Dj Steaw – Everydayz EP [TU003]

Contemporary deep house with the bumping grooves of classic Jersey garage. Tapping up the talents of French producer DJ Steaw, the EP is dominated by “Everydayz”, combining an ultra-crisp percussive arrangement with resonant bass, hands in the air keys and breathy vocals, as tight a dancefloor house construction as you’re likely to hear in the near future. On the flip, the producer provides the “Deep mix” of the same track, inverting the mood with its cloak of midnight vibes, soundtracking the club rather than the terrace. The real gem however is “Morning Light” mixing up the formula with its driving bassline and richly filtered atmospherics.

listen

Dj Steaw – Everydayz EP [TU003]

Moon B – Measure Pleasure [PULP005]

The title track ”Measure Pleasure” has that buldging funk bass lying underneath some spacey pads and a great rhythm track. Golden Ivy’s version of the title track is emphasizing on the rhythm even more by adding bursting FX and obese kickdrums. Moon B’s Nada Clouds (A3) is a positive yet exotic journey which should be excellent for summer gig’s on rooftops anywhere in the world. For the B1 Moon B continues with the percussion laden ”PV Hills”, this bit has those signature chord switches and vibe changes, that are creating a very melancholic atmosphere throughout. British master of all things melodic ”Fudge Fingas” flips the original completely, making it more streamlined with just a hint more power.

listen

Moon B – Measure Pleasure [PULP005]

Staffan Linzatti – Who Knows Where To Go [FIELD017]

The first chapter in a series of three EPs to come from Dutch label Field Records is from Swedish producer Staffan Linzatti. Hypnotic techno from the outer edges of our galaxy combined with richly melodic, angelic and heavenly electronics on the deep space affair. Dedicated Millsian productions which are riddled with spaceship communications and distant sonar pushes.

listen

Staffan Linzatti – Who Knows Where To Go [FIELD017]

Binny – Subtractive Rhythm EP [SYM015]

Ben Sims’ Symbolism continues apace with a release from Binny, a Liverpool-based producer DJ otherwise known for some superb output as part of Phantom Planet Outlaws. Comprising three original tracks, the Subtractive Rhythm EP also takes in a remix from long-time Sims collaborator and British techno legend, Paul Mac.

listen

Binny – Subtractive Rhythm EP [SYM015]

Eduardo De La Calle – Computational Behaviours [MNSX004]

The MNS X series returns for its 4th issue with one from the Spainard mystic: Eduardo De La Calle. Featuring full EPs from the label artists, the MNS X series plays in the field of the analog, acid and techno. For this, Eduardo De La Calle has put forward a tougher stance from his other silky productions, heading into the rough, analogue and raw terrain for Midnight Shift. The result packs a punch, rounded up with a remix by Hodge.

listen

Eduardo De La Calle – Computational Behaviours [MNSX004]

Gary Martin – This Is It [MT071]

Gary Martin releases his second sequential EP on Motech Records, the ‘This is It’ EP. The Ep features two more exclusive tracks, ‘This is It’ a driving composition accented with piano and synth patterns and subtle funky movement, and ‘Galaxy Style’ a percussive, building composition expertly laced with muted samples and synth progressions.

listen

Gary Martin – This Is It [MT071]

VA – A Different Point Of View EP [REFLEKT005]

Already moving forward towards the 5th addition to their catalog within barely one year of existence. The Rotterdam-based Self Reflektion imprint continues to expand their crew presenting a four-track sampler with music from the likes of Logotech (Manifesto/IT), Hiroaki Iizuka (THEM/JP), Remco Beekwilder (Self Reflektion/NL) and Lenson (Paling Trax/NL).

listen

VA – A Different Point Of View EP [REFLEKT005]

DYAD – Zou [DYAD003]

Dyad is a collaborative music project and label by Ben Gibson and Fundamental Interaction. For their third release they deliver two pieces of mesmerizing warehouse techno in ‘Zou’ and ‘Fully Automated’. To round things off they’ve assigned Irish techno master Lee Holman, who weighs-in with a devastating remix of ‘Fully Automated’.

listen

DYAD – Zou [DYAD003]

Mark Broom – Stunned (97 mix) / Decay [MPM026]

The original version of Stunned was released on Mark Broom & Dave Hills renowned Pure Plastic label back in 1997. The 97 Mix featured here started as a live mix of the track, which Mark has now tweaked for maximum dancefloor devastation. Its accompanied on the flip side by a brand new composition of equally outstanding quality. Broom is in fine form on Decay with his tight production skills delivering the kind of tough, raw Techno that sits perfectly on M-Plant.

