Savage Grounds – Area Of Violence [ET053]

Savage Grounds released their first three records with Lux Rec, of which one of the members from this Swiss duo is the label boss. This new EP is the first release coming out elsewhere. Savage Grounds have created a sound of their own, a sort of post-techno which combines elements of techno, elektro, EBM, acid and industrial, but these tracks will for sure also appeal to lovers of analogue synth music. The whole EP sounds like it has been recorded in an one take synth jam, raw and fierce synth sounds for the body and soul.

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Savage Grounds – Area Of Violence [ET053]

L’estasi Dell’oro – Aut Delectare Aut Prodesse Est [FIELD023]

L'ESTASI DELL'ORO - Aut Delectare Aut Prodesse Est

Field Records looks to L’estasi Dell’oro (Christopher Ernst, aka Penalune) for a new three-track EP for sound systems that once again takes us down the rabbit hole. Following on from his previous ‘I Look Upon Nature While I Live in a Steel City’ album in 2015, this is another masterfully drawn out and engaging affair. “Either to please or to educate” is the intended purpose of this EP release, utilizing guitar, tabla, and other electronic and acoustic instruments. The incessant movement of the metronomic tremors felt underneath our plains lay the rhythm. The threadbare dialogue we use to communicate frays slightly further. These spirals are given an explicit voice through Leader Annabelle Kuwe’s dispassioned public address to the remaining world at the Great Meeting of 2166, as recounted by Sadie LaPierre on closer ‘Achieve Ignition’.

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L’estasi Dell’oro – Aut Delectare Aut Prodesse Est [FIELD023]

Parrish Smith – Esplendor [LIES095]

Parrish Smith has quietly been making a name for himself over these last years with releases on Knekelhuis and Contort Yourself as well as with his projects Volition Immanent and Sige Bythos. We see him appear on L.I.E.S. in a strong fashion through four varied dense tracks. From slowbeat EBM to Belgium klang to classic Den Hague crushers this ep forges its own path taking these cues and putting Smith’s unqiue spin on them. Heavy yet still possessing groove and hypnotic rhythm, damage will ensue if used correctly. Fresh stuff from this up and coming talent.

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Parrish Smith – Esplendor [LIES095]

Police des moeurs- Dédales LP [MNQ110]

Police des moeurs is a synth pop band formed in Montreal in 2010. Their debut full-length, after some quicky old out singles, is permeated by a cold, melodic and nostalgic music for broken hearts and dark minds. Police des moeurs is the soundtrack for the nuclear night, a transition moment between the end of utopia and the final ecological disaster. The world after the future. Police des moeurs main influences and interests are underground aestheticisms (1979-1981), industrial transformations and the process of electrification, norms and deviance, nuclear and environmental anxiety as well as paranoia, secret agents, spies and political extremists.

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Police des moeurs- Dédales LP [MNQ110]

Nacht’Raum / Band Berne Crematoire ‎– Expanded 1982​-​1984 LP [MNQ096]

Mannequin Records to presents a LP compilation of Michael Antener (Swamp Terrorist) early 80’s minimal synth/industrial projects Nacht’raum (with Michael Stämpfli) and, as solo, Bande Berne Crematoire. Michael Antener made his first recordings in the basement of his parents house in a small village nearby Bern, Utzensdorf. He started BBC in 1980, a hybrid of Neue Deutsch Welle and noise/experimental, making a household name in the international home recording scene of the time and participating to many tape compilations. Teaming up with Michael Stämpfli as Nacht’raum, he self-released the untitled mini-lp in 1983. Coming out from the same town of Grauzone, the duo moved into the darkest minimal electronic sounds, choosing German as main language for the lyrics and a Roland Tr-808 as main drum machine, bringing the sound to a proto-electro dimension. Nacth’raum will be historically a real gem in the 80’s Swiss underground electronic music, together with Mittageisen, Grauzone, Liliput, The Vyllies. Michael, by the way, later teamed up with Ane Hebeisen and they went by the name of Swamp Terrorists, releasing seven albums and touring throughout the world until the end of the nineties. At the end of the nineties he sold all his instruments and became independent as a graphic artist.

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Nacht’Raum / Band Berne Crematoire ‎– Expanded 1982​-​1984 LP [MNQ096]

Circa Tapes – Love & Venom [MR069]

Third full length album by Circa Tapes (solo project of Adam Killing of Kill Memory Crash). Following excellent previous releases on Romance Moderne and DKA, this third album displays the evolution of Killing’s spot on ability to masterfully blend dark early 80s synth, industrial and cold wave into a completely new entity. Much heavier and wonderfully darker, this LP will appeal to fans of classics like Skinny Puppy, as well as cutting edge EBM contemporaries such as Broken English Club, Boy Harsher and other cold wave / industrial hybrids.

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Circa Tapes – Love & Venom [MR069]

Ian Martin – Rites Of Passage [ET051]

Ian Martin should be no stranger to people who are into electro and trippy electronics. With releases on Bunker, Panzerkreuz and Strange Life his reputation is quite settled. For Gooiland Elektro he came up with four tracks filled with dark beats. From pounding to spacey, elektro and EBM influenced with industrial tendencies.

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Ian Martin – Rites Of Passage [ET051]

VA – Simple Music Experience Vol. 2 [MMLP505]

Macadam Mambo presents a special collaboration with friend label ‘Simple Music Experience’ from Bordeaux/Marseille. Contains original Industrial, Synth-Pop, Jakbeat, Post-Punk, Experimental and Contemporary music by underground artists from France. Originally it released on tape (SM05) in 2016.

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VA – Simple Music Experience Vol. 2 [MMLP505]

Ekman – Sturm Und Drang [SHIP051]

Roel Dijcks, better known as Ekman, is no stranger to Shipwrec. Following his Heimwee EP and Synaptic Feedback Loops comes a two tracker of serious proportions. “Sturm un Drang” gets the ball rolling. A rasping beat cuts into thick bass. A pool of liquified notes shimmers as an isolated world unfolds, a tactile world of arcing strings and clean complexity. If “Sturm un Drang” is a glimpse into an alien realm, “First Mover” is surely the beast that inhabits it. Bulbous bars trudge through a swamp of static, distortion drips from cymbals leaving melodies buried in the marshland.

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Ekman – Sturm Und Drang [SHIP051]