
Intergalactic Gary – ZeeZout Podcast 016



Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann. Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode. Get back to his roots right here.


Some things are just too good to be hidden from view. That’s certainly the case with Things To Think About, the first album from Dutch electronic music legend Steve Rachmad’s lesser-known Sterac Electronics project. It’s a while, though, since the public has been treated to a heavy dose of Sterac Electronics material. He first established the alias at the turn of the millennium, primarily as an outlet for hardware-driven electro music shot through with funk and soul. Recently, Rachmad and Tom Trago decided to revisit the Sterac Electronics archive, discovering a killer collection of cuts created at different points over the course of the last 15 years. Now 9 of those spellbinding hardware jams have been gathered together for the first time on Things To Think About, a warm, rich and evocative collection of electro-fuelled workouts that giddily pay tribute to the music of Rachmad’s youth.

Label-hopping Dutchman DJ Overdose can usually be relied upon to bring the goods. Happily, he’s in fine form on this first solo Unknown to the Unknown appearance since 2015’s fantastic Housejam Freaker. Wisely, he’s decided to steer clear of well-worn retro-futurist cliches (jungle breaks, hardcore revivalism and so on), instead delivering a trio of raw cuts that blend elements of electro, 1990 style European techno and blistering acid house. Flipside “Probably Too Commercial”, a rough-and-ready dose of distorted, high octane electro smothered in alien electronics, is probably the pick of the bunch, though sweaty, stab-tastic opener “Feeding The Fad” – all razor-sharp electronic riffs, wayward drum machine beats and old school vocal samples – also impresses.

Number 2 of this 4 piece exclusive 12-inch series! All tracks are specially produced for Steffi’s Fabric 94 mix CD!

Nadia Struiwigh is an electronic music DJ & producer from Rotterdam, Netherlands. Sitting somewhere between Biosphere and Boards of Canada, Struiwigh’s refined downtempo electronica takes you on a journey full of synthesized soundscapes that flirt with ambient techno. Awash with melody and warm electronics, Lenticular is an expertly crafted piece from an artist who has found her sound and is now effortlessly outputting inspiring compositions. Reminiscent of Warp’s Artificial Intelligence series, this is electronic listening music for quiet nights and club drowsy dawns. Both tracks are taken from her forthcoming album of the same name.

The return of Timothy J Fairplay sees tracks from his 2 EPs on Emotional Response remixed on one special release. Four favourite producers chosen to bring new dimensions to his brooding, shuffling electronics, featuring Scientific Dreamz Of U, Alessandro Parisi, Perseus Trax and Antenna.

The fourth release in Dekmantel Record’s tenth-anniversary, celebratory release series is a collection of new material from some of the label’s favourite artists. A blend of the old and new, brought together through a shared love of electro, and wave influenced grooves by the likes of Palms Trax, The Egyptian lover, Interstellar Funk and Syracuse & Epsilove.

UnknownmiX was a band active in Zürich between 1983 and 1992. Their music is a mixture of free vocalism, new wave and industrial, they released five LPs and three EPs. Out of their discography Lux Rec selected four tracks, remastered from the original tapes, and presented as a sampler EP. Four tracks that fit perfectly to the label’s tonal view. An ode to those Zürich days, when excesses and uncompromising choices were a badge of honour. And music was something to fight for, or fight with, or dive in and die.

Archive tracks from this much revered New Jersey duo. We assume both the originals were recorded in the mid 80s. Nieuwegein’s most warped mind Parrish Smith, on remix duty. ”Smersh was the project of Mike Mangino and Chris Shepard. Together they recorded more than 30 albums throughout the 80’s and early 90’s. Their vision: rehearsal at monday night, record their improvisations, no live performances, only albums.

Given that there have been 93 previous editions of Fabric’s long-running mix series, you’d think DJs would struggle to find a new angle. Steffi, though, has had no such problems. The Berlin-based Dutchwoman has flipped the script by commissioning all 16 tracks especially for the mix. It’s a neat trick and works well, with the result being a typically impressively put-together stroll through a myriad of techno, house, IDM and electro-related sounds. There are two exclusive Steffi collaborations (one with Martyn as Doms and Deykers, the other with Shed), alongside seriously good cuts from pals Dexter (solo and alongside Virginia), Late Night Approach, Answer Code Request, Privacy and UAS.

Number 3 of this 4 piece exclusive 12-inch series! All tracks are specially produced for Steffi’s Fabric 94 mix CD.

Roman producer (and a force behind MinimalRome label) Valerio Lombardozzi known as Heinrich Dressel returns to Barba with a second release for our label, titled “The Styx Swamp”. Heinrich has a unique way of combining classic techno and electro sounds with elements from the beloved Drexcyan universe and John Carpenter leitmotifs, and making them come together in a manner that both moves your body and pushes your mind beyond the point of awareness. “Gray Slope”, “Sailing The Nether Waterways” and “The Styx Swamp” are all quite moody and deep, rich with sound and thick with vibe. However, the tracks feel equally at home in 4 am techno situation and a heady afterhours affair. He truly is a master of crafting hybrids whose influences get so flawlessly embedded that it’s hard to point them out. If that’s not enough, “The Styx Swamp” got a treatment by Nigel Rogers aka Perseus Traxx, a multi-faceted producer and a mighty live act performer. Nigel stayed respectful to the original but made the original’s bouncy groove into something more direct and reduced, while retaining the same feel conditioned by lead synth’s hypnotic quality.

BT08 brings back Obergman to brokntoys after his appearance on the Guests of Reality compilation. The Stockholm based producer showcases here his trademark sound, off-key driving excursions complemented by an icy beatless number.

The second Driftmusic release coming from Antoni Maiovvi. Further explorations of the deepest roots of Avrokosm, where occult still means hidden. Three cuts of electronic will, from the primordial ooze with a desire to simply be. Out of the gate, crown of light, come on, come on, this is now. Twisted 808s, melodic tripmuzik seduction, like the flares of 1000 suns. Swim through space with us.

Originally released in 1986, “Alkaid” was the first solo release of DECA following his debut appearance on the cult various artists compilation “Angelo Segreti”. The original edition was published in a tiny edition on the independent Italian label Videoradio and to this day remains a rare and sought after album. Following Mothball and Bordello’s continued work with DECA, they make this diverse and fascinating collection of music available to a wider audience. On this instrumental LP we can hear elements of modern classical, synth-pop, dark ambient and even some middle eastern influence.

Phonica’s white label series returns with a real deep house excursion by Chilean producer Massiande in the form of his ‘Freedom EP’. The title track ‘Freedom’ launches the EP attempts to recreate an aural scenery of flying exploration centred on a spacey synth line and an almost Detroit techno bassline. ‘Be With Me’ starts with an almost Mr Fingers-esque groove before melodic elements take over.’Straight’ is more of a straight-up dancefloor track with obvious elements from US house from the 90s, clipped Chandler-esque beats, nagging stabs and a vocal sample ‘Gonna take you to another land, where there is no race’, going straight to a place where you can allow yourself to be free on the dancefloor. Many ’90s U.S. American House and Garage influences go through this track, which brings us to the final track, the epic ‘Ode To A Tortured Soul’. Deeply melancholic with an end-of-night feel with its own flute solo, channelling Frankie Knuckles ‘The Whistle Song’ or Flow’s Bottom Line classic ‘ Another Time’.