New self-released album from the Minimal Detroit Audio mainman, Terrence Dixon. Recorded at 3rd floor studios on the West side of Detroit.
Terrence Dixon – Studio Space LP
terrence dixon
2023 Top 3 – Readers List
As we always do at the end of a year, we take the chance to thank you, our readers, for your continuous support and we also have a look at what you enjoyed the most on hipodrome. This is a summary of the top 3 albums, compilations and recordings that you liked the most this year.
Continue reading “2023 Top 3 – Readers List”Terrence Dixon – Edge Of The Visible Universe LP
The “Edge Of The Visible Universe” is a 24 tracks album by Terrence Dixon. The album was recorded in Detroit and Amsterdam and is only be available exclusively on band camp in digital format only.
The album will be followed soon by a vinyl release with the same name featuring four club oriented tracks under the Population one alias.
Terrence Dixon & Jordan GCZ – Keep In Mind I’m Out Of My Mind [RHM038]
Double LP documenting a realtime collaboration between Terrence Dixon (Metroplex/Tresor/Rush Hour) and Jordan GCZ (Off Minor/Minimal Detroit/Rush Hour). In September 2019, Motor City techno legend Terrence Dixon made a rare trip to Europe. He was introduced to Jordan Czamanski AKA Jordan GCZ. The pair hit it off immediately, so Czamanski powered up his studio and the pair began to jam. Over the following five days, the pair improvised extensively, stopping only periodically to drink coffee and discuss music, life and much more besides. While in the studio, they barely uttered a word to each other, instead responding almost psychically to the rhythms, grooves, riffs and musical motifs the other was spinning into the mix. The results of these surprisingly magical 2019 studio sessions are showcased on “Keep In Mind, I’m Out of My Mind”.
Terrence Dixon – Other Dimensions LP [30DEXOLP-001]
‘Other Dimensions LP’, Terrence Dixon’s latest work and the new adventure in 30D’s ExoPlanets sublabel, comes for the very first time released in full length format, split in two sides, showing Terrence’s two faces. As everyone knows, words can not describe the music of this Detroit visionary, but we’ll try. Futuristic, avant-garde-esque, mesmerizing, trippy and minimalistic / reduced techno funk as expected in A side, but highly emotional and evocative, as only he can do. On the flip side, Terrence redefines and takes to another level the concept of dark, experimental, abstract, atmospheric, alienated and dystopian music, a true musical trip (perhaps a nightmare) to dive into. An extremely personal and intimate album.
Terrence Dixon – Relinked [KYN018]
2021 Best Albums
From the long overdue debut albums of LeRon Carson and Steve Summers, to the revelation of An Anomaly, from the roughness of Filmmaker and Ratsnake to the meditative music of Les Filles de Illighadad, from the established Greek artist June to the very limited synthwave album of the unknown Greek artist Tatat, here are our favorite albums from 2021, compiled in chronological order.
Continue reading “2021 Best Albums”Terrence Dixon / M.R.E.U.X – Total Chaos [BLUG015]
A stylish return from Blumoog Music with 4 tracks of pure Detroit style techno. Psychedelic sounds demonstrate, again, the great mentality of these two artists, loyal to old school underground techno. Terrence Dixon presents two minimalist tracks which will capture attention from everybody on the dancefloor; M.R.E.U.X insists with his unique style, distinguished by dizzying rhythms and pure energy.
VA – Tresor 30 (30th Anniversary Edition) [TRESOR330]
Since 1991, Tresor has provided a home for artists to germinate their ideas for advanced new sounds and broadcast them to the world. The pioneers that first traversed the Detroit-Berlin connection and were at the forefront of a new cultural movement gave to Tresor its original and continuing mission: community, resistance and reshaping the world to come. The Tresor 30 compilation represents a major land- mark in this continuing history of electronic music. This unique collection of music profiles some of the artists that gave the previous three decades of Tresor its sound and foundation, but it also casts its gaze forward. Writing new postcards from the future, this collection brings new artists who main- tain a connection to that original mission to the fore, charting ways in which this ethos can contin- ue to build bridges and break walls in the next 30 years. Bringing together 52 essential tracks – both clas- sics and exclusive commissions – each of the 12 records in this box-set charts a unique line of flight from those artists that helped define the shape of this new music to those who continue to pattern its landscape further.
Terrence Dixon – Reporting From Detroit [RHM035]
Seven years after the classic ‘Theater of a Confused Mind’ (as Population One), Detroit techno phenomenon Terrence Dixon is back on Rush Hour with a new album, this time under his own name. ‘Reporting from Detroit’ is another prime example of the distinctly unique sound language Dixon has developed over the last three decades – defiant, forward-thinking afrofuturist techno that could only have been made in the Motor City.
