
Naura Records proudly presents the second part of the Bleak series with 3 new powerful tracks.

Naura Records proudly presents the second part of the Bleak series with 3 new powerful tracks.

Minimal Wave sublabel Cititrax announce a full length album by artist Broken English Club. Oliver Ho (also known for his Raudive alias) expands upon the themes in his earlier output. Now though, he is presenting Broken English Club as the multifaceted project that it is. He fearlessly exposes a range of emotion through varying sound, texture and song structure. The result is a manifestation of his influences (post punk, noise, techno, grindcore) melded into his own unique vision and culminating in an album that sounds absolutely massive, both on and off the dance floor.

Norton North presents a collection of deluxe re-releases by Kirlian Camera: after 26 years the best-seller album Eclipse is again available on vinyl with the original tracklist and artwork. This record is one of the most representative albums of the 80’s, with his icy and pop style at the same time, a monumental classic for the synthpop and electronic scene, but also darkwave and experimental (the title-track “Eclipse” is a real classic for each underground club worldwide). Original released by Rose Rosse Records.

Dead-Cert label have unearthed and reissued this curious record from Mecanica Popular. Originally coming out of Madrid back in 1984 and now available for consumption by a new generation. Because of its relative obscurity it’s difficult to say whether this has been influential or not but these guys were certainly ahead of the curve in many ways and were absorbing influences from great sources, remoulding them into their own vision of electronic music. ‘¿Qué Sucede Con El Tiempo?’ is a diverse and vibrant collection of tracks.

Monster Cosmic ultrarare repress licensed from the “maestro” Piero Torsani . One of Daniele Baldelli’s most played tracks At ”Cosmic Disco”.

This one is yet another debut single by a Belgian project called Querelle. Querelle is one half of :Codes and one half of Jeunesse Fantome. Two dark synth-pop bangers with super vocals reminding you of the Jenuess Fantome & :Codes classics.

The Dutch artist releases music at a rate of knots – there’s been at least nine albums under the Legowelt name alone now, and he has over 30 different aliases, all of which interact in weird, wonderful ways. His music has appeared on labels as Creme, Clone and Bunker bringing that original Dutch West Coast Flavour. Here Institute Of The Overmind, which was made live in a session filmed for FACT TV,gets the vinyl treatment backed with a monster 90s trance re-work from Photonz.

Fred P aka Black Jazz Consortium’s musical set phrase isn’t following new trends. Fred is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase ”deepness” finally gets a fresh truthfully new meaning.

A gentleman from the UK with roots in classic house and deep house. Superb 1990s Detroit school leaning Retro-House EP.

For the fifth installment in the Common Thread series we are launching our series of Various Artists EPs called *Knives Replace Air*. For the first effort in this series we have the likes of Chinaski, MangulicaFM, 33.10.3402 and Gitchell Moore cooking up stuff. Expect an odd mixture of genres all sharing a common thread in terms of feel. Maybe not the most dancefloor friendly record but definitely some kind of miniature soundtrack in its own right.

Great techno/electro compilation on Science Fiction Recordings featuring Spoiled Drama, Chris Mitchell, Dj Nephil, Hinode, Moonknight, Jaymond, Arcarsenal, Rawmance, Jared Wilson & Dj Richard.

A fusion between Maoupa Mazzocchetti, DJ Coquelin and PD Cloarec.Dark, guttural, noxious analogue filth and noise experiments here loosely held together with some kind of nod to the dancefloor.

Berlin’s Kobosil made his debut on the Ostgut Ton off-shoot, Unterton, back in 2013 and the 12″ was received with mighty praise both within our headquarters, and from the techno community as a whole. He has now earned a spot on Ostgut’s main catalogue with the 91 EP – surely named after his year of birth. On the A-side, “Avernian” grumbles and punches its way through heavy kick drums and a sea of distortion, but “Athtar” ditches the beats and heads down the inevitable ambient-drone wormhole. Flip onto the B-side and you’ll find the alien-like sounds of “Konvergent”, alongside the more straight-laced slice-and-dice techno of “Per”.

John Heckle is back on Mathematics with this 4 track EP. Bringing back some serious textures and sequence in sonic mentalism. “It’s a Chicago thang don’t be confused or afraid.”

Proper oldskool jacking house tracks by Mistic Bill on Snuff Trax, including a remix by Jake Reif.

Co produced by Steve Poindexter this EP presented Kareem Smith to the world. All superb deep cuts here from 1991 full of soul and attitude. Re-released in conjunction with Trax 2015.

Made by Mark Imperial & Vinnie Devine as Laurent X, ‘Machines’ was conceived in a 16 track studio with an unquestionable Roland TB-303, but also a TR-808, TR-909, a Juno 106, some FX and a bucket of rib tips. According to Mark Imperial, he and his friends (specially Vinnie Devine) had a mad fun playing with gear.

Artist, producer and DJ Bryce Hackford presents the nine-track album Behind, his second full length since 2013’s Fair, and his first for Meakusma. Behind is an expansive collection for Hackford, who draws from experimental, process-oriented composition techniques to create sensorially engaging dance music. An ethos of presence, enrichment and dissociation pervades Behind – by stripping away the constructed-ness of so much dance music, Hackford allows himself to produce music that is as much a joy to create as it is to share. An ambassador of “ecstatic states” as he calls them, Hackford’s music suggests heightened temporal zones may be ubiquitous if you allow them to be. Behind is a proposition of such ecstatic states, its music pulsing vitally at opposite ends of the BPM spectrum. Distinctly unmotivated by polemic dialogues around dance music, Behind seeks a more soluble musical space for unmitigated engagement. It is music inspired by transitions, no less vital before sunset as it is after the curtain call.

Once again the dutchman from the north Boris Bunnik (who actually resides in Rotterdam now, but that aside) is showcasing his magic fingers, this time on Shipwrec’s deep techno offshoot Deep Sound Channel. ‘Hinterland’ is a topnotch ice-cold but heartwarming submarine electro/techno album with distant hints of IDM, in other words the perfect soundtrack for the long midwinter nights to come.