listen

Mark Broom – Stunned (97 mix) / Decay [MPM026]

I.B.M. – From The Land Of Rape & Honey (The Suppressed Tapes ) 1995-2005 [IT035]

Jamal Moss (aka I.B.M. – Insane Black Man) is a lost warrior of sonic truth. Digging through shoe boxes of cassettes, video tapes, and mini discs, we have collected the secret tapes of one Insane Black Man. This is an archive of the impetus of his genius, containing perhaps the holy grail of all Jamal Moss tunes The Land of Rape and Honey and Tribal Retribution. Artists on labels like LIES are still searching for these originals. We have taken them from their dusty and damaged condition and painfully & meticulously restored them. Now we can present these fragile raw and pure visions with the greatest level of quality. Finally the full impact of these ideas can be felt.

listen

I.B.M. – From The Land Of Rape & Honey (The Suppressed Tapes ) 1995-2005 [IT035]

VA – World Of Rubber 1 [RUBBER001]

Rubber is a new label from The Hague with a motley mixture of off-radar electronix for both the experimental clubber and home listener. Rubber001 is a bold three-tracker. Mannequin Records head-honcho Alessandro Adriani hits the nail on the head with his secret weapons. Secondly, reigning from Finland, 0.5W pans across the room like running with titanium scissors. The cherry on top is this piece of Dutch drum-laden ”poetry”, probably on illegal medication, about a bicycle mechanic from The Hague by legends Unit Moebius, Reverend Cor Gout and Salo Mentale.

listen

VA – World Of Rubber 1 [RUBBER001]

Drvg Cvltvre – The Right Knife In The Right Back [PIV001]

DRVG CVLTVRE - The Right Knife In The Right Back

Tilburg based producer Drvg Cvltvre did another outstanding job. Four extremely mean tracks ment for bombing dark basements, nasty party’s and late get togethers. New label based in Berlin ran by Rotterdam producer Charlton / Tapirus together with Nick Dunton.

listen

Drvg Cvltvre – The Right Knife In The Right Back [PIV001]

Vakula – Dedicated To Jim Morrison [LELEKA007]

Ukranian lo-fi genius Vakula is back and if audaciously tackling Steve Reich wasn’t enough, he’s taking on possibly his most ambitious project yet with “Dedicated to Jim Morrison”. The title says it all really, in this brazen tribute to the sixties rock legend. On the first side you’ve got “For Jim” with its bluesy, boozy, typically sixties rock, while “The Canyon Road” is definitely the track on here to really channel the sound of The Doors. Then the acoustic country twang of “Mississippi Delta” carries off a southern charm. On the flip you’ve got “The Human Abstract” which is one truly hazy affair and features some of William Blake’s’ spoken word poetry recited by friend Andrei Dubinin. “Airolg” sounds like, well, Van Morrison’s “Gloria” (once famously covered by The Doors) and “Tien Beach” features sublime tremoloed slide guitar, sounding like riding off into a sunset. This album is Vakula’s thoughts in time and out of season dedicated to Morrison, the poet, the musician, the soft mad child, the great man. ‘Enter again the sweet forest, enter the hot dream, come with us. Everything is broken up and dances’.

listen

Vakula – Dedicated To Jim Morrison [LELEKA007]

Jimi Tenor & UMO – Mysterium Magnum [HRKL004LP]

Jimi Tenor has made an instrumental album “Mysterium Magnum” with the Finnish “national” Jazz Orchestra, UMO. UMO is a professional 16 piece orchestra. Specialized in jazz and contemporary rhythm music. Throughout it´s history UMO has had a focus on Finnish composers and has performed hundreds of compositions that were made especially for UMO. Jimi Tenor is a Finnish composer/performing artist maybe best known for his electronic music from the 90´s. This album is the first album that´s is composed entirely for a big band. In 2003 Jimi Tenor had his own big band and made a 6-week European tour, which included Montreux Jazz and North Sea Jazz Festivals. After 2003 Jimi Tenor has worked with an afrobeat group Kabukabu and made three albums with them: “Joystone” (2007, Sähkö), “4th Dimension” (2008, Sähkö) and “The Mystery of Aether” (2012, Kindred Spirits) In 2009 Jimi Tenor made an album with the afrobeat legend Tony Allen called “Information Inspiration” (2009, Strut) Mysterium Magnum was recorded at the rehearsal space of UMO, which is situated at the YLE studios in Helsinki. The music on “Mysterium Magnum” is not typical big band music.

