
Mathematics Recordings presents a two volumes retrospective of their releases. On this first volume we find tracks by IFM, Echo 106, Bon Voyage, Kuba Sojka, Joe Drive, Takeshi Kouzuki, John Heckle and Marcello Napoletano.

Mathematics Recordings presents a two volumes retrospective of their releases. On this first volume we find tracks by IFM, Echo 106, Bon Voyage, Kuba Sojka, Joe Drive, Takeshi Kouzuki, John Heckle and Marcello Napoletano.

Live At Robert Johnson presents a second Lifesaver compilation. The label is calling the eight-track collection, which arrives two years on from the first instalment, “another episode of togetherness.” It presents music from the LARJ roster, with Roman Flügel, Portable, Orson Wells, Massimiliano Pagliara, Lauer, TCB and Benedikt Frey all chipping in with a track each.

Z Records returns with another humdinger of a compilation to start 2015. Supafunkanova Volume 2 has been selected by Joey Negro and Sean P. The dynamic duo continue to dig deep, compiling high quality albums filled with lesser known disco and boogie releases. Supafunkanova focuses on the funkier end of the 70s & 80s, showcasing some of the bumpier grooves recorded in the disco era when even James Brown had to take notice of the Saturday Night Fever inspired disco explosion. The duo have been working on Volume Two for some time now as the first instalment was released way back in 2007. It takes a while to put these albums together, tracking down the owners of these musical gems, finding the right image for the sleeve and so forth but it’s finally come together.

An inestimably valuable and definitive collection of 1988 Belgium club classics anthems produced by Rembert De Smet including hard-to-find, unreleased and rare materials. Two black vinyl sleeved into a reversed silkscreened cardboard, including a CD version.

“Ok, so 15 years in this invigorating game is enough to get us all teary-eyed and melancholic and wandering ponderously on the meandering roads of reminiscence…..
Not! Here’s some FREE smack to celebrate this joyous occasion and onwards to the next 15 years. Part 1 so you know what that means! Get ready for the geriatric experience and special Creme ointments for your shingles. Now there’s something to look forward to.

A Collection of Tracks released 1994 to 1996 on Hotmix’ first label launched from the shop in The Hague.

For a brief moment Turin was Italy’s Sheffield, producing an astonishing number of DIY electronic groups. In the context of a wider Europe, Italy has never been thought of as a hotbed of minimal electronic music, but Mannequin Records compilations Danza Meccanica: Italian Synth Wave 1982-1987 have shone a light on a scene little heard, even within Italy’s borders. But the history was still incomplete.. some new horizons now must be unveiled, showing that between the years of 1982 and 1984, the city of Turin in northwest Italy was home to a quiet underground renaissance of experimental electronic music.

Trust’s anniversary series continues with its second of three chapters: Six far-fiction electro tracks by DJ Stingray, Dez Williams, Scape One, DJ Glow, Microthol, and Biepang continue the story of a human mining operation on 61 Cygnus e, a remote planet orbiting Bessel’s star.

To remain in biblical territory “The last shall come first”. Such is also the case with the 3rd in the Creme Valley of Shadows series which will come out before part 1 & 2. So yeah this 3rd installment is a collaboration with NYC’s by way of Paris L.I.E.S. Records. Six tracks by Legowelt, Randomer, Simoncino, Innershades, Ron Morelli and Wilie Burns.

Great collection of challenging and fine quality techno tracks by an excellent selection of artists: Fred P, Brendon Moeller, Mike Parker, Zadig, DJ Spider, Hakim Murphy and others.

Dystopian unveil their most comprehensive release yet, a 2×12″ featuring music from label regulars and newcomers Gotzkowsky, Ron Albrecht and Vril. Recondite opens the compilation with a straight-laced but dirty techno production. Don Williams throws down some pumping four-four beats, while Gotzkowsky and Alex.Do venture down a gurgling bleep hole of techno. Distant Echoes was responsible for the label’s release before this, and here the shady producer delivers more gloomy, industrial deepness. Vril lightens things up with his famous chords, although a little disorientating this time, while man of the moment Rodhad goes big with a synth line you’ll never forget. Ron Albrecht then completes the EP with a slab of Fachwerk-like techno, swapping funk for hard-nosed beats.

A double vinyl 8 track selection of Red Laser Disco favourites. Compiled by Il Bosco it shows the variety of early 80s Italian dance music & the Italo scene with disco styling through to boogie, new romantic flavours through to electro.

“A free compilation from the Pinkman HQ to thank you ALL for the support over the last two years. And keep an eye out on Pinkman in 2015, lot’s of good things will come!”

