Hissman jumps on for the latest Dog In the Night installment with four rockin house cuts. Go direct to ”Paper Moon” for a shuffling discofied house monster or check the Power of God with its big juno bassline and 808 toms. It’s all here with raw House elements in tact and the djs in mind.
Wicked Bass label announce it’s 10th vinyl release with a debut from Wuffius, a Ukrainian producer from Crimea. “In The Pines Crowns” EP comes with three original tracks which unveil the inspired beauty of the peninsula’s nature via his psychedelic house beats.
Italian artist Fabio Monesi has been busy these years working hard in the studio while also running the Wilson Records label among his other production projects. Here we get three tracks of no nonsense party jams sure to burn the floor. From Acid Storm to Palladium, all bases are covered on this ep with big basslines, punching acid and well placed samples chopped just right for you and all your dj needs.
Cin Cin is back for round two, this time calling up Michigan superstar Todd Osborn who delivers a 1,2 knockout punch with heavyweight acid killers We Gonna Jak’ and On the T’. On the flip Londoner Laurence Guy gives us an anglo saxon take on that heady deepdiscohouse sound thats guaranteed to warm the body and soothe the mind in these last dark days of winter.
Africaine 808 drop a fresh single on Golf Channel. Intriguingly, “Everybody Wants To” is something of a departure from the polyrhythmic, global fusion style explored on Basar. Instead, it sees the Berlin-based duo explore the world of synthesizer-heavy space-funk. Of course, there’s still plenty of Latin and African influences amongst the loose and organic percussion, but these seem to play second fiddle to the vocoder vocals, bustling bassline and intergalactic synthesizers that dominate. Of the two versions, it’s the flipside 12″ Disco Dance Mix that really hits the spot, with DJ Nomad and Dirk Leyers extending the groove and emphasizing the superb bassline for greater dancefloor enjoyment.
Mister Ho and Heap are ambassadors of the river Danube. This is their first offering for the ESP Institute. On side A, Collision Resistance throws us into the bowels of an underground sex lair with an adrenaline-laden heartbeat for a kick drum, a rough dose of fisting illustrated by the combination of bassline with low-tom and an unrelenting snare that whips us raw into submission. Somewhere in between the waves of punishment we can start to audibly pick up tortured moans of endurance and pleasure, but maybe its time we pull our minds from the gutter, wipe the sweat from our brow and flip the record for a reward. With side B’s Veils Of The Beloved, Mister Ho & Heap deliver us via speedboat to the white isle, coasting along to bouncy staccato bass notes and machine bleeps as a euphoric chord progression puts us in an 808 state of mind. The percussion arrangement and phasing string flourishes are introduced through a filter, opening slowly as if coming up for air from a beautiful blue abyss.
Four monstrous tracks straight from the basement featuring one of the original house music creator Ron Hardy.
Belgian producer Innershades giving it up for DJ Haus’ imprint. On the A-side, two house tracks for the upcoming summer and on the B-side 2 gheto-house gems.
“Electric Park Square” is Interstellar Funk’s debut EP on the Rush Hour label. The mystical six tracker takes you on an adventurous multidimensional journey. Part of a new breed of young Dutch producers and DJs, Interstellar Funk crafts magical melodies and textured tracks that look to the future whilst taking cues from the past.
For his second chapter on Crowdspacer, Crackboy aka Krikor, the king of French dirty analog techno, digs deeper into that Detroit melanchol-epic vibe with Weapons Of Steel on the A-side before going bonkers on the B-side with 2 naughty stripped-down beat-centric DJ tools for the sweaty late night crowds. Made me think of some Gemini tracks when I first heard it (that’s a compliment).
Anopolis are a collective of four Thessaloniki based producers (Dimitris Evagelopoulos aka DimDJ, Drum Machinee, Lowjac, Oldman Talkin’) coming together for their second release on Lower Parts. Three tracks of electro acid tinged techno with some serious drum machine tinkering. Also comes backed with an incredible Hieroglyphic Being remix.
Layup is continuing with full-fledged vinyl release on his own imprint Endless Illusion. Opening new series on the label called “W” because of white labels. Whole series is going to be silkscreen on the covers and hand stamped inside.
Florian Meyer back on Berceuse Heroique, with ten minutes of gamelan psychedelia, subtly and tensely minimalist as Terrence Dixon at his best. On the flip, Dresvn takes more of a beeline to Detroit, fuelled by submerged classics like UR’s Coinochime — cosmic, but deadly and unsettling. (‘Gammel’ means ‘junk’, in German. Maybe Magellan the explorer permeates that title, too, going round in circles in the East Indies, giddy and gammy below decks, amidst his trophy exotica.)
DUM Records are dipping into the label boss’s production archives for the next one: it is a reissue that features tracks from a number of classic Mono Junk releases. Two came on Trope Records, one in 1995 and one in 1993, and the last pair of cuts come from 1996 when they were released on Plug Research. Arguably some of the influential Finnish producer’s finest work, all of the tracks here emphasize how long he is operating on the top of his game already.
The Hipodrome Of Music 