Electro Spanish label Mars Frequency Records celebrates 10 years of life with a limited edition vinyl with new tracks from previously released artists: Mike Ash (United Kingdom), Robert Cosmic (Spain), Downrocks (Spain), Enigmatic Astronaut (Spain) and Fleck Esc (Japan).
Orson Bramley calls for the return of old friend Mesak to his label for his 3rd release. This time Mesak teams up with Daniel Savio and they deliver a 4 track EP featuring melodic Drexciyan sounding electro.
Oorsprongpark debuts on Italo Moderni with 5 powerful original tracks on Cassette and Digital with a mystical electro/new beat bass like missiles slamming every dance floor. Oorsprongpark based in Utrecht, Netherlands has produced the first piece in an alluring work of soft pads, gentle percussion and playful melodies all focused in a Electro trip where you can hear an electro Old School, industrial synths and galactic arpeggiators.
Classy Detroit leaning four track electro EP by Derek Carr on his own label Trident Recordings. Derek’s brand of Detroit-influenced electronic futurism has always oozed class, with the Irish producer prioritizing mood, melody and ear-pleasing synth sounds above all else. It’s this blend – both club-ready and perfect for home listening – that makes his releases worth checking. Electro Statik (Part One) is the first in a series of vinyl excursions that as usual blur the boundaries between styles. He begins with the immersive chords, jumpy lead lines and smooth house beats of ‘In Transit’, before diving headlong into deep electro-meets-IDM waters on the impeccable ‘Mimas’. Turn to side B for the skittish, far-sighted and picturesque electro-not-electro number ‘A Star Dies’, as well as the warming, pitched-down electronic melancholia of ‘Dione’.
Science Cult’s Occupants series continues with a surprise version 2. This follow-up features a darker and more experimental sound from artists such as Dez Williams, Fleck ESC, Ben Pest, Rise Black and more. Presented as a double 12” Blue Color Vinyl LP. Astute observers may notice that there is more to the artwork than meets the eye.
DJ Different dons his Terra Form alias as he begins his journey in ‘Entering The Void’ on Cyberdome; exploring phat electro bass-lines and party-starting ghettotech energy with its crosshairs fixated firmly on the club environment.
Operating System is a time capsule straight through Robotron’s hard-disc archives. Mission Millennium was planned to be his very first outcome as Interfunk containing productions recorded between 1999 and 2000 with a major focus on Detroit electro & technobass.
“These tracks were recorded in my Queens studio in 2019 after several live performances. Most notably the Microtones party in Ithaca, NY where I had the honor of playing the Forest City Lounge, which is the historic home of the Black Elks, a Black non-profit, fraternal order. I wanted to challenge myself with these performances by limiting the amount of effects I used as well as the amount of equipment, thus these tracks have a lot of space to breathe. These are also my most intricate tracks to date. Instead of tripping tracks out with fancy effects and modules, I instead focused on song structure, with each track telling a story with a beginning, middle, and end.”
The live set also tells an overarching story as well. The main storyline is about a fictitious satanic death cult that worships through sound (“The Frequency”). As they are preparing for their final ascent (/descent?), one of the members starts questioning everything (“Heaven and Hell”). It is seen by the group as a “Regression” and the cult is not happy about it (“I’ll Beat Your Ass / Til The Day That We Die”). The member is confronted and asked “Who Is your God?”
Umwelt and Serge Geyzel are teaming up to chase the moon, taking you out for a dance till way past noon. Fasten your seatbelts and get ready to get Electro- and Acidified.
Johnfaustus vs Serge Geyzel present their versus EP, featuring some Electro-Acid adventure. Blue marbled vinyl repress.
Boris Bunnik/Versalife here with a new album from his Hexagon alias. Information Paradox is a fine dark and timeless IDM/Electro sounding album into Science Fiction territory.
Sci-Fi leaning library music on this new album from Modula on Tartelet. Tapping into the seductive unease of the unexplained, Modula lands on Tartelet Archives with “Paranormal Phenomena – The Icelandic Expedition”, a nine-track album that evokes alien synth- electro and New Age soundscapes. During a trip to Iceland in February 2020, Naples native Filippo Colonna Romano (Modula) experienced the raw power of the island’s otherworldly natural forces. Inspired by his field recordings and a rekindled interest in sci-fi, Paranormal Phenomena – The Icelandic Expedition was born. Steeped in haunting LA synthesis and cinematic tension, the album is an imagined soundtrack to a supernatural thriller, cast in the icy tones of the Roland JD-800.
Anthony Rother with a surprise release on Marcel Dettmann’s Bad Manners label. Raw effective Techno / Electro stompers.
Gazing at the stars is looking at the past. The galaxies send you messages from thousands of light years away. That overwhelming feeling is present on Free Andromeda by Timothy J. Fairplay. An album grounded on earth while floating through eternity with a loose connection to the Milky way. This nine-track record is, as always with TJF a delicately balanced mix between dark and light, analogue and digital, vast space and tight basements. With an impressing collection of premium synthesizers and drum machines, TJF showcases some of the most exquisite electronically generated soundscapes heard on this side of 1984. His sound on Free Andromeda can be described as leftfield inspired by various John Carpenter- and Italian horror movie soundtracks together with some West German Kosmische Musik.
This is Lost Soul Enterprises’ 15th release on wax, a tidy compilation of off-kilter dance floor cuts and misfit synthpunk anthems. Side A commences with the gothic, neon-soaked Miami bass of Alonzo’s “Cruising with Pap,” featuring sinister verses delivered by a shadowy syrup-sipping secret guest vocalist. Up next is bucking bronco Nick Klein’s slow-mo industrial headbanger “Posture Test.” Lastly, wild synth lines and ethereal dubbed-out samples dart in and out over a tough, punchy rhythmic foundation in Naeem’s “TLX,” an android’s sci-fi electro vision gone haywire. On the B side, Heidi Sabertooth’s “Was It You” launches us deep into chugging acidic territory, combining enigmatic spoken vocals and a psychedelic, slowly evolving SH-101 line over a persuasive groove. Next comes raucous synth-punk powerhouse SSPS with “Paradise Lozt,” raw as fuck, chanting a litany of dystopian tales atop pumping drums and a wash of demented organ-like synth stabs. Finally the release closes with the short but powerful “New Vape City” by the nomadic Douce Angoisse – an absolute earworm, a doleful coldwave ballad whose lush production plays perfect counterpoint to the icy, deadpan sentiments within.
Libertine Industries 06 features the first long-player from the UK rising artist Phase O’Matic. Expect EBM, Acid, and Ravey dance floor bombs, plus some more experimental and complex beats.
Boris Barksdale’s first full length on Natural Sciences is the final joyride of the human mind. Over two sides of screwed proto-beat, street electronics and twisted metal ambiance, “Mind Over Matter” picks apart the medias domination of the world we live in, drawing on internet advertising campaigns and social commentary to show you how messed up things have really become. The record builds on from Boris’ inclusion in Natural Sciences’ Future Works & Age in Decline compilation series.
The Hipodrome Of Music 