
Here it is! The final Bahnsteig 23 release is coming from head honcho Ziggy SternenStaub.

Almost forty years later, Frigio is bringing some of their music to a fresh audience, the pioneer proto-techno Spanish band TodoTodo and featuring original music plus killer edits by Juanpablo & Luis Costa. Juanpablo with his extended edit of “Digital Dancer.” A steady kick tethers a tripping mechanical melody, a melody that bubbles and simmers as toms, horns and daring funk collide for this seven minute odyssey into the world of Iberian underground synth. The original version from 81 closes the A, a brief and brilliant piece of proto-techno. The flip is introduced by Catalan Dj, journalist and author of ‘Bacalao’ Historia Oral de la Musica de Baile en Valencia, Luis Costa. Costa re-imagines “Autogas” with his Tool Edit, reshaping the off-kilter keys and future highways and byways of the original. The finale is a true treasure from the annals of time. A live version of “Autogas” from the legendary Rock’Ola club in Madrid, an unreleased work that is as audacious and bold as it was when it was first performed in 1981.

Symbolism Ltd keeps up the pressure with another super limited 12inch, this time from Dutch producer Mike Storm. Four urgent, trippy dancefloor movers in typical Symbolism Ltd style make for an essential slice of four to the floor techno for those that know.

The new Matterwave label drops its first release including a fine remix by Staffan Linzatti. Focus will be the darker sides of functional techno which shows perfectly with this first Mills-esque release.

Dustin Zahn returns to his own label and goes straight into the tone zone with three emotive and uncompromising techno cuts.

Goth-ful electro by the illustrious Dmitry Distant in trouble up by notorious vocalist & electro producerette Beta Evers. Comes with a rad Cestrian remix on the flip.

The term ‘cruelty’ is so limiting according to our cultural expectations of it, an act may give perceived ‘good’ to the perpetrator and ‘bad’ to the victim. It may give good in the long run and bad in the short run or vice versa. The unifying factor to all forms of cruelty is Ghoulia.

‘Jazzrock’ is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor, killer funk breaks from 1972 by the mighty John Cameron. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel.

‘Afro Rock’ was recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973 as a collection of stripped-down African rhythms, virtuoso jazz instrumentation, fuzzed up wah wah guitars and spaced out library breaks. The percussion is effortlessly funky, and those flutes so melodic, it’s as if the LP was crafted with the beat lovers of the future firmly in mind. As Cameron himself described it in Unusual Sounds, this is “heavy duty drum-and-bass salsa music”.

Emotional Response presents Elsewhere LVI. the 4th of soFa’s compilation series. This double LP takes us to the darker side of the elsewhere ouvre, via another 12 artist / 12 track travelogue. With certain future-retro feelings, this is club music for the open minded. An album that roams from dreamy ambient territories to rhythmic patterns – internationalism for the adventurous DJ. Rusty slow-mo bangers and post-industrial synth-wave kidnap the listener to a dystopic and shady wasteland. Elements of ethnic folk, vintage vocoders and Gamelan samples all united on one homogeneous selection. With artists now known to welcoming new brethren, this is an audio trip to leave reality behind. Exotic, hypnotic, tactile, trance-inducing meditations, washed down with a spoonful of magic.

Two mind melting acidic drippers that Ron Hardy would’ve been proud of by RVDS & Sneaker and a Katrina Fairlee, Joshua Cordova & Sneaker collab on the flip side.

Next up on COS_MOS is a label debut from Tom Dicicco. The four cuts he offers here kick off with the hammering synth stabs and coarse claps of ‘Varykino’, a brutal twisted dance floor mover. ‘Laser Life’ then cuts loose, with squeaking machines and alien life-forms jumping about in a broken beat framework that brings off balance grooves to the party. Acidic bouncing bass lines jumping over the b-side on ’99 Rising’, where ‘Quiet Theory’ flips the script again, this time with percolating and trippy synth loops rising and falling with skeletal beats stuttering below. A well balanced party pack for every hour of the night.

Vernacular is all about loyalty and machines. The cycles of influences and ideals converge to a specific creative bulk. And so from Whole emerges Few, interlinking, telling its story. Stories that are all about dance and dreams need a common core. Vernacular Collective Sequence inks these and spreads them into the wastelands of club-music enthusiasm. The first VCS release features Terror Feedback Industry, with four tracks of apocalyptic dance music, shaping visions of galactic raves, hi-speed travel and dumbass roommates

Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. Six tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.

SSTROM is back on Rosten with ‘Drenched’, 12 tracks for the floor, divided on 3 EPs, each to be released three weeks apart. SSTROM is the project of Hannes Stenstrom, once part of Swedish band Slagsmalsklubben, and one half of enigmatic techno duo SHXCXCHCXSH (SHX).

Here’s a new atmospheric techno release by Conforce on his own imprint Transcendent. ‘Conical Surface’ showcases a diversity of carefully selected techno tracks, all with the profound character you can expect from a new release by Mr.Bunnik. Lush pads and interstellar bleeps send you straight into his musical universe again. Performed and recorded with accurate precision for maximum impact.

One half of the group Vault, Daniel Holt makes his solo 12 inch debut on L.I.E.S. with a killer three tracker. Holt immediately locks in on the a-side with the massive 11:00 minute electro-wave groover ”Demonic City”, think heavy fm synth bass, graveyard strings, and Alesis drum machines all coming together creating a sullen and hypnotic gothic-funk cut, yes that’s right, gothic funk (you heard it right). Turn to the b-side for two more wave style jams, top production on both…exploring the realms of downbeat electronics throughout. Huge debut by this up and coming American artist.

Domina Trxxx welcomes Kovyazin D to the Family. The young and talented man from Russia already released on well known imprints like Chiwax and M>O>S Recordings. The Minimal Funk EP is a puperb electro record.

St Theodore presents his brand-new EP “Last Dance” on Clasicos Del Ruido. This is a slow, true immersion in cold and even sometimes frightening work. Minimalistic basslines, cold synthesizers, simplicity and accuracy of compositions cause aesthetic delight. The classical TB-303 sound takes to memories of raves in the buildings of former factories, where you always feel very far from reality.