Jerome Derradji is gaining something of a reputation as one of Chicago’s premier house archivists, having previously released compilations celebrating some of the Windy City’s most influential – but previously overlooked – labels. Here he’s teamed up with KStarke Records boss Kevin Starke to deliver a two-track set largely made up of material found on tapes that were once traded between Frankie Knuckles, Ron Hardy and other legendary Chicago DJs. Confusingly much of the material credited to Jackmaster Hater is of unknown origin, while there plenty of other unearthed gems with little or no information. Thankfully, the material – largely mid-to-late ’80s jack and early acid, with a sprinkling of deep house and Italo-influenced fare – is uniformly excellent, making it a “must buy” for anyone with a passion for early house music.

If you are looking for a massive slab of techno, you won’t find anything released this week that’s as hefty as Aphelion. A triple vinyl box set from Belgian label Token, Aphelion is essentially a primer for the best in contemporary techno, featuring contributions from Surgeon, Rodhad, James Ruskin, Karenn and Planetary Assault System alongside some label regulars. You will have probably already heard “Fixed Action Pattern” from Surgeon, it’s possibly one of this year’s finest techno 12″s, but it’s got some stiff competition here with Ruskin in particularly funked up form on “No Trace”.

Dark Entries have combined Bay Area Retrograde (BART) Volume 1 and 2 on a single CD. BART is Dark Entries compilation of underground music from San Francisco (and the greater Bay Area) made between 1978-1988. Towards the end of the 70s, San Francisco’s experimental music scene clashed with the aftermath of punk and gave birth to a vibrant underground. By the early to mid 80s the DIY music scene of the Bay Area was a hotbed for experimental and quirky new wave, post punk, and synthpop, quite similar to New York’s No Wave scene and Berlin’s Neue Deutsche Welle. This compilation connects the (transit) lines between these varied musical offerings and tells the secret story of eleven forgotten Bay Area bands. BART Volume 1 features a Korg-heavy assault from Danvilles utterly obscure Nominal State; two little-known left-field electronic dance gems from Batang Frisco and Quiet Room; Berkeleys answer to darkwave, Necropolis of Love; a synth-driven drama fest from drag performance troupe Wasp Women; quirky lo-fi gothic pop from one man band Distant Thunder; a gay Hi-NRG anthem delivered by Danny Boy and the Serious Party Gods; two lesser know gems from SF synth legends Voice Farm and Los Microwaves; and the futuristic pulsing synth-punk of Standard of Living and the Units. BART Volume 2 features slow, dystopian horror from pioneering industrial group Factrix; crushing, motorik noise from acid punks Chrome; amphetamine-driven synth punk from Red Asphalt; an early demo, never released on vinyl, from legendary post punk band Tuxedoomon; chilling atmospheric drone from Ki Di Me; leftfield new wave from Indoor Life featuring Patrick Cowley on synths; Los Microwaves more sinister side project Baby Buddha; gay drag icon Timmy Spence delivering an unknown camp classic, a pure instrumental electro-pop workout from Human Being Men; TR-808 fueled synth pop from Menlo Park duo Wonders of Science, and a poetic yet somber and haunting song from the mysterious Zru Vogue.

Given the infamous depth of Nick The Record’s vinyl collection, you’d expect this contribution to Z Records’ excellent Under The Influence series to be packed to the rafters with unheralded gems. Predictably, it is, delivering 22 cuts that should be thrillingly new to all but the most dusty-fingered collectors. Picking out highlights from such an excellent and in-depth collection is tough, but try the steel drums-laden celebration of Boogsie’s “Can’t You See Me”, the synth-laden jazz-funk badness of “Keep Your Shoes” by MC and His Great Googa-Moogas, and the fizzing, melody-rich 808 electro of Ronnie Jones “Video Games”. If that’s not enough there’s also a swathe of DJ-friendly re-edits from Nick himself.

Though many of the artists that have featured on WeMe Records have released with other labels, it’s fair to say the Brussels operation still retains a unique identity that has set it apart over the past decade. That’s certainly the impression you get from this 13 track compilation, issued to celebrate WeMe Records surpassing the 10 year mark, and a release that neatly documents the label’s commitment to electro and more esoteric fare. Entitled WeMe10ans, the compilation is filled with exclusive material and finds electro mainstays Der Zyklus, DJ Stingray and Global Goon rubbing shoulders with composers such as Francois de Roubaix and Giles Lamb and the singular Leyland Kirby.

Blimey, Light Sounds Dark really went to town on this new compilation of curios, obscurities and delights that’s spread across three 12″s. If you’ve indulged in previous slabs of LSD curated obscurity then you should have an idea of what is waiting for you within the rather tempting mirrored, triple-gatefold sleeve; namely a smorgasbord of industrial, proto rhythms and early wave sounds. Unlike previous Light Sounds Dark transmissions, there is no identifying information of any sort.

Compilation of old and new (mostly) Belgian & Dutch minimal synth tracks for the first time ever on vinyl.