George Thompson aka Black Merlin is joining the family of Mannequin Records with this insane EP for the Death of the Machines, the series dedicated to new artists ready to smash the dancefloor. 3-tracks strongly permeated by drones’n’noises, EBM basslines and a 4/4 straight tecnoish kick drum.
Recorded at “We Are Monsters” at Monarch – San Francisco (23rd June 2018)
Brand new label Orden Extática from New York, featuring Loraine Sangre and Silent Servant. Limit-Xperience is a culmination of formative experiences as well as present of evolving influences of Silent Servant & L. Sangre. The two tap into both their distinct shared points of view, as well as integrating of the space where their individual inclinations lie. A joint expression of driven electronic music, and eras since passed filter thru and draw from electro, techno, industrial, and more of their musical fundamentals. In similarities as well as differences, their coming together allows for a permutation that is their own.
The second instalment of the ongoing Pubblicazione series serves up a triple-header of dark, intense and otherworldly experimental treats. On the A-side Italian artist Violet Poison invites us to “The Drome”, a place where druggy EBM arpeggio lines, throbbing synth motifs, discordant female vocal samples and thrusting industrial funk drums fight it out to the death. Over on the flipside, Diana Berti gives us a glimpse of her “Spider Pit”, an altogether more melodious and crystalline place laden with glistening synthesizer motifs, bustling machine percussion and raw arpeggio bass. To round things off, Opfer Der Hingabe channels the spirit of the Duratti Column on the slow and seductive bliss of “The Victim (1990)”. Progressive industrial to cinematic ambient, via new beat synth explorations.
L.I.E.S. presents the first part of Broken English Club new album trilogy, White Rats. Following on from last years The English Beach, White Rats is described as, “a collection of caustic and absurd portraits of the human animal”. Oliver Ho continues to push his industrial influenced sound with metallic acid tracks, guitar noise/drone experiments and heavy synth wave once again with this nine track release. White Rats part 2 and 3 will surface in 2019.
Tallinn Lekker club co-founder Robert Nikolajev hits hard with his new 12” release ‘Retta’ on Päästevest. Nikolajev channels raw grit and pulsating energy in Retta (dance mix). The flip side houses an internal dialogue of unnerving tension.
Peripheral Minimal presents ‘Prophecy + Progress: UK Electronics 1978 – 1990 LP’, a thirteen-track compilation that represents the burgeoning Electronic music scene in the UK. This isn’t simply another synth pop compilation, or some nostalgic frippery, but an eclectic mix of acts that were experimenting with newly available technology at a time when the punk scene had imploded and the music press was busy coining new genres as an attempt to continue its legacy. In the bubbling underground were a myriad of experimenters recording in relative secrecy in Industrial cities like Sheffield or post-war London, at a time when the Tories came back into power and utterly altered the political landscape, and produced a generation of, ‘Thatcher’s Children’ (selfish, arrogant and materialistic). The antidote seemed to be quiet rebellion in the shape of dark and alienating soundscapes by acts that are now considered ‘pioneers’, or achieving cult status, in a new era of throwaway pop and trite ‘new wave’ impersonators. This compilation is an attempt to rekindle those heady days of experimentation and to encourage new generations to rebel and forgo the fashionable posturing that comes with anything vaguely ‘interesting’.
Having worked together as “Thrinax” in the past, Prague’s duo Exhausted Modern & Aliver collected their solo material for Endless Illusion’s second white label series. Their complimentary sonic languages speak in slow, percussive rhythms, sadistic, industrial sounds, and uptight bass lines transmitted through a chain of pedal effects. The track “Project Germs – Cuatone” is another one of Aliver’s collaborations.
Maenad Veyl returns with six tracks of relentless electro-influenced heat full of broken 808s, AI-generated polyrhythms and indecipherable vocals.
Arcane electronic duo Violence, from Quebec, Canada, show their dark side on the four track 10-inch Le Flux de la Nature. Their underground spirit of new wave, French vocals, opaque and sometimes disturbing electronics reflect the complex rhythm of nature and intense human relationships.
