Zip – Fabric 67 [FABRIC133]

ZIP/VARIOUS - Fabric 67

Thomas Franzmann has long been a dark horse of underground club music. Though he keeps a lower profile than some of his peers, his contributions to esoteric house and techno over the past decade plus have made him a cult favorite. As one of the founders of Perlon, he released much of minimal and microhouse’s creme de la creme. He also happens to be an exceptional DJ, especially when the situation calls for the deeper and weirder side of things. In the club, Zip is known for lacing his sets with unreleased or never-to-be-released tracks that keep trainspotters on their toes. He takes a different tack with fabric 67, sticking mostly to records that aren’t so hard to get your hands on (curiously enough, there’s only one Perlon track). “I did the mix with two record players, two CD players and my favourite mixer. I was alone in my studio and it felt just like it did when I was doing a mixtape ages ago,” Franzmann says of the mix. “Only this one comes with slightly more pressure [laughs]…” [RA]

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Zip – Fabric 67 [FABRIC133]

Gerd Janson – Music For Autobahns [RH125]

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Gerd Janson compiles an exciting ambient-not-ambient compilation that includes exclusive tracks by Âme, Move D, Quiet Village Marco Passarani, Roman Flügel and Tom Trago. “Music for Autobahns” is the result of asking Gerd Janson for a collection that starts where previous efforts left off. While Computer Incarnations for World Peace (his compilations for Sonar Kollektiv) concentrated on tipsy new wave music done by jazz-funkers or neo disco-ists, Autobahns has an
unintentionally strong leaning towards ambient not-ambient, kraut pleasers and codeine house, i.e. Industrial Ambient and Electrifying New Age. It’s all new and exclusive material by people who once or twice crossed paths with the compiler. You will hear Âme with their modular slambient concept sitting next to Amsterdam’s Tom Trago off peak time duties, Roman Flügel with an old DAT tape wunderkind that shares a side with Heidelberg’s very own Move D in love, outsider dance from CF & Daywalker alias Entro Senestre and Willie Burns as well as a greasy sounding Marco Passarani and finally Tensnake’s romantic pop appeal that is a counterpoint to Maxxi & Zeus (better known as Quiet Village) and their “Passion” for all beauties that lie beyond.

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Gerd Janson – Music For Autobahns [RH125]

Borrowed Identity & The Mechanical Soul Brother – First Step [TRA022]

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The Traveller Records presents the young producer Borrowed Identity, a Romanian born, now living in Germany.  The project Borrowed Identity was found as a new alias of the Romanian producer in the summer of 2011, with the idea behind to work on a fusion of classic electronic music from Detroit & Chicago plus his own influences to make something contemporary but timeless. This EP includes remixes by Emil Seidel and Steve Frisco.

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Borrowed Identity & The Mechanical Soul Brother – First Step [TRA022]

OCH / The Model – Elite Conversationalists Edition [AUTO013]

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Four deadly cuts of timeless, jackin’ house and deep techno professionalism. OCH returns to his Autoreply home with a new series of split 12”s inviting a diverse group of producers to share a slab of wax. For the A Side he opens with “Deltic” which sets the mood with tough yet soulful chicago vibes. OCH’s second contribution is “Freeze-Thaw” showcasing a deep, hypnotic groove alongside powerful sub-bass, lush female vox with dreamy analogue pads that bridge the gap between artistic creativity and memorable club versatility. On the flip side it’s Romanian all-rounder, The Model. Here he delivers two ultra-phat workouts in the form of “Dungeon Man”, an infectious chord driven floor-burner and “Stancuto” a stripped back, percussive take on the same theme demonstrating his emerging new warehouse sound.

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OCH / The Model – Elite Conversationalists Edition [AUTO013]

Elbee Bad: The Prince of Dance Music – More True Stories Of House Music [RH121-12-2]

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Four exclusive tracks from Elbee Bad that conclude the True Story of House music compilation on Rush Hour. This EP showcases tracks that he produced for and/or with other artists. More classic stuff that was released on some of the leading NYC house labels at the time. This release again shows the early house mastery of Elbee Bad as well as his diversity. The Keith, Kat & Blondie shows his deep, eerie side, his freestyle vibe on The Wizard & The Prince track (which became an early UK warehouse/breakbeat hit) and his hip hop roots on the Lord KCB track.

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Elbee Bad: The Prince of Dance Music – More True Stories Of House Music [RH121-12-2]

Marcman – Oil EP [DRUMMA004]

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Drumma Records presents their forth vinyl release, Oil EP by Marcman, a rising talent from Bacau, Romania. He has an uncanny ability to compose great tracks with very unique ingredients. Full of talent and brimming with a love for the old school sound of techno and house classics.

