
Its the very first release of a new polish record label – Rotten Periodicity. The record constitutes as well Kosel’s debut. True lofi character and style. Tough, lo-fi techno for the post-industrial underground.

Its the very first release of a new polish record label – Rotten Periodicity. The record constitutes as well Kosel’s debut. True lofi character and style. Tough, lo-fi techno for the post-industrial underground.

Who better to inaugurate your label than Andreas Gehm? Simple, no-one. Glasgow’s Schrodinger’s Cat is sinking claws and teeth into vinyl with five tracks of blistering TB303 goodness from the Cologne man. Mr Gehm is in fine form as he serves up a quintet of very different cuts. From the warbling wonderment of “Blind Eyes” to squawking darkness of “Jak the Floor”, this EP shows how talented this machine musician is. “Can You Hear Me Girl” is jilted lover, stalker house; beady eyes peering into misted windows material. The Elec Pt 1 hood is donned for the dirtiest track of the 12″. Grimy claps are further polluted by bending acid lines in a work overflowing with violence. Out of the leftfield comes the finale. “Systems Go” throbs with rumbling rhythms, a bleeped melody keeping time as drum machines overheat and circuitry melts.

NYC synth maestro Gavin Russom continues on with his recent streak of killer techno releases, this time, surprisingly, for peak time specialists Curle. Punisher” is dark, tunnelling and hypnotic business, perfect for the 6AM comfort zone. “All Souls (NYC Mix)” uses sinister droning atmospherics and infectious syncopations, but just wait ’til that warbling melody comes in. Finally we’ve got “Thrashing Truth” which doesn’t leave much to the imagination; with its no nonsense EBM bassline and harsh industrial rhythms.

The Dance is the result of a long lasting musical love affair between Kontra-Musik’s Ulf Eriksson and Sebastian Mullaert (aka Minilogue). As most love affairs, it started off as an exciting experiment: Ulf would play records and Sebastian would bring out his music gear and play a live set. As they were touring with this live concept, their sounds started to really integrate, and after one especially fine night at Trouw, Amsterdam, Ulf and Sebastian decided it was time to conceive The Dance. Once the decision was taken, everything else came naturally. The Dance was to be recorded live, in one take, at Kontra-Musik’s home field Inkonst, Malmo, Sweden.

Privacy returns to Lobster Theremin with three slabs of slimy, modular, machine-driven electro. Human Resource Exploitation Manual is an aural guide in the optimum exploitation of human substance and material.

Belfast born imprint Computer Controlled Records follow up on their acid rich debut Explorer EP from Mark Forshaw with a five tracker from Chris Moss Acid on a release that also features a jacking collaboration with Breakin’ Records owner and all time don DMX Krew. It marks the third in a run of original EP’s from Chris Moss Acid who’s been enjoying something of a renaissance in his productivity, releasing with a host of top grade labels from to Jerome Hill’s revered and uncompromising techno imprint Don’t and Dutch electronic hub Shipwrec.

Leibniz and Credit 00 team up for more Basement Toolz on RAT5. Three home made Bangers to rock every party like its Octoberfest all over again.

LAB.OUR 06 features offbeat, dancefloor techno from Hermans (Jerry Riggs ‘Dick Diamonds’ & Maxwell Church). ‘Sweat Box Rock’ is an epic stormer that sounds like a techno jam session with alternating beat patterns and dirty keys. ‘Dustin Tombtones’ is an uptempo acid workout destined to move dancefloors. B2 is a remix of ‘Sweat Box Rock’ by Lab.our Music bosses Basic Soul Unit and J-UL.


Frak on Lux Rec… Nordic woods are a dangerously primitive place. Fueled with madness and induced delirium Frak land on planet Lux. Three slow, acid numbers with a barbaric, crude attitude. Relentless drums. Fierce, hypnotic synthesizers that get you lost in your own mind. Suddenly sinister, disastrous images populate your consciousness. And then one last strange, twisted wave track. New places, new adventures.

Louis Haiman returns to Abstract Forms with some seriously deep underwater vibes….and who better to co-pilot than Heinrich Mueller himself.

Swedish doomed out techno with a firm EBM influence. Sequenced basslines, lots of 16th note drums and some dark sounds from this debuting Stockholm producer!

Ride The Gyroscope is a new effort from Tabernacle, the UK label known for its ramshackle hardware workouts. The newly established offshoot will launch next month with material from Finnish artist Boneless One. Rotating around the harder edges.

First Vinyl of the fresh new Label Pantruche, this Label has been created to extend the musical ressources of the Label D.KO Records, heart of the Parisian young generation of producers and Djs. This Various Artist presents new comers as Pieuvres, Bad Rey & Mezigue with the participation of Tin Man on Villettion Acid. Detroit inspiration, Parisian determination.