
L.F.T. is returning to the disordered house with another EP full of banging Electro Wave tunes.

L.F.T. is returning to the disordered house with another EP full of banging Electro Wave tunes.

Mannequin Records boss Alessandro Adriani lands on L.I.E.S. with a new four track ep of his melodic and driving signature italo-ebm-electro fusion. A master of machine music, Adriani lets them do the talking throughout the ep, with heavy arpeggios, big Juno basslines, and slamming 808s bringing the tracks to a head. Go directly to the symphonic and epic opener “Ecstatic Feeling” with its beautiful melodies, dramatic arpeggios and reverb saturated snares, all reminiscent of Yello meets Robotnik with pent up tension waiting to explode. This is an anthem to say the least! The remainder of the ep follows suit laced with traditional EBM and electro stylings being manipulated by the hands of Adriani in his studio

Cologne OG Grischerr has graced Neubau with an EP full of brutally honest analogue downtempo madness. As the title Perspektivwechsel suggests, the three-track release guides you to a different sonic perspective – in the most positive sense.

L-A based producer Ole Mic Odd delivers 6 tracks designed for the dancefloor on Spanish label Another Perspective. Raw acid & electro sounds with a lot of strength and elegance.

Oscillating bass tones, off-kilter drums, velvety pads, melancholic synths, ambient soundscapes. Four timeless cuts by Estrato Aurora & Siarem plus an outstanding remix by VC-118A

MCM remaster of Electric Soul aka Mad Mike’s legendary electro track X². Originally released X-Squared on Direct Beat in 1996 and instantly became classic on late night mix shows in Detroit.

“The One With the Eyes” by R. Gamble is Marguerite Records’ 13th release. The tracks were all written between the summer and fall of 2020. The pandemic was in its bewildering initial phase when daily life had come apart from its familiar rhythms. The tracks describe this disruption and the return to a musical primordial state by limiting the field of vision to locate the essential. In fact, the artist limited himself with one synthesizer, one drum machine, and a sequencer and the instinct guided him shaping these little vignettes. Now nearly two years later they’re being released into a world that has in many ways resumed its regulated flow. We hope people can still catch a glimpse of that other world outside of time, the vague fear crystallized, the shadows made by afternoon sunbeams gliding like continents across the floor. Marguerite Records owners the duo Bianco Negativo were strongly impressed by the last album track ‘Precious Arc’ and decided to make a remix in a dark cinematic key.

Rudolf Abramov is taking a step in a different direction from his last release on Höga Nord Rekords. This 7” contains the works of deep mining in an old hard drive during the introversion of the pandemic quarantine. These two gems have been going under a bit of tasteful polishing before reaching the point of release and the result is a punk meets Stoner rock experience propelled by hard sequencers and drum machines.

Berlin-based label Burial Soil presents a collaborative electro album initiated by CYRK. Early 2020, they decided to reach out to some of their producer friends as well as artists they’ve been admiring for years, to collaborate on tracks. As they see it, the electro scene is a very close-knit community and it felt more than appropriate to support each other this way. For their album „Freundschaft“ CYRK has collaborated with Steffi, Anthony Rother, Ravn Jonassen, JakoJako, Jensen Interceptor, Alienata, Nite Fleit and David Carretta. BPMs are high on the eight tracks of “Freundschaft”, the end result of this collaborative process, incorporating various influences from electro-adjacent styles like italo, EBM or, unsurprisingly, techno.

Libertine 19 features the first album from Roman master Gianluca Bertasi AKA Teslasonic, a journey of 10 stunning tracks from pure electro to Italo infused techno and space disco. Operating in the corner of electro where dystopian dreams (or should they be nightmares?) are made, TeslaSonic haven’t forgotten how to keep things fun no matter how dark the vibe gets. Gianluca Bertasi keeps the project flying with this double LP drop on Libertine which has a nod to the likes of Maggotron in the nasty funk of opening track ‘Ion Drive’, while also knowing how to turn up the techno dial on the stiff and driving intensity of ‘Poly Verisof’. These are tuned up, rough, ready and raucous electro cuts for those who like to have fun even as things get deadly serious.

