013 and since then, there have been a few secret cuts nipping about here n there. Those very secret Blorpers are here on one precise 12′, with ‘Sexxx in Space’ the biggie from Gnork’s Lost In Budapest Mixtape! LuvJam adds a few sexy dream nips for those DJ’s who like to add another dimension.

The Trickfinger project was recorded 10 years ago with no intention of being released at the time, made purely for discovery and learning experience. ‘In my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. The Trickfinger LP was made in that mindset, and it was the beginning of a new musical life for me. When I hear it, it sounds like I am opening up doorways to new worlds, and I never have had that feeling listening to music I made for the purpose of releasing it and selling it.’

A soothing summer airstream coasting off of the Adriatic, Lock Eyes turns in four kaleidoscopic house & techno jams for the Lobster main label, keeping the summer sun rolling on through.

Four trax for the heads and for the floor. Screaming acid with deep rhythms full of mesmerizing chords like these old Detroit warehouse vibes meeting ultra dope bouncin beats going into dreamy breaks. All captured in sonic waves from this Melbourne Salt Mine bloke on a heavy mythical mental mission.

Moda is kicking off the new EP on the Deeptrax label (DPTX-006). Big large suburban club tracks in flashing DIY style from this already acclaimed DJ/ Producer from Sweden. Banging the room with filthy lo-fi dance, groomy grimey basslines and stabbing 90’s rave sounds combined with clever aquatic accents for that perfect party mood. Dirty subliminal sounds riding the hard rolling rhythms….. This one goes hard and deep.

A poignant and thoughtful EP from Berlin duo Snuff Crew, dedicated to their friend, collaborator and labelmate Andreas Gehm who passed away in summer 2016, just after his own I Love Acid release. Four analogue acid hardware tracks. Remix duty falls to fellow hardware aficionado Perseus Traxx.

The Exaltics are back with new transmissions from their universe in form of the second part of “Das Heise Experiment”. The first part from 2013 on Abstract Acid will see his follow up end of 2017 on 2xLP inclusive a Comic book about the story of the Heise Experiment. This amazing looking shape picture disc, developed with the dutch artist Godspill aka Mehdi Rouchiche, is “The Prequel” release and sees The Exaltics in assault mode. Side A brings a stomper in typical exaltics style with deep strings and a pumping bassline like an alien invasion which is on course to earth. Side B begins with a cryptic alien speech signal transmitted direct from the universe whilst the second track is a collaboration track with non other than Dopplereffekt’s Rudolf Klorzeiger. Both artists together create a timeless electro voyage with sharp snares and fast running basslines and combine their both styles perfectly together. Every record comes with a download code for the release itself and 3 exclusive bonus tracks. This release is strictly limited to 500 copies. The outer contour of the picture is also the contour of the record and makes this release to something really special and to a high collectable item.

Any new project from Convextion man Gerard Hanson’s ERP project is worth celebrating, particularly when it is stretched over three 10-inch singles. Part one of the Evoked Potentials series offers two typically on-point chunks of intergalactic electro. He begins with “Sensory Progress”, where vintage computer bleeps, throbbing electrofunk bass, spacey chords and yearning melodies wrap themselves around a snappy TR-808 groove. Flipside “Lodestone” is a slightly more atmospheric affair, where cascading synthesizer melodies and grandiose, deep space chords cluster around a shuffling rhythm track. It sounds a little like Drexciya jamming with Brown Album-era Orbital, which is no bad thing in our book.

Sumerian Fleet is a trio formed by Dutch producers Alden Tyrell and Mr Pauli, joined by Zarkoff after their 2010 debut EP. Sumerian Fleet have returned to release their sophomore LP ‘Pendulum’ of all new material as well as a remixed version of “This Game Has No Name” from Zarkoff’s other band, FFFC. ‘Pendulum’ contains 80’s Dark Wave/EBM inspired tracks with an industrial tinge, 8 songs of vintage dark electro with a Gothic tinge and a touch of bass guitar. The album’s been put together in a way that the listener can connect the dots, create a narrative, and become immersed in this attitude that the band’s trying to convey, such as Vigny’s idea of accepting despair: ”A calm despair, without angry convulsions or reproaches directed at heaven, is the essence of wisdom.” All songs were initially recorded at Mr Pauli’s studio in Den Haag, with overdubs and additional recordings at Zarkoff’s Sensorium Studio in Croatia, and then final mix downs at Alden Tyrell’s studio in Rotterdam.

