The latest EP on Tresor Records comes from reduction luminary Terrence Dixon. Detroit’s most puzzling genius debuted on the label in 2000 with his first ever full length work – From The Far Future. It took over a decade for its sequel to follow – From The Far Future Pt.2 released in 2012 to great public acclaim. This year, Terrence Dixon prepared a matchless four track EP, going ever further in his very own tenor of collided electronics and mesmerizing tones. Words can simply not describe.
To celebrate 10 years of No Way Back (a regular party in Detroit…and beyond), the label is launching the Acid Series, a series of records on Interdimensional Transmissions inspired by the No Way Back parties. The second release in the series comes from Justin Cudmore. He is the latest in the line of midwesterners to emerge from the Brooklyn music scene, hailing originally from Illinois. And you can hear it in his music, that mesmerizing midwestern groove and deep heady thoughtfulness.
Brokntoys techno series detic continues with Crystal Maze. Gijs Poortman & Marco Spaventi form Crystal Maze, a sporadic project when they both get the time away from their busy solo projects. Here they present 4 tracks cutting between rolling techno, deep jacking grooves and beatless excursions.
Dublin’s Lime street music follows up on their debut release by Marvis Dee with another release from a shadowy alias in the form of Esoteric Orchestra. Four machine driven jams packed with heavy drums, dreamy pads and lumbering bass.
Submitted to the IntergalacticFM Demo Contest in 2010, Space Cat, was a hit for all that tuned in and a personal favourite of I-F who jammed it plenty on his Bottomless Pit show. A vinyl release looked promising but never came to fruition for unknown reasons. Several rumors swirled and cryptic messages posted to the internet before Yellow Beach Balls all but disappeared. Almost 7 years to the date of the demo contest and we still don’t know the story behind Yellow Beach Balls, but we do get the release of the Space Cat EP including 3 lo-fi synth-pop tracks to join the aforementioned title-track.
Argentinian disco maestro Ric Piccolo with four slamming cuts on the sixth Violette Szabo release.
The return of Timothy J Fairplay sees tracks from his 2 EPs on Emotional Response remixed on one special release. Four favourite producers chosen to bring new dimensions to his brooding, shuffling electronics, featuring Scientific Dreamz Of U, Alessandro Parisi, Perseus Trax and Antenna.
Khidja are back on Malka Tuti and this combo cannot and will not dissappoint. They continue their current direction of leftfield-club music exploration, this time in the form of Microb, a track that is a wolrd of its own, fusioning heavy industrial vibes with their own take of “worldly music” to create this peak time dancefloor bonanza. On the flip side Salon Des Amateurs Tolouse Low Trax delievers two takes on the original track, stripped down and turned upside down, adding those Massive vocals. These takes are hypnotic as they are groovey and they complete a unique package for the modern dance floor explorers.
The fourth release in Dekmantel Record’s tenth-anniversary, celebratory release series is a collection of new material from some of the label’s favourite artists. A blend of the old and new, brought together through a shared love of electro, and wave influenced grooves by the likes of Palms Trax, The Egyptian lover, Interstellar Funk and Syracuse & Epsilove.
Since ’87 a 13 year old Jan Svensson AKA Villa Abo has been the back bone of Swedish electronic experimentalist group Frak and behind one of the biggest inspirations for Butter Sessions, Borft Records. As always, Jan keeps pushing the boundaries on this 4 tracker.
Don Ron Trent re-engages his deep dub systematics with Blak Punk Soundsystem. There are two definitive sides to this story: “Red Cloud” plunges into a swampy, pensive stomp loaded and laced with heavy atmospheres and washes of heady percussion while the “BPS Dub” plays the consummate foil with a roomy, mystic rebuild that maintains the pressure in a soft focus hazy form. As always with Trent, the quality is benchmarks beyond mere mortals’ grasps.
Mr. Frankie Knuckles – this time operating under his Night Writers alias. We’re not sure too much needs to be said about this one, it’s all here really, that classic Knuckles deep touch, the musicality, the vibe… Ricky Dillard’s vocals encapsulating that feeling when the music takes over, pure abandon. The pairing of these two talents results in what would eventually become a bona-fide house classic.
Snuff Trax is thrilled to announce that Andrew Soul is back with his big love for house music on this new record. The – Wide Range Of Experiences EP’ features four tracks full of irresistible grooves, driving beats and sweet melodies. You can even catch up with Klaudia bringing fantastic and emotional vocals on the opening track – Strange Feelings’.
In recent years, original copies of Marcus Mixx’s superb 1992 single “Liquid Love” – a sublime chunk of deep house for the ages – have become sought-after amongst collectors. This can partly explained by the fact that the 12″ boasted a rare remix from the late, great Ron Hardy, which brilliantly peppered the original’s Mr Fingers style groove with whistling synthesizer melodies, lilting chords and sweet vocal loops. Hardy’s mix naturally takes pride of place on the flipside of this on-point reissue. On the A-side you’ll find the rich, soulful and full vocal “New York Mix” – think vintage Nu Groove with a dash of Dream II Science, and you’re close – and the “Can You Feel It” mix, which offers a loving tribute to the Chicago deep house style of Larry Heard.
Emotional Rescue starts its 5th year by shining a light on one of Europe’s best underground 80s’ label in Spain’s Auxilio De Ciento. Their Terra Incognita Volumes I and II collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. Released in 1985 and 1986, the Volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from London to Amsterdam and Dusseldorf to Glasgow. Here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. Starting with Denis Mpunga & Paul K’s esoteric Criola, a fusion of fourth world ideals and poly-rhythmic funk. The music of Mal, Bene Gesserit and La Caida De La Casa Usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. The inclusion of Hector Zazou with Bony Biyake and their contribution Komba, is a fitting continuation from their cult Noir Et Blanc LP before, things continue with US avant-artist Danny Alias and his humorous Big Brother “response” to Laurie Anderson’s Superman O. Image Pour Image loose indie-pop and the inclusion of seminal Beast Of Burden lead again to a Zazou contribution, this time in his collaborative Stranger In A New Light, before the compilation eclectically ends with the dadaesque Lakota and the post punk dub of Instead Of’s closer, Angels .
Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.
Czechoslovakian band Máma Bubo was founded by Karel Babuljak in 1982; he put together five friends that he trusted. Having been more or less groping in the dark of music until then, Babuljak suddenly expressed a clear musical and human opinion to which the other members of Máma Bubo added theirs. A new band was born and although it had a clear face, it did not fit in anywhere, was hard to be connected with anything, and was isolated despite its openness. Máma Bubo always guaranteed an extraordinary and shocking experience which surpassed the level of entertainment. 1985: Babuljak’s disenchantment with the social situation as well as with artistic futility compelled him to a more profound attitude which resulted in a totally different concept, Planeta Haj, for Máma Bubo; yet, the concept was short-lived as if having been born in a place it did not fit in. In 2017, 2 LP of Planeta Haj, a record from 1985, was released on vinyl for the first time.
UnknownmiX was a band active in Zürich between 1983 and 1992. Their music is a mixture of free vocalism, new wave and industrial, they released five LPs and three EPs. Out of their discography Lux Rec selected four tracks, remastered from the original tapes, and presented as a sampler EP. Four tracks that fit perfectly to the label’s tonal view. An ode to those Zürich days, when excesses and uncompromising choices were a badge of honour. And music was something to fight for, or fight with, or dive in and die.
The Hipodrome Of Music 