
Sweet melancholic synth-pop on the Spanish based Oraculo Records.

Hailing from Goteborg, Sweden, Facit is the project of Joakim Karlsson. For almost a decade, he has been producing tearful synthesizer music under various aliases, often teaming up with compatriot Mai Nestor on vocals. Smartly drawing a line between Swedish chanson and minimal synth, ‘Måndag Mon Amour’ is Facit’s second EP. Picture two passengers with paralyzing hemophobia, riding a sad carriage and smiling with tranquil melancholy, endlessy playing early 80s analog gear through some spring reverb. It doesn’t take long to remember « notre amour était dans un igloo » and never forgetting it.

Medical Records in collaboration with Crispy Nuggets returns to Italy for it’s 59th release. Hailing from Bologna, Italy in the late 80s, Effetto Joule were brothers Flavio and Valero Biagi , Massimo Chericoni and Valerio Tassinari. Drawing on influences of the early 80s new wave and synth pop scene and armed with an arsenal of synthesizers (Korg Poly-800, Roland alpha juno-1 and juno-2, etc) from the mid 80s, Effetto Joule crafted their own sound. With the exception of the few of the tracks, almost all were home recorded during the years of 1988-1990. Effetto Joule self released a couple of cassettes entitled Ultraviolet A and B as well as one 12″ single in 1989 on Top Sound Record (recently reissued by Mannequin Records with bonus material). The rest of their music has been unreleased demos from which thee tracks were hand selected. The tunes can best be described as densely new romantic with unquestionably catchy hooks and lovely vocals to boot. Standout tracks include Active Ray and Stars Your Memory.

Introducing Broken Dreams, a new series of white label releases on Rotterdam based Pinkman label. First up is Metropolis, who returns with four Wave, Electro and Body Music hybrids. A quartet of tracks that draw on Lapien’s diverse catalogue, this is undoubtedly some of his darkest music to date. Acid, New Beat and Post-Punk influences bubble and churn throughout. Crisp beats crash, strings lament, vocals sigh and synth stabs squirm for an EP that refuses to conform to norms. A hoarse and harsh cry to open a new Pinkman chapter.


Another compilation for Andreas Gehm. All proceeds go to Andreas to aid in a time of bad health. Features artists like Cosmic Force, Morphology, Faceless Mind, Iconic Black Suit, PL_anet, Resting Cell, Myoptik, DJ Kenny Mulligan, Sheffield Bleep, Pleb Acid Crew, Si Moore, Achim.Bloch., Juliane Wolf, Scott Robinson, Healthmaster Gehm, Mr. Myoplast Weakmassive, Qima Inudstries, Knights of The Acid Table, Cubistic Lockian, Lectromagnetique, Captain Gascid, hautille, Rusuden, OpziO, Thomas Ueber, Black Catcher, Mike Volt, T/Error, AL355|0, Robertiano Filigrano, D-Omen, Z1, Lectromagnetique, and g13ck.

Sheffield’s Central Processing Unit has been one of the most prolific electro and techno labels over the last few years. Their fifth release of 2016 comes from up-and-coming producer Rhys “Microlith” Celeste, who made his debut on the imprint a few months back. As debut albums go, Dance With Me is a fine effort. Sitting somewhere between the underwater intensity of Drexciya, the melodiousness of Artificial Intelligence-era Warp releases, and the spacey sound of vintage British intelligence techno, the album bristles with gentle acid lines, ambient chords, punchy rhythms and Motor City inspired melodies.

London Modular Alliance is the raw and unpredictable music project from the UK’s best known, dedicated modular synth shop London Modular. Its members Simon Lynch, Phil Ventre and Gavin Pykerman met through a shared passion in modular synthesisers. Impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. They create an intense live show with a huge setup of self-assembled modular gear. Every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. With the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. No laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. Overall LMA tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. A clear break with the capture-all mentality of the internet age.

The return of DJ Technician in company with his long time friend DJ Overdose. From The Hague to Rotterdam, a true westcoast electro affair.

Mosaique is an electronic music label based in Saint-Petersburg, Russia, founded by Moralez and Murzin. MSQ 001 mysteriously divided into bright and dark sides of the universe. On the A-side (the bright one) you will find intergalactic jack groove represented by Contra Communem Opionem aka CCO (Zurich) and made acid trip together with the cosmic rider Andreas Gehm (Cologne). the dark B-side accepts the challenge from imperfect planet’s chastener Umwelt (Lyon) and a major black hole instigator Moralez (St. Petersburg).