Keine Ahnung was a quartet from Wörth am Rhein, Germany formed in 1980. The original line up was Rolf Schmuck, Franz H. Rodenkirchen, Elke Fuchs and Olaf Schumacher. Hermann Kopp from Stuttgart, a friend of the band, contributed a composition on their first LP and became a full member in 1985. The band members shared a common interest in industrial, pop, avant garde literature and cinema. They recorded three LPs in 6 years, two of which remain unreleased. In March 1983, Keine Ahnung recorded their self-produced and financed debut LP in two days in a small studio in Stuttgart (12 hours total). The mixing was done in one day in a studio in Karlsruhe, April 1983. The self-titled LP was released later that summer on their own PASSIV label in an edition of 1000 copies. This record obtained recognition far beyond the German borders. Keine Ahnung in the studio and live were completely different. Studio time was expensive in these days, so the music was minimal electronic pop, expertly crafted and razor sharp man machine music. The live sound utilized more complex synthesizers, tapes, guitars, metal percussion and custom built electronics. The beats and bass lines came from the Roland 606/303 duo triggering a KORG MS-20 for the bass drum. The track “Funkbild DPA” is a spontaneous “live in the studio” recording, that gives a hint of what the live sound was like. All four members would take turns singing and playing the instruments.

Savage Grounds released their first three records with Lux Rec, of which one of the members from this Swiss duo is the label boss. This new EP is the first release coming out elsewhere. Savage Grounds have created a sound of their own, a sort of post-techno which combines elements of techno, elektro, EBM, acid and industrial, but these tracks will for sure also appeal to lovers of analogue synth music. The whole EP sounds like it has been recorded in an one take synth jam, raw and fierce synth sounds for the body and soul.

NEP was a loose multimedia collective formed in 1982 Zagreb, ex-Yugoslavia. The founder Dejan Krsic collaborated with various artists in a quest of re-thinking the stale concepts of art history, position of the author and the barriers between pop and elitist high culture. Deeply immersed in pop-culture, politics and art theory Krsic’s search for perfect pop music with cutting critical edge peaked in 1989, the year Decadance track was conceived in studio, but has never been published. Pumping Roland 808 beats, with sampled vocals from Linda Cooper asking herself “How do I dance to this music?” were chosen by Fox & His Friends label owners Leri Ahel and Zeljko Luketic for a 12″ opener of the unknown NEP’s pop history. All material is restored and mastered from original reel-to-reel tapes and presented on wax for the first time and for this occasion, deconstructed and reinvented in a remix B-side by Snuffo. Snuffo splitted the title vocal into a new cut-up, now telling “Dance to this music” to its audiences.

Cosmin TRG is back on Sportiv with two tracks of stark, angular beauty. ‘Afterburn’ harks back to 90s era Techno of the hyperkinetic variety. The obsessive vocal mantra adds to its hypnotic, frantic rhythm. ‘Electra’ on the flip is on a trance-inducing mission, with it’s cavernous 808 kick driving a tribal groove, carried by a pulsating bassline and eerie percussion. Sportiv is a dexterous white label operation that brings you heavy-weight rhythmic performances from the world of techno athletics.

For the thirteenth release, Construct Re-Form invite the Argentinian prodigy Jonas Kopp. The Cosmic Control Center Ep starts with “Cognitive Process” and “Metaprogramming” which are more introspective and abstract whereas “Vortex” is the climax, the release of energy. To conclude “Human Bio Computer” adds something tragic, the final touch to the picture.