Amir Alexander – Love & Fear! [AC007]

“A recontextualized hybridization of that which is familiar to create the foreign….
Using classic Chicago, Detroit and New York as a reference, I sought to explore new sonic possibilities while limiting myself to the classic machines and sounds of the era that inspired me to dedicate my life to this art-form.
Revivalism was not my intent. Perhaps neo-futurism if any ism’s must be assigned. That, and a strict code of minimalism. I aspire to use time, space, and absence, as well rhythm and sound, all in equal measure to create suggestive music (pun intended). Defined as much by what is not there as by what is. Music for travel. For Dance. For Contemplation. In a club among hundreds, or at home in bed.
An album. Along player. A fantastical voyage through the soul and mind via abstract, minimalist etudes exploring the range of emotions that are joined to a particular year in my life. Using as few elements as possible to create the most emotive material I could, these studies are recorded documentation of one student’s pursuits to master the craft of creating raw, yet elegant. Rich and sonorous, yet stripped down modern electronic music. For the club, at home, and everywhere between. Modern music for modern living.
I hope to contribute to the progression of the form and create excitement in the next generation so that some of them will also be inspired to expressively create and add on to the culture. Peace”

listen

Amir Alexander – Love & Fear! [AC007]

Piero Piccioni – Colpo Rovente [BEAT067]

‘Colpo Rovente’ is one of the rarest soundtrack albums in the Italian film music history. This soundtrack stands out from the traditional period into the psychedelic era. Soft-spoken and suave cool jazz, along with hallucinogenic go-go sounds appears throughout the film and soundtrack. Dynamic big band tunes are stunningly matched with impossibly beautiful jazz funk scores infused with a touch of bossa nova.

listen

Piero Piccioni – Colpo Rovente [BEAT067]

Ma Spaventi – Viaggi [PN043]

SPAVENTI, Ma - Viaggi

Released by Pizzico for the first time in 2009 with the moniker “Erre”, Marco Antonio Spaventi was one of the most pleasant surprises about what an excellent techno producer can do with his beloved background: Italo disco. Influenced by soundtrack masters as Vangelis, John Carpenter and most of all Italian maestro’s like Nico Fidenco, Pino Donaggio, Francesco De Masi, and appearing in the sky like a laser beam in a post-atomic Bronx filmed by Enzo G. Castellari, the positive first album of MA Spaventi called “Viaggi” is landing. A real journey into obscure worlds, dirty streets, atomic sunsets, broken hearts and analog feelings, a blessing for your most romantic and cinematic essence. Could this folding full length fit the modern dance floors? Maybe It could be better for the outcast clubs of a near future: synths atmosphere are sweet and pressing at the same time, the melodies and beats fit together in a succession of deep emotions, the “tape” sounds old school and totally irresistible. Pizzico is proud to present MA Spaventi’s VIAGGI: nine exclusive tracks for a brand new album, invoking and evoking dusty Italo vibes, analog synths and written soundtracks for unwritten movies.

listen

Ma Spaventi – Viaggi [PN043]

Tala A.M. – Arabica [ARTREC002]

Andre-Marie Tala is one of the father figures of African music. Born in the western Provence of Bandjoun, Cameroon, his early years were plagued with tragedy. He lost his mother at 4, his father at 12 and then when on to lose his sight 15. Thankfully, the love of music stayed with him throughout his career and with the help of Manu Dibango he made his first recordings in 1972 and had two hits in Cameroon with Sikati and Potaksima. He created a group, the Rock Boys, later the Black Tigers, with Sam Fan Thomas as guitarist. At this time, Africa was immersed in music from overseas and many American acts toured all over Africa. Whilst touring Cameroon, Tala handed James Brown a demo of his song ”Hot Koki”. Seemingly, the Godfather liked it a lot, he actually re-recorded it and released it as his own song, entitled ‘Hustle’. In doing so, he took all credit for composing, which meant Tala had to sue Brown and luckily he won the case! We had so many great LP’s to choose from Tala but we decided to start with ‘Arabica’ where we find Tala in experimental mode. We hit the ground running with the lead track ‘Arabica’, disco drums, phased guitar licks and sweet soulful backing vocals, what’s not to like? ‘Black Gold’ takes the same path as laid out on ‘Arabica’ but we see the introduction of the Moog Synthesizer and the funky Rhodes Piano. ‘Sugar Lump’ is once again up-tempo and has bassline to get your body moving in the right direction. ‘I know what you want’ has a more traditional song approach Tala simply asks his love interest ‘not to let him down’. ‘Soweto’ is a Balearic DJ classic! Beautiful layers of guitar and flute ease you through this one. Soweto was a troubled place and high on the thoughts on African people around this time, this song reflects that. We end with ’20 ans’ a more tradition song with some Hammond organ and super sweet guitar playing from Tala once again. This record demands a high fee for obvious reasons so don’t miss your chance to own this official reissue which has been made with love.

listen

Tala A.M. – Arabica [ARTREC002]

Octave One – Burn It Down [4WCLLP2-600]

