Eduardo De La Calle with a showcase of electronic music. Four tracks with four different styles of electronica: deep and marvelous keys in ‘Wondrous Punia’, a mastely detroit house lesson in ‘Knockout Sakshi’, the minimal techno monster in ‘Great Manojar’, and the psichodelic electronic cult song ‘Georgeous Shiama’.
Reflecting on a career spanning three decades, Luke Slater is a true dance music legend. The British producer has not only been pivotal in the rise of techno but his work continues to play a vital role in driving the genre forward, particularly under his Planetary Assault Systems name. Following its launch in 2006, Slater’s L.B.Dub Corp moniker has been responsible for refreshing house music on labels like Mote-Evolver and Ostgut Ton, with the latter hosting the pseudonym’s debut album in 2013. ‘Side Effects’ is the project’s first body of work since then. “I wrote the tracks over the last year between being on the road as P.A.S. and playing a few L.B.Dub Corp house sets, which naturally evolved into ‘Side Effects’ almost accidentally” – Luke Slater Crashing stabs and a rolling hook inaugurate the album in ‘Reel One’ before the meandering ‘Night Time Hawk’ demonstrates effervescent effects and bursts of white noise. Commanding kicks and a moody bassline make up the robust ‘Edge 7’ whilst ‘IELBEE’ exhibits a bouncy aesthetic complete with intricate melodies. ‘Float When You Can’ is dark and ominous from the off but an echoing note sequence adds a glimmer of light, making way for the reverberating mechanics of ‘Bass Machine’ before leading into the twisted sounds and ghostly air of ‘Forever In A Day’. Nearing the end, ‘LBEES Jam’ is the most lighthearted track on the album with its twinkling lead melody until Slater rounds off the release with a soulful and vocal driven affair ‘All Got To Live’.
Three warm analogue techno cuts and a rolling ambient outro. The works are unreleased from 1999 – 2000 by underground producers Activ-Analog. All tracks were recorded live in one take – Hardware used includes MPC 3000, Roland SH-101, Roland SH-09, Roland Juno-106, Korg Poly-800 and a Crumar Performer Analog String Synthesizer.
Stand out acidicted 6 tracker by exemptional musican Fabrizio Rat. Two different worlds join each other for an unbelievable and profoundly listening experience. The classic piano played with Fabrizio’s right hand and the TB-303 and other analogue machines played by his left hand. He truly forms an hypnotic state of mind for the listener.
Killer stuf on Klasse Wrecks Sub label Zodiac! Frozen Russian plains rich with moondust and cybo-fog lie still, a faint rumble is heard from behind the horizon and Buttechno checks his Pulsemeter 5000, deciding to head on whilst he still can. Sonic lighting strikes the dead earth, leaving echoes that reverberate for miles around as digital feedback waves sore through the airless landscape. Buttechno steadies his exxo-bike, firing the back up atomic engine before taking a deep breath and heading into the lost and forgotten city. ZCAPRI is the seventh of 12 releases from Z O D I A C 4 4.
The original minimal techno master wastes no time with ‘Clocks’. There’s a sense of urgency as the track builds, looping into its crescendo with waves of staccato hi-hats. Tick tock, tick tock. Over on the flip side there’s a familiarity in the opening chords of ‘Low Life’ that will resonate with fans of Hood’s work. Instantly recognisable, it’s stamped with his ability to bring funk and groove to the colder stomp of techno. Final opus, ‘Go’ brings a spiralling samba tempo to the dancefloor. The punchy drumbeat is interwoven with sweeping cymbals for a highly effective infectiousness, like a call to arms, or better still, the Brazilian call to carnival.
Stojche with some uplifting, classy, mid 1990s Detroit school trained Techno EP for A.r.t.less.
Wata Igarashi with his second release on The Bunker New York. Igarashi is a lifelong musician and a professional sound designer by trade. Through decades of experience composing music he has developed a sophisticated and nuanced approach to production that allows him to evoke powerful moods and emotions. In recent years he has been applying his production skills to great effect, developing a distinctive brand of psychedelic techno.
