Inigo Kennedy returns to two dirtier and energetic tracks on Token. ‘Revenge’ can rip up any dance floor peak time, while ‘Scatter’ explores IDM territory, almost in AFX fashion. The b-side holds an interpretation of ‘Revenge’ by the infamous Blawan, a fierce techno work-out.
In the month of Tresor’s 20th anniversary celebrations, Pacou unleashes a mean four-tracker of his signature, diverse Techno styles. A-side features the classically-learned pummel of ‘Connection’, all flying 909 hi-hats and lethal bass, besides the delayed gratification of ‘Transmitter’ a filigree shuffler with elliptical syncopation primed for craftier DJs. Flipside holds the tweaking acid Techno finesse of ‘Response’, and the warm dubby swing of ‘Default’, which was made over ten years ago.
Paul Rose make his return to the rarely used SCB alias. “Mace” is befitting of its title, all claustrophobic 4/4 filled with jittering percussive touches and menacing acid. The sweeping pads provide the requisite rhythmic undulations on this functional basement bumper. The more substantial rhythms of “Overlay” impress; hollow kicks and rusted stabs laying down the core thrust, whilst Rose moulds layers of growling white noise.
A solo return EP from Sandwell District mainstay Silent Servant. The EP includes two tracks, that sticks to Juan’s trademark sheering sound-scapes and clattering lo-fi drums.
Third part of Semantica’s fifth anniversary series. 4 moody techno cuts that are just as good out loud in the club, as at home over your headphones.
Pomelo presents Alex Cortex’ third album. ‘Kihon’ is a very personal effort, as suggested by the self-portrait on the cover. The carefully elaborated design of this gatefold double LP speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. In 11 nameless tracks, ‘Kihon’ takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. Concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. ‘Kihon’ therefore is also a return to listening, away from a utilitarian perception of music as a background sound.
Trelik presents OCH, with a compulsive passion for the dying art of crate-digging combined with a love for modern synthesis techniques he manages to put together a 12″ that could easily be described as psychedelic Chicago. ‘Whalesong’ is a pulsating floor work-out which references the US greats whilst building an emotive sub-aqua soundscape. ‘Blind is The Wind’ follows with a sneaky chord driven spoken interlude which creates an air of tension before climaxing into ‘Last Chance Saloon’. This is deep yet driving showcasing haunting vocals with lush chords alongside the original principles of house music and plenty of bass.
2nd Construct Re-Form Release with two tracks in the mechanical grooves and sounds for a techno honed sharp and refined. Finally, an energetic and powerful remix signed by the label owner, Zadig.
