
Helena Hauff – Dekmantel Podcast 100



Driven by the common 80’s DIY-attitude, the 4th Is The Way release happens to be a cooperation for an absolute one-side vinyl, Shinoby vs Hypnobeat (James Dean Brown + Helena Hauff). The one-track (9:19min) is rooted in the concept of a ‘neo-tribal’ approach; compressing electronics into an emotional, hypnotic and rhythmic core. The energy and the emotional impact of polyrhythms and the track turned out to be centered around the inimitable sound of the Roland TR-808 plus a wide range of analogues gear including up to eight synchronized rhythm machines

Following the recent release of So Low, a compilation of early ‘80s synth, industrial and cold wave classics and undiscovered gems curated by Optimo’s JD Twitch aka Keith McIvor, The Vinyl Factory are set to release specially commissioned remixes of two tracks on the 16-track compilation by rising UK producer Powell and Hamburg’s Helena Hauff.

Signs of Decay: Acid Compilation with dirty and hard acid cuts by Ekman, The Exaltics, Helena Hauff, Perseus Traxx, Drvg Cvltvre and a artwork made by Godspill. A powerful collective statement on the desiccation some “hard and dirty acid tracks” can do to a dancefloor. Don’t come here looking for any lofty concepts, this is just five of the best banging their boxes in the name of all that is grotty and lysergic.

Dekmantel launches Selectors, a new intimate festival and a compilation series. The concept of Selectors focuses heavily on Dekmantel’s support for the art of DJ’ing, celebrating the extra-ordinary DJs that turned collecting and playing music into an art form. The festival will take place at the Garden Resort in Tisno and will host just 1500 people with amongst others Aroy Dee, Carlos Souffront, Helena Hauff, I-F, Traxx, Intergalactic Gary, Juju & Jordash and Motor City Drum Ensemble on the bill. The latter is also responsible for the first Selectors compilation.
Continue reading “Selectors 2016 @ The Garden (Tisno, Croatia) 1-5.09.2016”

Golden Pudel’s DJ-turned-producer, Helena Hauff, returns to Actress’s Werkdiscs with her debut LP. Compared to her last effort for the label and her banger of an EP on Lux, Discreet Desires spans across much vaster landscapes, and while we knew that she was heavily into Detroit electro, the album is heavily focused on fast, broken beats brimming with synths. “Spur” and “Funereal Morality”, for example, are a pair of Drexcyian bombshells, while “Piece Of Pleasure” clearly takes inspiration from Kraftwerk and the resulting synth pop wave. Instead, “Silver Sands & Boxes Of Mould” showcases her more experimental side thanks to its cinematic soundscapes and sparse beats, along with the beatless sway of “Dreams In Color”. A fine debut LP that cements Hauff’s position at the vanguard of current electronics.

Helena Hauff returning to Actress’ Werkdiscs with a 5-track EP. In the producer’s own words: “Lex Tertia is a further exploration into the idea of grimy, sonically crushed, dysfunctional, insane stuff that kicks on where Actio Reactio left off.”

Australian born and Berlin based producer Privacy debuts a fantastically coherent EP for Klasse Wrecks. Classic Electro structuring and Detroit pads mingle to produce a forward thinking collection of music that also nods to the past, included in the EP is a screwed up and slowed down remix from Hamburg artist extraordinaire Helena Hauff.

Golden Pudel’s Helena Hauff and F#X charge a rampant 2nd session of gristly hardware roil as Black Sites for PAN. Relentlessly bloody-minded and primed for strobe-and-smoke-lit ‘floors, both sides give up some of the most damaged no wave/acid that we’ve heard all year. A-side: ‘Unit 2669′ locks lampin’ kicks and mind-swilling 303s to a rusted thumb piano/cowbell motif for 12 minutes of noxious, incessant club fuel in the mould of classic Bunker/Acid Planet bangers. B-side: ‘Mockba’ is a different kettle of radioactive, three-eyed fish, fxxking the beats off in favour of pulsing S.O.S. signals and waves of tarry black noise with a chaotic rhythmic agenda.


Shatter Cone is a rare imprint that is only known to form in the bedrock beneath meteorites impacts or underground nuclear explosion. It is the eventual evidence that huge pressure has been applied and life as we know it has disappeared. So shaped and recorded, such pressure, has been pressed on vinyl and delivered to you.

Parrish Smith, Pankow & Perseus Traxx and a Helena Hauff remix for Pankow’s “Das Vodkaliedon” on the label’s first release.

Two generations of German acid royalty face off on this Solar One release. Golden Pudel resident Helena Hauff teams up with the mighty Andreas Gehm for a split acid record par excellance.

More fresh new talent from The Hague (Baz Reznik) vs more fresh new talent from Hamburg (F#X in cooperation with Helena Hauff), acid house ghetto tech jam retardedness vs heavy-pounding and brain-crushing acidic darkcore techno insanity.