
Richard Fearless from Death In Vegas on his own imprint with two tracks in his distinctive wavey and trippy style.

Richard Fearless from Death In Vegas on his own imprint with two tracks in his distinctive wavey and trippy style.

Cititrax present a split EP by two massive talents, Borusiade and The Sixteen Steps. Borusiade, originally from Bucharest, Romania began as a DJ in the early 2000s and then started producing music in 2005. With a background in classical music, she combined her love of raw electronics, obscure themes and melodic lines to create her own signature sound. She has released on the Cómeme label as well as Corresepondent. Infatuation and Confutation are dark, moody and intense tracks that catch you upon first listen. The flip side of the Promises and Infatuation EP features The Sixteen Steps, the brainchild of George Lanham who cut his musical teeth DJing and running events in the south of England. We have been listening to many of his tracks endlessly for a while now. Signals From The South and Promises On The Run are both immaculately produced, hypnotic, dance floor killers. They are sparse ebm meets smoky warehouse techno, and offer a wonderful contrast to Borusiade’s layered emotive tracks that reminisce of an East Village club in the 1980s. Themes of infatuation, appearances, and anonymity appear throughout this EP from the music itself right through to the cover art.

Following a near two-year hiatus, Delta Funktionen resurfaces in order to invite us on his Junior High School Excursion To The Parallel World. While the title evokes images of bad 1980s teen movies, musically the Dutch producer has delivered a double-pack full of what we would describe as “proper” techno and electro. That means thrusting rhythms, bold and restless basslines, intergalactic electronics and melodies that sound like they’ve been beamed down from, well, a parallel world. There’s naturally plenty of subtle variation – compare and contrast, for example, the booming rhythmic intensity and creepy melodies of “Torpedo” and the winding late night acid trip that is “Stingoperation” – but Delta Funktionen keeps his eyes firmly fixed on the dancefloor throughout.

Originally released in 1990 on Doremix Records, Techno Bert was the studio project of Robert Passera and Stefano Cundari, co-owner of Memory Records and mastermind behind some italo disco classic names like Hipnosis, Koto, Faxe. “Neue Dimensionen” was developed on Siouxsie & The Banshees’s well-known guitar riff of ‘Happy House’, in a techno crescendo, where the duo would have enjoyed inserting as many samples as possible by stopping only when the capacity of the sampler Akai S1000 memory would be full.

Sign Bit Zero’s next output is Black Seed, the alternate identity of Turin-based DJ and producer Matteo Viani. The project is a showcase of his excavations into the realm of electro-tinged techno and live experimentation. Using the sharp edges of a raw, tribalistic robot funk sound as tools for crafting rhythm, Black Seed generates unsettling yet grooving scenarios, basemental bangers of danger dunked in smoke and hypnosis.

Italian based trio Agents Of Time with their debut EP for Curle ‘Xylo’, offering both atmospheric but firm techno, complemented by a healthy dose of floating melodies.

Skudge levitates into 2017 with tracks from a well-known place… Infectious groove and stabs reflects our most fond warehouse memories. For starters, ‘Circles’ reminds us of the first three releases, but in a updated shape – the beats are as tight as ever, with the accompanying melodies fitting right into their place. The A-side track has that special Skudge vibe that managed to establish them as a force to reckon with. As proven with the LP from last year, things are sounding and looking as exciting as ever! In stark contrast to the straight to the floor A-side, ‘Tundra’ on the flip resembles the calmer and on the edge of careful sound that Skudge has been running in parallel of their club oriented material. Sure, this one works well in that environment too, but it’s more minded approach might require some extra attention on the floor – however, this first EP of the new year facilitates what was promised with the LP: this is exciting times for Skudge.

Ron Maney aka DJ Skull presents some new tracks on the second part of his own series called “The Dj Skull Saga”.


Finally we can announce that The Hacker is onboard at the Stilleben ship with some amazing electro that lurks in the shades of Kraftwerk and other fine electronic acts, but with his own significant style and signature. 3 electro songs and one more italo/electro disco that was hidden on a old hard disk. We are very happy to continue the electro journey on Eargoggles Stilleben with this strong and beautiful release.

Recorded live during an Ekstrakt party, in the legendary Medika squat in downtown Zagreb. Kӣr is the production moniker of WhyBaneWhy, resident DJ of Belgrade’s dankest technoclub, Drugstore. Bane’s sets incorporate a wide range of influences and travel far off the beaten path, drawing in influences from techno to new wave to power electronics, obscure ambient, folk music, twisted echoes found deep in lost wormholes and whatever else it takes to distort your feelings, lost and disorientated whilst working up a sweat. Kӣr takes all this and pushes the envelope with punishing hardware. Its visceral music, embracing drones, repetition, rippling soundscapes and obscure sonic horizons, to boldly go where others throw in the towel.

The second edition of Blue Hour’s ‘Remixed’ series features four distinctly diverse cuts. Mark Broom delivers a peak time take of ‘Common Ground’, followed by Substance’s (AKA DJ Pete) dub driven remix of the untitled hidden ambient track which appeared on ‘Reference 97’. On the flip Hessle Audio’s Pangaea re-captures the jacking and functional energy of ‘Falling Lines’, then closing the EP is a raw and dreamy electro workout of ‘Introspective II’ from VC-118A.

Delsin is to put out an eight track compilation for the tenth release on its Cameron series, taking in stronghold names as Claro Intelecto and Vril, as well as former contributors to the series Shlømo, Artefakt and Gunnar Haslam. As has been the mission for the series before, there’s eye for new talent too – in the names of recent Delsin newcomer Sentomea, The Invariants and Cameron. All contributors look beyond the dance floor to offer a mixture of moody and atmospheric sounds, and everyone was given free rein, which has resulted in a collection that covers so much stylistic ground.

The latest transmission from the world of Gunnar Haslam, Kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. An incredible work that is not easy to pigeonhole, Kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones. Haslam is an avid home listener of dub, dancehall and calypso, and that influence is quickly felt as Kalaatsakia launches with a tight electro snap and dubwise crash. Kalaatsakia advances and retreats seasonally, tightening up for the floor with the chrome-plated ‘Broadcast’ and ‘Kjolle’ while splintering apart on ‘Kalapuyan’ and ‘nxbound’. Its constituent parts are often left to collapse in on themselves, smearing themes into residual trails. As the narrative of the album disintegrates and unfolds into more deconstructed territory, it stretches out even further with a striking skittering mental tease, settling into burbling sub-audible vocals and resonant spaces that all form a part of Haslam’s self-created subconscious language.

Tabernacle Records presents Bill Converse’s first release outside of the U.S. is spaced out over a double pack format, focusing on his lengthy, trippy jams.