This benefit compilation for Andreas Gehm is being split into 5 parts. You can buy each part for 7 Euro or the full combo package (with all 5 parts – 129 tracks in total) just for 14 Euro (10.64 GBP, $15.56 USD, $20.27 CDN, $21.66 AUD); you can pay more if you want;
All donations go directly to Andreas Gehm to assist with financial stresses due to ongoing health issues (the “Buy” button sends your contribution to Andreas’ PayPal account).
Comp For Andreas Gehm features unreleased and exclusive material.

Renormalon is a collaborative effort between Elena Sizova, Heinrich Mueller: music data and Dr Olga Karelkina: visual data + encoding. Its purpose technically is to visually and sonically communicate the renormalon physics principle. Each composition is separate component of the theory representing a particular phenomenon in the realm of quantum uncertainty. The observer is to be immersed conceptually and hopefully will experience discrete states of energy which is integral in atomic behavior.

It’s fair to say that Boris Bunnik has made an impact in his short career. In less than a decade this dutch man, under monikers like Conforce and Versalife, has scaled Electro and Techno with subtle ambient touches and IDM echoes. And that’s exactly what he’s doing for the Singularity EP. Lush pads and flowing bars punctuated by crisp percussion, “Shine Eye” sets the scene. “Autobots” adopts those same brittle beats, this time using them to send dreaming strings skyward. Northern winds swirl around the colder chords of “MILnet”, chords that dawn into absorbing swirls of “Transgenics.” Masterful machine music.

Electrix Records launches its 2016 schedule by welcoming back after almost 3 years the always impressive, Carl Finlow. His ‘Electricology 4 EP’ once again shows why he’s a master of the genre. From the tough and funked-up ‘Lateral Thoughts’, speckled and melodic ‘Hyperloop’, squelching, bassy ‘Suspect Reanimation’ and sinister, beat-driven ‘Latext’, right through to the playful ‘Atomic Level’ (a bonus track for the digital release), the EP shines, with a stamp of high quality running though its core.

Previously half of pseudo-kitsch acid-electro force Light Year, and now gone solo, Mikey Melas aka Jensen Interceptor joins the binary cataloging CPU with a perfectly formed electro cut. Any artist who samples Ghost in the Shell, arguably one of the greatest anime films of all time, are all right by us. Mikey does so to great effect on the big beat / trip hop tempo ‘Model 2029’, which sits alongside three unrelenting electro bass bin destroyers. Mactavis being the toughest cut, utilising a fierce driving 808 with a robotic bassline interjecting throughout. Electro is often overlooked for the club but it’s obvious this E.P. was designed from the ground up to smash a big room.

Killekill catalogue number 025 is a jubilee release and it’s also a milestone and turning point in the Killekill history, because with this release Killekill closes one chapter, and opens up another. So far, there is this compilation, which has been carefully compiled for your pleasure. Label regulars such as Cassegrain & Tin Man, Furfriend, Alex Cortex or Eomac have delivered high quality stuff of all kinds, but we are also introducing a lot of artists who will feature on the coming labels: Umwelt with his epic and dramatic electro, Dez Williams with his genre-crossing sound which works on every dance floor plus Power Vacuum’s Bintus who delivers his portion of electro/acid madness on Record 1. Record 2 features the legendary Detroit Grand Pubahs, who present their electro outfit Techmarine Bottom Feeders, The Fool’s Stone, which is a new project by Hard Ton, electro legend Adriano Canzian and italian queer artist Brigida plus London’s underground hero Jerome Hill, who lets it jack and roll with his Memory Machine. On Record 3 Kamikaze Space Programme surprises with some bell-driven percussive techno and what can we say It is with great pride that we include the acid techno epos by none other than the legendary ‘Prince of Techno’ Blake Baxter.

NGLY makes a return to L.I.E.S. following his highly lauded “Speechless Tape” ep from 2014. Since then we have seen Argentinian producer taking his live act around the world to much acclaim. Luckily he’s also been in the studio recording and finally delivering this new three track ep. Here we get his signature dusty low slung sound full of basslines, creeper strings and driving drum programming. These are subtle yet effective funk-ridden club tools that are sure to move the floor and a precusor to even more from the in demand producer.

New varied sonic themes with an overall fresh sound. Although still being young of age, Nitam outlines once again his interest in dance music from the late 80s and early 90s, presenting himself schooled by classic Detroit House as well as Chicago Acid House, but all without limiting himself to a restricted pallet of styles or catering towards musical expectations.