listen

Jimi Tenor & UMO – Mysterium Magnum [HRKL004LP]

The Dangerfeel Newbies – What Am I Here For? [NDATL016]

Soulful fusionists The Dangerfeel Newbies are an interesting proposition. Certainly, the Atlanta-based trio has made an impression on NDATL Muzik boss Kai Alice, who’s decided to release a trio of his own interpretations of Hariet album highlight “What Am I Here For”. He begins by delivering a classic soulful house interpretation, placing the original’s superb vocal and twinkling jazz pianos right at the heart of the action. Those superb piano lines come to the fore on his Piano Instrumental, before the Late Night Mix sees Alice sauntering off on a hazy, duvet-warm deep house tip. Best of all, though, is the bonus remix of “Swingin’ With The New Jacks”, a fizzing, rolling deep house groover replete with vibraphone solos and battling jazz horns.

listen

The Dangerfeel Newbies – What Am I Here For? [NDATL016]

Imre Kiss – Midnight Wave [LT013]

Imre Kiss finally lands back on the Lobster Theremin mothership, this time with a reissue of his seminal tape album Midnight Wave. A seminal, bold and instantly nostalgic LP, Midnight Wave showcases Imre’s immense ability to craft vivid landscapes of ethereal sound, infused with layers and years of emotional content. Culled from live-to-tape synth sessions in his once London abode, these tracks are the result of melancholic and restricted surroundings and trappings. What has emerged is a body of crackling, warm ambient and techno with a vast, cinematic scope. A sonic portrait of an alienated moment in London, told using industrial visceral tools and visualised through the cutting figure of a lonely individual boarding the 5am night bus home.

listen

Imre Kiss – Midnight Wave [LT013]

Voices from the Lake – Live at MAXXI [EMEGO209LP]

‘Italian techno masterminds Donato Dozzy and Neel are returning as the duo Voices From The Lake with a release on the mother label Editions Mego: Live @ MAXXI is a marvellous organic live-set of hypnotic ambient techno, proofing the outstanding and elegant craftsmanship of their sonic sculpturing, that they both are famous for. As was to be expected they stay true to their polyphonic topography of liquid scapes: aquatic sceneries are embedded in soaking dense atmospheres, gently gyrating us into trance. Sometimes soft echoes of sirenic voices are heard – the only remnants of human traces in these spaces that have suspended time, where smooth silky textures are being channeled into fractal structures that induce a state of transcendence. The haptic quality of their sound is adding up to a sonic matrix of metaphysic imaginary that is provoked by gentle glides and dynamic beat patterns of almost tribalistic quality. Dunked in a bath of dark fluid, sometimes washed away at the shores of Kosmische – VFTL’s tunes are not scared to seduce us into a condition of haziness, culminating in a cover of Paolo Conte’s ,Max’ which is turned into a dazzling sample of sweet, dreamy melancholia.

listen

Voices from the Lake – Live at MAXXI [EMEGO209LP]

Donato Dozzy – The Loud Silence [FUR058LP]

In April of this year, Donato Dozzy took a set of mouth harps back to his parent’s house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the “marranzano” on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he’d been making and playing in clubs all these years. It was time to find out how far he could trace it all back. The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute – they’re just waiting for you to connect with them. Field recordings hover below the resonating harps, adding to the mysterious atmosphere. Tracks like ‘The Loud Silence’ and ‘Downhill to the Sea’ are wrapped up in simple rhythms, their strict throb drawing you deeper and deeper into the primitive sound.

listen

Donato Dozzy – The Loud Silence [FUR058LP]

Lituus – 19805. -_ 19905, [AVN021]

Chicago based musician Connor Camburn under the alias Lituus, with an entirely beatless collection that well establishes Avian as the home for the kind of searching electronic experimentation that would have been found on the ten-inch focused imprint that Shifted recently announced would merge with its parent label. Shorn of percussive elements yet not without their own rhythmic structures, Camburn’s six compositions are free of immediate electronic genre influences and instead draw primarily on non-musical inspiration in addition to various other contextual reference points, as he sought to express ideas of the unraveling or ”de-composition” of musical or architectural spaces through musical forms imagined as inverted contours and negative spaces.

listen

Lituus – 19805. -_ 19905, [AVN021]