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Marcman – Oil EP [DRUMMA004]

A Guy Called Gerald – How Long Is Now [BOSCONI021]

A GUY CALLED GERALD - How Long Is Now

The oldskool hero A Guy Called Gerald with his first release on Bosconi Records. The release randomly arrives in coincidence with the definitive closing of another legend, the place in Berlin that has been a symbol for years of the cultural renaissance of the german capital after the wall, the Tacheles. When Gerald just moved to Berlin, he got his house and his studio inside that very inspiring and artistic place, and as a tribute and homage to his legendary figure, some mysterious writer draw G’s face on the right side of that building with the shamanic enigma above that giant mural “How Long Is Now”. A1 gives the title to the EP and it’s subliminal dark and psychedelic after-hours dope session, while on B1 there’s the shady and sexy atmosphere of “Groove of the Ghetto”, a driving and funky house tune sustained by an ultra fat synth bass and enriched by soulful vocals and deep pads, while on B2 the EP ends wih the brutal Uk bass bonus beats monster entitled “202”. In memory of Tacheles and the good old days.

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A Guy Called Gerald – How Long Is Now [BOSCONI021]

Xamiga – Kermit’s Day Out [RHX-3]

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The exotic Xosar and Legowelt have teamed up to created some serious Ghosthaus slam dance, under the Xamiga moniker for Rush Hour. With their never-ending collection of machines, the pair produces a hot three-track dreamland techno-house EP in a future-classic fashion. Music to jack to loudly while closing your eyes softly.

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Xamiga – Kermit’s Day Out [RHX-3]

Jamie 3:26 / Boogie Nite – Do The Mickey [LIH007]

This latest missive from the Lumberjacks label features a mixed bag of reliably groovesome oddities. There’s the disco-jazz madness of Jamie 3:26’s “Can You Feel It”, and three wide-eyed bangers from the unknown Boogie Nite. Of these, the most obviously upbeat is the loopy funk/soul strut of “Do Your Thang” and James Brown-ish “Sexy Sexy Sexy”. Most interesting of all, though is “Earth Calling Mickey”, a Balearic disco weird-out that sits somewhere between oddball house and head-nodding disco.

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Jamie 3:26 / Boogie Nite – Do The Mickey [LIH007]

Peabody & Sherman ‎– James Baldwin [SB12001]

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This project features extracts from the audio portion of a documentary film shot of a discussion led by James Baldwin and Dick Gregory at the West Indian Student Centre in London in 1968.

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Peabody & Sherman ‎– James Baldwin [SB12001]

Serge & Tyrell – House Countdown [CJFD015]

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Clone’s label founder Serge with his buddy Alden Tyrell on the case with some hot jacking tracks. Like the rest of the Clone Jack For Daze series, House Countdown adheres slavishly to the ideals of Chicago. And while this may not be the most limitless arena for Clone founder Serge Verschuur’s return—apart from remixes, he’s been out of the production game for 15 years—the duo’s three jack tracks prove sound examples of refinement.

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Serge & Tyrell – House Countdown [CJFD015]

Tom Trago – Rise Up / Sky High [RH045]

Tom Trago’s  presents his follow up single on Rush Hour, ‘Rise Up’ / ‘Sky High’. Tom Trago and Cinnaman got together in the studio and out came ‘Rise Up’. They somehow managed to mix freestyle, minimal, low-fi and bass together to create a cross-over house explosion. Based around a quirky bass line and vocal, the track keeps building until a catchy synth stab drops in which elevates the track to the next level. ‘Sky High’ is a late night basement session with San Proper and friends joining in on vocals. A bittersweet love song in which San yearns for a simultaneous high, which is backed up by a deep, silky house groove.

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Tom Trago – Rise Up / Sky High [RH045]

Miracles Club ‎– U & Me / Ocean Song [CUTTERS014]

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The Miracles Club are producer Rafael Fauria, singer-songwriter Honey Owens and dancer Ryan Boyle from Portland, Oregon. Since 2008 the group embarked on a mission spreading the joys of classic dance music vibes. Their style draws from an endless palette including early New York & Chicago house, Detroit techno, and psychedelic pop.  They have a new release on the Australian Cutters Records imprint with two new tracks “U&ME” and “Ocean Song”. Additionally, the release will feature three remixes by Cutters stable-mate Nile Delta and Argentine house guru Ultimate Man.

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Miracles Club ‎– U & Me / Ocean Song [CUTTERS014]

Omar-S – Triangulum Australe (Say It in Space) [AOS7501]

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New 2 track 12” by Omar S. The pulsating acid injected Triangulum Australe (Say It in Space) on the a-side and cool chord driven house track Mayall II on the b-side. Real talk (from space) from Omar S. Two quality tracks from the upcoming Omar-S album.

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Omar-S – Triangulum Australe (Say It in Space) [AOS7501]

Matthew Styles – Aji-No-Moto [RB037]

Matthew Styles serves three prime cuts with gravy sauce: “Montana” is a floating piece of break-beat science fiction house that gets backed up by ferocious bonus beats; “Hot!” is exactly that with a twist on a historical bass line, infectious vocal snippets, while “Sixty Ways” makes use of Dinky’s vocal skills.

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Matthew Styles – Aji-No-Moto [RB037]

Mihai Popoviciu – The Point [CYC004]

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Cyclic Records stands for groove. Born in Romania in 2012 and run by Mihai Popoviciu, the label is focused on high quality dancefloor music, mostly ranging from house to techno. Mihai had an intense career as a dj and producer before taking the challenge of creating an outlet for the music that he likes and for his own productions.

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Mihai Popoviciu – The Point [CYC004]