Two years after his last full-length titled ‘Second Son’, which was out on Jamal Moss‘s Mathematics label, John Heckle has returned with his second album ‘Desolate Figures’ for Tabernacle Records. ‘Desolate Figures’ revolves around vintage-tinged Detroit techno, gritty Chicago house and experimental hybrids of the aforementioned genres, with the overall result sounding deliciously and uncompromisingly nasty. The album opens with a wonderfully warped slab of Detroitish techno in the form of ‘Blindman’s Bluff’, a track deeply rooted in spacey synth and string structures that gradually transforms into a superb dancefloor track. From that point on, Heckle continues to present his broad view on house and techno across a set of track that seem to stray away from pre-fabricated song patterns, instead drawing on more abstract and less rigid textures. This ethos gives the LP as a whole a very personal and organic touch, as if it were recorded in a single take while creativity and intuition were peaking. Tracks such as the emotive ‘Inhuman Nature’, ‘Something For Your Distorted Mind’, and the acid-driven, Legowelt-esque ‘Never With You’ are all examples of Heckle’s signature blend of flowing melodics and raspy rhythms, while the industrial and very minimal ‘Love-Lies’ and the nervously rattling ‘Crazy Metal’ add a dash of experimental flavors to the LP. Its diverse content and overall DIY-attitude turn ‘Desolate Figures’ in a somewhat unorthodox package, but if you don’t shy away from experimental house and techno (or if you’re just a fan of the Crème Organization and Tabernacle labels in general), then you simply can’t afford to miss out on this one.

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