”This new album comes at a time when the pair are still evolving and searching out new forms. As live performers they are reaching an ever larger audience around the world and plenty of the energy they exude there is bottled up in this new LP. Made using a fine collection of hardware including bits by Roland, Moog, Dave Smith Instruments and much more besides, it follows 2008s Summer on Jupiter and proves that as individuals and as musicians we have grown with time and through our travels. Our music reflects that. Our work this time around has taken a lot longer to produce, but we feel it represents, more than anything else we have done to this point, our complete idea as an album project. Kicking off with the rooted kicks and sci-fi, slo mo techno of Eighth Wonder the album unfolds through elastic and triumphant diva house on Jazzo/Lose Myself [featuring Ann Saunderson], cosmic soundscaping on Afterglow and melodically enriched grooves and funky guitar licks on A Better Tomorrow (O1 Remake) [featuring Random Noise Generation]. Elsewhere there is breezy and anthemic fair with Believer, soul kissed sounds and lush pads on Whatever She Wants and then shapeshifting, industrial tinged beats and twisted techno in the later half. Things unfold on Burn It Down with a real sense of narrative, though, and despite being a techno album never do things grow to stern or serious. Instead the mood and tempo switches up knowingly, just like an Octave One live set, and really transports you to another place entirely in the process.”

listen

Octave One – Burn It Down [4WCLLP2-600]

The KVB – Mirror Being [INV147]

Now Berlin-based duo The KVB land on Geoff Barrow’s Invada label for the first in a series of releases. Mirror Being differs from most releases from The KVB as the pair’s deep set vocals, a key component of their sound, are largely absent from the 10 tracks but their reverb soaked mastery of guitars and analogue gear is still very much evident throughout.

listen

Continue reading “The KVB – Mirror Being [INV147]” →

The KVB – Mirror Being [INV147]

Cio D’or – All In All [SEMANTICA073]

While music in its definitive nature fills both space and time, creating environments in which we live and breathe, these miniature dramaturgies string together to become the screenplay to ones existence. Sometimes chosen, and often times forced, these sounds influence the subconscious and designate emotions. Purposely flowing fluently through a spectrum ranging from theatrical to rapturous tensions that mingle through the night. Cio D’Or’s cinematic compilation for Semantica explores another side of techno, a niche home to Cio where each intricate sound takes a risk for the sake of progression.

listen

Cio D’or – All In All [SEMANTICA073]

No More – A Rose Is A Rose [DE084]

NO MORE - A Rose Is A Rose

No More are a band from Kiel, Germany, founded in the summer of 1979. Their music is rooted in early Post Punk / No Wave. No More began as a quartet with Andy A. Schwarz (vocals, guitar, bass), Tina Sanudakura (synthesizers), Christian Darc (drums, vocals) and Thomas Welz (bass, vocals). In 1982 No More released the mini­-album “A Rose Is A Rose’ on 10′. Songs on this mini­-LP convey the desolate and bleak attitude of German youth in the early 1980s. This reissue compiles all 8 tracks from the mini­-LP, both tracks from the Suicide Commando’ 7′ plus 3 demos from 1982.

listen

No More – A Rose Is A Rose [DE084]

Trevor Jackson – Format [FV113.16]

Trevor Jackson releases a collected triple LP edition via The Vinyl Factory featuring 13 tracks including an exclusive bonus cut not available on any of the initial releases. Curated from an archive of over 150 tracks Trevor had built up over the past 2 decades, the inspiration for Jackson’s music, has come from “the times and places where genres weren’t quite formed.” While his synth and beatbox workouts might touch on proto-house, on new wave, on Italo and techno, on ambient and psychedelia, they are at the same time none of these things. Musically, Format explores Jackson’s usual obsessions – industrial, new wave, EBM, electro, post-punk disco and techno, in particular – with great gusto.

listen

Trevor Jackson – Format [FV113.16]

Fabio Monesi – Parasol Dance [WLS011]

Wilson Records boss Fabio Monesi returns with a blistering seven track LP. ‘Parasol Dance’ embodies the musical headway and fruition Fabio experienced exploring different soundscapes and rhythms in his London based studio this last year. The crisp analogue cuts in the album are peppered with Monesi’s organic evolution from the New Jersey sound drawing inspiration from Jazz, Funk and even Disco, all the while never faltering on the end product of raw undulating grooves. In a sentence, in ‘Parasol Dance’ Fabio has dished up a vibrant collection of raw and robust cuts that keep you locked from start to finish and will be no doubt be finding a welcome home in record bags across the globe.

listen

Fabio Monesi – Parasol Dance [WLS011]

45 ACP – Change Of Tone [LIES061]

Known for his work on the Antinote label as DK, 45 ACP is the alias of Parisian producer Dangkhoa Chau. Having seen prior releases on Italian label, Dog in the Night Records and French label Odd Frequencies, 45 ACP has caught the attention of L.I.E.S. Records where we see him issuing his debut six track LP. Not straying too far from his prior works, we get a wide yet cohesive grouping of tracks throughout the record. Sounds ranging from the slo-mo cosmic chug of 7th Circle, to the percussive boogie leaning Ground to Ground or the Sakamoto-esque lush b-side opener Hidden Garden, 45 ACP delivers start to finish proving equally effective on the dancefloor or in your headphones.

