The Advanced Human – ‘Air’ EP is the latest deep offering from Gynoid Audio. “Air”offers up rolling Dub keys surrounded by intricate percussion and a drive aimed at the dance floor, rich with dub chords, atmosphere and reflection. The EP comes with remixes from Markus Suckut, Raiz and Ground Loop.
A.r.t.less presents the debut album by Detroit Techno veteran Martin Bonds aka Reel By Real. After 2010’s retrospective of his most seminal work, these are the first new tracks under his Reel By Real moniker since almost two decades. This album takes you on a great multifaceted journey through one of America’s definitive music capitals and the birthplace of Techno narrated by one of its very own musicians and a true ambassador of its soundtrack.
New release from Efdemin on Curle, including two tracks ‘Farnsworth House’ and ‘Blount’. The last one is a collaboration between Efdemin and his good friend and fellow Dial artist Kassian Troyer.
The first release on Black Catalogue is coming from owner Monty Luke. The “Tomorrow EP” contains three tracks and gives an eclectic glimpse into what just what Black Catalogue is all about. The A-side, “Tomorrow,” is a sub-bass driven snapshot one of Detroit’s possible futures. “The Next” is simply a message. And the double-A side, “Yesterday & Today” is a Detroit dancefloor record that takes a filtered disco hook into a future direction.
Mark du Mosch takes you on his unique journey that glides perfectly between contrasting emotions. Sombre notes brush with warm melodies over four bubbling tracks that are as at home on the 4am shift as they are on the stereo.
Container is a recent moniker of Nashville, Tennessee resident Ren Schofield. The sounds on this release are a thick stew congealing new ideas and naive experiments, abstract and minimal in nature with time stopping tendencies. This music, by being so unruly and defiant of any kind of trend, has created a fresh and wierd fusion.
Max_M with an original on his own M_Rec LTD, a journey with a very deep sound, something that comes from his background, a walk through Detroit, Birmingham and Berlin. A rhythm that is not heavy, repetitive riff that nullifies any inhibitions. It’s definitely evil, it’s a reminder of the deep and pure techno. Remixes by Shifted and Ascion.
New release from Matt O’Brien on his own Off-key Industries. ‘Bloom’ lays it smooth and stealthy, riding fat, subs-driven rhythm daubed with fluttering Teutonic synth into a subtly show-stealing breakdown and back to business. On the flip side, ‘Without Warning’ has body-slydin’, mentasm style synth licks and droning pads.
Words coming from Danny Wolfers aka Legowelt:
“Ok people here it is the new Legowelt album which is free to download for u all Its got a hella lot deep tape saturated forest-techno tracks on it and when I say Techno i dont mean that boooooooooooring contemporary shit they call techno nowadays with overrated tallentless pretentious douchebag cunt DJs playing a few halfassed dumb mongo beats and being all arty fartsy about it.
F*ck that, I am talking about: Raw as fuck autistic Star Trek 1987- Misty Forests- X-FILES,- DETROIT unicorn futurism made on cheap ass digital & analog crap synthesizers recorded in a ragtag bedroom studio on a TEAC VHX cassettedeck in DOLBY C with an unintelligible yet soulfull vivacity.
if you like it you can donate some $ or Euros, Any donation small or large is appreciated u can paypal to: wolfers@xs4all.nl so I can buy more crap synthesizers to make stuff like this and repair my Roland Juno 106 which stopped working during the recording of this album…probably cause this shit is tooo deep and it just couldn’t handle it…. doesnt matter, the bottom line question is CAN U HANDLE IT???”
Varianz present a remix pack for Raeyk’s “Asleep”, featuring two great remixes from Dario Zenker and Samuli Kemppi.
DJ 3000’s “Hotel Oasiz” is part of the new sound of Motech Records. Not that Motech ever predicated itself on an established sound in the first place, but DJ 3000 (Franki Juncaj) has expanded not only the range of his own style, but also the styles of those he chooses to appear on his remix EPs.
Vince Watson‘s Bio imprint is now back in full flow, and following on from the „Pressure“ EP last month, the 2nd installment of the release, with some very exclusive guest mixes and yet another killer track from Vince himself. Steve Rachmad and Octave One deliver the remixes.
Debut release of the new US. label Stolen Kisses. Hakim Murphy delivers the original version, a dark and moody track driven by salvos of cutting percussion that give rise to glowering synth progressions and ominous blooms of sub-bass. Its paired with two remixes from Los Angeles Santiago Salazar.
New arrival from the [Naked Lunch] camp indelibly stamped with the production Boddika up against a Skudge refix of some vintage Instra:mental heat. “Grand Prix” arises with a cavernous subby bounce, the track is soon invaded by onrushing hi’s and kicks before swerving into a downward spiral of bass and rave stabs. A former [Naked Lunch] glory in “Vicodin” is revisited by Skudge, transforming the frosted atmospherics of Instra:mental’s original into a constantly brooding 4am wall rattler.
The Hipodrome Of Music 