Terrence Dixon – From The Far Future Pt. 3 [TRESOR321LP]
A master in letting shapes find their form, Dixon allows the listener to wallow in recurring scenes. Lost Communication Procedure, Found In Space and Remarkable Wanderer etch a sound world of choral vibrations and cinematic dirge. Where gaseous clouds scrape the natural sonic pastures of such environments, the hypnotized listener staggers a drunken step, moving sideways by 0 or 1 or -1 into new scenes. Not least an expert in industrial abstraction, a human silhouette permeates Dixon’s sound. His ethereal storytelling portrays the heart-rending romance of Unconditional Love and unearths in I’m Away In Detroit monologuing moodscapes recalling our GPS voice assistants. Out of Darkness initial recalls Kraftwerk’s Geiger counter, as from pure signal data and feedback spells an unceasing locomotive wormhole. Hazy, dense grooves drive across bleak city scenes in We Can Rebuild Him, into the raw vibe of Framework and the rude stabs of Spectrum of Light. The varying presence of Dixon’s work is one of his textural signatures, at arm’s length, brushing right within, and far out. The bumping mood of Earth Station is one such moment, close enough to isolate the diving bass somewhere within, simultaneously from afar it becomes positively gravitational.
Terrence Dixon @ NTS Radio 22.10.2020
Terrence Dixon & Jordan GCZ – Outnumbered [RHM033]
Detroit’s Terrence Dixon and Amsterdam based Jordan GCZ (of Juju & Jordash fame) team up for a unique combination of talents. Last September 2019 the two spent a week together in the studio and ”Outnumbered” is the first harvested from the sessions. Here we are treated to two stretched-out electronic soundscapes.
Population One – HCS994X [HCS994X]
VA – The Best Of NYH [NYH191/NYH192]
New York Haunted is now 5 years old. Ignored by many, loved by as many more. NYH aims to be a home for the true underground in electronic music and releases diverse and stubborn producers that live for their music. Compiled by the NYH artists, this is part 1 of a 2 part collection that shows of the diversity and width of the label and, dare we say, the current underground in electronic music today.
Terrence Dixon – Vertical Hold EP [30EXO006]
The prescient sound of an abstract never-coming future built from the everlasting commitment to the boundless experimentation. The prolific one-of-a-kind Terrence Dixon is back to 30D Records. “Vertical Hold EP”, holds on his unlimited creative scheme: on the basis of the Detroit sound, he transforms that legacy in a fully refurbished approach wherein the true creativity smashes any possible stereotype. Every track leads us to the unexpected. From the skillful Dixon’s mind, any sonic universe is possible. The straight low pad of “Due Process” flows on a kaleidoscopic background, energized by a danceable bass drum. Second cut, “Vertical Hold”, is a wicked amazing sequential madness from a dreamlike dance floor. “Transition Area” seeks and finds out the depth, a mental mantra to disappear in. The rhythmic and mechanical arpeggiator of “Total Vehicle” drive us to a dancing frenetic hypnosis. And, finally, “Assembly Building”, unfolds a fine-draw and imaginative minimalistic groove.
Infiniti By Juan Atkins – Skynet [TRESOR105]
Juan Atkins’ Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure.
Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor.
Thomas Fehlmann / Terrence Dixon – We Take It From Here [TRESOR302]
Tresor Records announces a new commission, bringing together two of its most time-honored contributors. Berlin’s Thomas Fehlmann and Detroit’s Terrence Dixon came together in Detroit to produce this expressive album. An avant-premiere live performance of this album was presented at Tresor’s annual Detroit showcase in May 2017. Composed of six titles and exploring a wide range of rhythms and emotions, “We Take It From Here” is a celebration of resilience, patience, creativity and devotion.
Population One – Hippnotic Culture Remixed [RHM026]
Population One, also known as Terrence Dixon, offered a first remix of his mysterious, minimal Detroit track ‘Rush Hour’ for the celebration of the label’s 10th anniversary and now blesses us with new takes on five ‘Hippnotic Culture’ album tracks. Five dazzling remixes of Population One’s ‘Hippnotic Culture’ 2LP by the Detroit minimalist himself. Kicking off with a 20th Anniversary Mix of ‘Rush Hour’, the track that inspired our company name.
Terrence Dixon – Digital Ladder / This Is A Test [30EXO005]
The visionary from Detroit, Terrence Dixon, is back to 30D Records with an exquisite pack of vanguard tastefully built on Techno. This fifth chapter of the ExoPlanets series is powered with two original cuts and a pair of remixes.
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