Emerging from the shadows, Hesperius Draco returns to Frigio with a solo release for the first time since his 2016 album Actus Tragicus. “Directive V” conjures up the magic of giallo horror, silver screen slashers and smoky synthlines, while exploring something altogether new. Tempered percussion and low bass-lines “introduce the 12” with “Lexploitation”. Cinematic influences percolate in the steady percussion and lonesome elation of “Memories of Sex Desire.” The mood changes on the flip with “Leaders In Space.” Guitar strings and breathy samples blend to create a leering late lounge track spiked with acid notes and vocoder bitterness. The finale brings something totally different. The gurgling acid line is amplified as Hesperius Draco unveils “Cyber Bondage.” Floor centric and machine steeped, stabbing synth-lines, rusted rhythms and an inchoate energy course through this finale to display yet another side of Alessandro Parisi’s sound.

Sync 24’s Cultivated Electronics label presents a double-pack by Alonzo, aptly named ‘They Come In Twos’. Originally from Miami and now based in New York, Alonzo has previously released on W.T. Records, Zement, RotterHague, Phormix, Kraftjerkz, and Lost Soul Enterprises. He’s also known as Lithium Parasites alongside bandmate, Vidrio. Alonzo’s uncompromising approach draws influence from bleak urban landscapes, old city ruins, kinematics and all things bass which he finely represents across these 8 new tracks.

FU.ME The Orbitants chapter 3 has just landed. A solid wave of visionary fantasists has been assembled. 4 tunes to connect the electro era from the basic challenge between old school and the new school, dark atmospheres and killer beats to feed your brain.

Technoindigenous Studies is the newest outlet of producer/composer Gabriel Reyes-Whittaker, aka Gifted & Blessed, serving as a platform for his many alter egos and side projects. As the name implies, Technoindigenous Studies is the union of modern musical technology with the ways and intentions of the ancestors. The first release on the label is from one of Gabriel’s lesser known monikers, The Reflektor. This new EP, simply titled Taíno, is a tribute to his own indigenous Caribbean ancestors. Each of the 4 track titles is taken from the Taíno language. Call it techno, electro, music to move to, whatever you wish. There’s room for your own personal interpretation. That’s what makes the Gifted & Blessed sound what it is.



For more than twelve years, Morphology have been re-writing the rules of electronics. Michael Diekmann and Matti Turunen have melted electro, IDM and techno into their own unique sound. To celebrate their achievements, FireScope has sifted through the impressive discography of this Finnish pairing to bring long out of print tracks back to life. Split over two 2×12 inche releases, Twelve 1 & 2 brings together a decade’s worth of music released between 2009 and 2019, 24 works that traverse genres and labels like Abstract Forms, AC Records, Analogical Force, Central Processing Unit, Cultivated Electronics, diametric., Inner Space Records, Semantica, Stilleben and Vortex Traks.

Sentient State returns to Source Material following a stellar debut release via the label back in 2019. Here, the Brooklyn based artist continues his journey into the deeper regions of acid laced electro with the first in a two part series called Sentient Machines.

UK based producer Ben Evans aka The Droid debuts on Science Cult with a deep and moody Electro EP.

Mark Du Mosch is a master of electronics. Gracing a glut of labels in a career spanning more than a decade, he arrives at Schrödinger’s Box with a very special release. Presence is a fiver tracker of enviable quality. Set in the canon of warm techno, Du Mosch focuses on melody and texture. “Studio M Uno” is bright and unassuming, “Koriander” both assured and fragile. The tracks on offer feel like the musical accompaniment to a Summer’s day, a time where cares are in the present and future worries do not exist. The unseen complexities of the everyday are an audio focus, the intertwined interplay of drum patterns in “Mrk I Utilities” and the mechanical dawn of the title piece throb with a human pulse. Always present, but never imposed, is the techno composition that brought this dutchman to the attention of so many. This is plain to hear in the diverse threads that are collected to produce the rich and varied closer, “Too Much.”