listen

45 ACP – Change Of Tone [LIES061]

Trevor Deep JR – TDJ LP [HPTY004]

The mystery man from Finland is dropping a shit hot album after a couple off critically acclaimed 12”s. Moving in the deep waters of timeless quality house and techno this album showcases the fine taste and production skills of Trevor Deep JR. Seven tracks ranging from cuddly and inviting, with undulating basslines and serene strings to darker, more meaning and atmospheric such as on ‘Kreuzberg.’ There is also airy, spacious stuff with distant piano motifs, fat bottomed acid house, timeless dub and freeform jazz cuts with big trumpets, walking basslines and lush percussive patterns. Closing out on a tender vocal number from legendary Detroit producer vocalist Niko Marks, with inviting Motor City broken soul.

listen

Trevor Deep JR – TDJ LP [HPTY004]

Exos – My Home Is Sonic [DSRX9]

Delsin is focussing on a re-issue project, the return to the spotlight is My Home is Sonic, a standout techno, dub and minimal album by Exos originally released in 2001 by Icelandic producer Arnvidur Snorrason aka Exos. Few have done minimal dub techno better before or since this masterpiece album, so it’s right that 2015 sees it revisited by fans old and new alike.

listen

Exos – My Home Is Sonic [DSRX9]

Jeff Mills & Mikhail Rudy – When Time Splits [AXCD047]

Jeff Mills has always tried to do things differently, but few could have foreseen his collaboration with classical pianist Mikhail Rudy. Back in February, the two men joined forces to write, and subsequently perform, a soundtrack for Henri-Georges Clouzot’s unfinished 1964 film L’Enfer. When Time Splits is a recording of that performance, with Rudy providing evocative piano motifs and thoughtful solos, accompanied by typically spacey, sci-fi inspired electronics from the Detroit maestro. At times it’s willfully discordant, at others immensely beautiful. Throughout, it remains a fascinating study in combining the worlds of modern classical, jazz, ambient and experimental electronics.

listen

Jeff Mills & Mikhail Rudy – When Time Splits [AXCD047]

Kartei – The Information Is Coming From The Server [FIELD016]

Dutch label Field is ready to complete its recent trilogy of album projects with ‘The Information Is Coming From The Server’, a debut album from Kartei, aka Crysta Patterson and Voiski. The duo started their cyber technopop act in 2007, performing contextual actions on more alternative scenes. Their working ethos is based on collecting data from the internet to create new material. Data and songs are preserved into their server systematically. The album they serve up here is a condensed compilation of their archive, which can be described as clean and melodic, subtly uplifting and calls on classic techno as well as plenty of futuristic ideals. Grooves are quick and slick, synths are well crafted and emotive and everything is underpinned by a motor kick that powers the album along. Tracks like the bubbly ‘Sunset’ make for moments of calmer reflection between more trip out kickers like ‘Kartei gets Fat’. New wave vocals and sombre chords, bleepy melodies and celestial pads also feature throughout this album, and all in all adds up to a terrifically journeying album of fresh electronic sounds.

listen

Kartei – The Information Is Coming From The Server [FIELD016]

Twilight Ritual – The Ritual [OS027]

The re-release of the first ever recordings by Belgian minimal synth masters Twilight Ritual. Released in 1982 in a tiny cassette edition this album has not been heard by many people. ”The Ritual” includes some of their best work, from mysterious dark synthpopsongs like ”Elegy” to club music and the epic 14-minute track ”Up To Now”.

listen

Twilight Ritual – The Ritual [OS027]

Ssleeping Desiress – Ssleeping Desiress LP [OS026]

Coldwave / darkwave debut album by San Francisco based producer Gabriel Ramos. While the band has gone through some lineup changes Ssleeping Desiress has essentially remained the sole recorded output of Gabriel Ramos, who has been the only constant member. The album runs the boundaries between minimal synth, coldwave, and electro with lyrical themes spanning gentrification to coping with loss.

listen

Ssleeping Desiress – Ssleeping Desiress LP [OS026]

Charles Cohen – Brother I Prove You Wrong [DOSER026]

Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material. In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen’s cosmic “beeps and boops”—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album’s nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late ’70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia’s experimental circuit—to critical renown.

listen

Charles Cohen – Brother I Prove You Wrong [DOSER026]

Jahiliyya Fields – Chance Life Moon Dance [LIES060LP]

Brooklyn-based experimentalist Jahiliyya Fields presents his second album on L.I.E.S. On Chance Life, Jahiliyya Fields changes track a little with the 11 tracks a tad closer to the dancefloor. While there are still out-there moments (including a bizarre spoken word cut), for the most part the album pairs his throbbing synthesizers and crusty electronics with dense techno grooves, psychedelic tribal rhythms and humid box jams.

listen

Jahiliyya Fields – Chance Life Moon Dance [LIES060LP]