As we step into 2018, DJ Bone brings another fresh fusion of funk and ferocity, Composed for deployment on his own Subject Detroit imprint, A Piece Of Beyond is a detailed and varied cross section of Bone’s multidimensional musical mind, journeying along a strong spine of Detroit Techno in all its many shapes, colours and textures…
After previous outings on electro institutions Frustrated Funk and Central Processing Unit, Chris Roman aka 214 now appears for the first time on 20/20 Vision. From the atmospheric tones of ‘Potential Events’, the manic energy of ‘Windeye’ and the deeper grooves of ‘Back To Sine’, it’s an EP that leaves no stone unturned in the intergalactic sonic quest. On remix duties we have none other than Keith Tenniswood aka Radioactive Man, who also makes his first appearance on the label.
French label Bright Sounds welcomes prolific Dutch artist Boris Bunnik for a new EP under his most celebrated alias, Conforce. The regular Delsin artist saves this project for his more dance floor driven work and that is the case across all four of the atmospheric tracks here.
Tresor Records announces a new commission, bringing together two of its most time-honored contributors. Berlin’s Thomas Fehlmann and Detroit’s Terrence Dixon came together in Detroit to produce this expressive album. An avant-premiere live performance of this album was presented at Tresor’s annual Detroit showcase in May 2017. Composed of six titles and exploring a wide range of rhythms and emotions, “We Take It From Here” is a celebration of resilience, patience, creativity and devotion.
The Harlem based producer Bas van Vuurde a.k.a. Colophon is back with a release on Deeptrax. The Heritage EP is a hommage to analog machine soul techno, as he calls it himself. Deeptrax is presenting future sounds in fresh modern cuts with a stunning electro-ish remix by VC-118A.
We are heading to Toulouse this weekend to catch the last representation of Jeff Mills’ new conceptual electronic-classical project, ‘Lost In Space‘, which is a collaboration with Orchestre National Du Capitole De Toulouse.
Jeff Mills in cooperation with Orchestre du Capitole present Lost In Space
Continue reading “Jeff Mills – Lost In Space – Classical Debut (Toulouse)”
EDO8 and Wavemechanic are coming together as BinarySystem01 to bring you this slice of analogue electro. This 4-tracker consists of chopped up grooves blended with deep melodies and basslines reminiscing of old school electro era. Wavemechanic’s skills on the Moog and E8’s attention to detail carefully crafted this varied ep that will work in many different situations.
Amsterdam figures Jasper Wolff & Maarten Mittendorff step up onto Delsin with a four track debut EP which includes a remix from the legendary Sterac. Jasper Wolff & Maarten Mittendorff are long time players on the Amsterdam scene as residents at De School, esteemed label bosses at Indigo Aera, and as producers with a richly atmospheric dub techno sound. Steve Rachmad aka Sterac joined the studio for the mix down of all tracks, and also provided a dub version of Tesseract. It completes a package of deep and artful techno that is laced with beautiful ambience.
From another analogue basement, amidst paranoid conspiracy theories and wild youtube truths, the heat of a Tr-808 and Juno-60, and dreams of forgotten utopias, comes the first Secret State EP, an attempt to rise above the all pervasive, vacuous, decaying culture.
Human Space Machine steps up for the third Native Response release, including Eduardo de la Calle remix. Functional techno grooves with cosmic synths and arpeggios.
Bellevue Resort is sensual vacation music for humans and non-humans alike… Think of a slightly utopian place, in a future that has not lost it’s humanity.
Well respected Galaxy 2 Galaxy member Esteban Adame appears on Dolly with 3 strong, true and soulful Detroit House groovers supported by a Los Hermanos remix in full effect, strong package for all Underground Resistance lovers.
The Hipodrome Of Music 