
The Attic Podcast 36 was recorded live at the Panama Racing Club of Intergalactic FM.

Lengthy and weighty “Hunch Music” remixes by Mick Wills and DJ Fett Burger. After Hunee’s celebrated debut album “Hunch Music”, it’s time for these two remixes here… DJ Fett Burger inserts “Crossroads” into Boss Brian’s computer and takes it to an extraordinary new level, Mick Wills transforms “Hiding The Moon” into a throbbing and grinding floor cracker.

As an introduction to his upcoming debut album ‘A Mind Forever Voyaging’ Liverpool artist ASOK brings a teaser for what to expect.

Uzuri proudly welcomes Giorgio Luceri with the 1st of 2 EPs signed on the label for 2016 . ‘Space Fire Truth’ sees Giorgio charting new territory to his previous output & coming correct in the process.

Ghost Culture returns to Phantasy with ‘Safe/Multiply’. An unashamedly club-rooted double single, both tracks find Ghost Culture’s expert electronic manipulation in more direct mode. Killer openings track somewhere between bleepy UK rave techno, Detroit techno and mid90’s trance, flip side is a heavy pulsating trancey cut that will cause damage on the dancefloors.

To celebrate Kontra-Musik Records hitting the ten-year mark, founder and label owner Ulf Eriksson has put together a collection of some of our finest releases. This has been a daunting task, for we are happy to announce that we could easily have made several very different compilations that we would have been equally contented with – there are so many superb tracks we had to leave out. This has, however, been a labour of love. Much like the label itself. Eclecticism has always been a lodestar for Ulf Eriksson, as we hope this collection gives testimony to. The label has always been moving freely between techno, house and more experimental sounds. Kontra-Musik intends to show different angels of perspective, not to convert you to a new Religion or Ideology. Being open to a broad variety of sounds and rhythms – judging them not solely by their functionality but rather by their personality – has been the Kontra-Musik way from day one. While it has been a crooked and sometimes exceedingly hard road to follow, we’re hoping to carry on for several years to come. After 10 years, the label still feels meaningful and current to us – in short: it’s still worth it. Kontra-Musik would like to thank everyone – from contributing artists to faithful friends of the label who have supported us all these years. None of this would have been possible without you.

Dutch power duo Doms & Deykers a.k.a Steffi (Steffie Doms) and Martyn (Martijn Deykers) step up to the plate with a brand new action packed offering. Following up their “Fonts for the People EP” and their track “Whirling” on Ostgut Ton’s Zehn LP, the two take their continuous collaboration to a new level. The three tracks on “Dedicated to those who feel” see Steffi and Martyn recognizing their respective strengths, combining their 90s heritage with a vision of the future, modern techno soul with all its flaws and bright euphoric moments. “Dedicated to those who feel” serves as the introduction to a full length Doms & Deykers LP, scheduled for later this year.


Having already released on MOS Recordings’ sub label MOS Deep before now, Stephen Lopkin is now back with a second four track effort. The Scottish artist has been making prickly house and techno for almost a decade now, and on the four cuts here he once again showcases a serene and slick style. Opener ‘Och Aye’ is Detroit styled cut with rich synths dancing about above rubber drums. It makes for a shiny, electrified atmosphere that is clean and sleek and emotive. ‘Weegie in Wigan’ is a much more peak time cut of cackling percussion, sombre chords dampening down raw drums and a wild FM baseline that adds an old school feel. On the flip, ‘Ball & Chain’ is another busy house effort that has hi hats spinning like plates, thudding kicks and whole eco systems of synths darting about while ‘Meall’ ends the EP on a masterfully melodic and heavenly groove that journeys through the starry night sky, wired up with electronics and stuffed with machine made soul.

Chinaski’s first solo EP for Uncanny, the Dresden based label. “Rivers Edge” is one hell of a ride through the nightmarish and schizophrenic side of House and Disco music. “Disaster” is a journey through Dark House territory with its Italo-sounds and that catchy synth spiral along the way while “Cash” leans more to the Chicago side of things to merge into a true dance floor killer. The flipside starts things off with “Lifetime” and an uncompromising bass line. When the beat finally kicks in you’re in the game for anything. “Street” hits the same atmospheric spots but with a slightly sweeter topping over it. Finally, the stomping “Never Look Back” is a fun example for that typical neon-shimmering flavour that shines through all of Chinaski’s productions.

Fabio Monesi makes a return to his own Wilson Records after last year’s album “Parasol Dance’. From the raw beat of Mirage’ to the smooth and jazzy sound of Pipe Dream’, this EP encloses the versatile approach of Fabio Monesi to the music, in which analog recordings and warm sounds are a must.

Hissman jumps on for the latest Dog In the Night installment with four rockin house cuts. Go direct to ”Paper Moon” for a shuffling discofied house monster or check the Power of God with its big juno bassline and 808 toms. It’s all here with raw House elements in tact and the djs in mind.

Wicked Bass label announce it’s 10th vinyl release with a debut from Wuffius, a Ukrainian producer from Crimea. “In The Pines Crowns” EP comes with three original tracks which unveil the inspired beauty of the peninsula’s nature via his psychedelic house beats.

Italian artist Fabio Monesi has been busy these years working hard in the studio while also running the Wilson Records label among his other production projects. Here we get three tracks of no nonsense party jams sure to burn the floor. From Acid Storm to Palladium, all bases are covered on this ep with big basslines, punching acid and well placed samples chopped just right for you and all your dj needs.

Cin Cin is back for round two, this time calling up Michigan superstar Todd Osborn who delivers a 1,2 knockout punch with heavyweight acid killers We Gonna Jak’ and On the T’. On the flip Londoner Laurence Guy gives us an anglo saxon take on that heady deepdiscohouse sound thats guaranteed to warm the body and soothe the mind in these last dark days of winter.

Africaine 808 drop a fresh single on Golf Channel. Intriguingly, “Everybody Wants To” is something of a departure from the polyrhythmic, global fusion style explored on Basar. Instead, it sees the Berlin-based duo explore the world of synthesizer-heavy space-funk. Of course, there’s still plenty of Latin and African influences amongst the loose and organic percussion, but these seem to play second fiddle to the vocoder vocals, bustling bassline and intergalactic synthesizers that dominate. Of the two versions, it’s the flipside 12″ Disco Dance Mix that really hits the spot, with DJ Nomad and Dirk Leyers extending the groove and emphasizing the superb bassline for greater dancefloor enjoyment.

Mister Ho and Heap are ambassadors of the river Danube. This is their first offering for the ESP Institute. On side A, Collision Resistance throws us into the bowels of an underground sex lair with an adrenaline-laden heartbeat for a kick drum, a rough dose of fisting illustrated by the combination of bassline with low-tom and an unrelenting snare that whips us raw into submission. Somewhere in between the waves of punishment we can start to audibly pick up tortured moans of endurance and pleasure, but maybe its time we pull our minds from the gutter, wipe the sweat from our brow and flip the record for a reward. With side B’s Veils Of The Beloved, Mister Ho & Heap deliver us via speedboat to the white isle, coasting along to bouncy staccato bass notes and machine bleeps as a euphoric chord progression puts us in an 808 state of mind. The percussion arrangement and phasing string flourishes are introduced through a filter, opening slowly as if coming up for air from a beautiful blue abyss.