Steffi – Schraper [OTON058]

Cover art - Steffi: Schraper

Steffi returns with a 12” for Ostgut Ton and shows a much tougher side to her ever-evolving sound. Steffi proves that there is much more to come from her as she produces a fine heartfelt techno sound for this EP, reminiscent of the favorites from not forgotten Warehouse parties where techno and house met on one united floor. On the A-Side “Schraper” combines a clean beat structure and scraping percussion with an epic synth arrangement to hypnotic effect with energy levels cranked right up. The string version of the B-side track “Tank” creates a mellower mood with a deeper bass and subtle bells added for a joyous ride, rounded off with bouncing metallic hi-hats. The beat version of the same track builds with fewer elements, a pumping tool to heat any dancefloor up to boiling point.

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Steffi – Schraper [OTON058]

Third Side – Unified Fields [RSTLP001]

THIRD SIDE - Unified Fields

The hardware radicalists, that are The Analogue Cops aka Lucretion & Marieu and Steffi,  present their unification in the studio as Third Side as an LP including the best productions of the past year and this latest LP serves as both a proclamation of their shared love for the analogue sound and as a breath of fresh air for techno. ‘The Absolute’ kicks things off with rippling snare drums, a warm bass line and a sweet cocktail of atmospherics and effects. Restoration friend, nd_baumecker joins the team on ‘Jackie’, where a chopped up vocal is carried backwards and forwards by an edgy drum machine workout. ‘The Base Of All Matters’ is a progressive, heads-down beat filled with crispy snares and disjointed chords, but the trio really get going on ‘Gauge Fields’ – where a frenetic mixture of synth stabs and effects is swallowed by a montrous, syncopating bass line. Side C begins with ‘Unity’, a powerful techno tool which has recently been remixed by Steffi herself, Blawan and the mysterious Nightjars. ‘Subsequent Stages’ enters lighter house territories but still retains that signature Third Side rawness and minimalism. On the flipside, ‘Fundamental Forces’ introduces a heavy, bumping beat floating over a sea of euphoric voices and distant melodies. Finally, the amptly names ‘Shit On Me’ featuring Virginia (the talented singer and songwriter responsible for the astonishing vocals tracks ‘on the rousing hit Yours’, and on the touching ‘You Own My Mind’, both released on Berlin’s Ostgut Ton in Feb 2011) closes things off with a nasty, twisted percussion which evolves into a more experimental, bass-fuelled anthem for the small hours. Real techno excursions for the coinnasseurs.

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Third Side – Unified Fields [RSTLP001]

Paul Mac – Hotel Insomnia EP [EPM019]

https://i0.wp.com/imagescdn.juno.co.uk/300/CS469962-01A-MED.jpg

Paul Mac is one of the UK’s real techno veterans, a producer with a sizeable back catalogue spanning a variety of sounds. For this EP, a taster for an album of the same name, he focuses on deep, Detroit techno, but with a twist. The title track is a driving affair, but Mac lends it a musical sound with evocative, breezy chords combined with dramatic string stabs. “Undoubted” sees him go down a more tracky route and its heads-down groove veers close to militaristic, but he keeps it on the right side thank to the clanging drums and crashing percussion. Marcel Fengler also contributes an excellent, wobbly bass-led version of “Insomnia”.

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Paul Mac – Hotel Insomnia EP [EPM019]

Myriadd – The Way We Were [SIG.MMXII.VII]

Two stunning slices of mercurial and heartfelt British Techno from two outstanding northern producers that cuts across the M62 corridor like a night drive into oblivion. A 10” black hit of space, lovingly designed for the dark, sweaty basements of provincial, post-industrial towns and the cold light of day in the car park of Knutsford Services.

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Myriadd – The Way We Were [SIG.MMXII.VII]

Factory Floor – Two Different Ways (Remixes) [DFA2341]

Factory Floor offer up a substantial distraction while the band put the finishing touches on their debut album, due out on DFA Records in early 2013. Their last single “Two Different Ways” is remixed by two different electronic music leaders. Richard H Kirk, co-founder of both Cabaret Voltaire and Sweet Exorcist, puts his own warped spin on the single, while Perc aka Ali Wells, takes the original and piles on his signature throbbing bass for the main remix. Perc also offers up a ‘Noisy Mix’ taking avant waves of feedback and noise and shaping into something unexpectedly beautiful.

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Factory Floor – Two Different Ways (Remixes) [DFA2341]

Robert Hood – Motor: Nighttime World 3 [MMLP038]

After the legendary “Nighttime World Volume 1” and “Nighttime World Volume 2”, Robert Hood returns with the long awaited “Motor: Nighttime World 3” on Music Man. With this, Robert Hood returns to the project he first started on Austria’s Cheap label back in 1995 and subsequently continued in 2000 on M-Plant. Fusing his trademark minimal techno into jazz inspired moods and inflections, Hood emerges from the smoke-lit shadows of a downbeat, but not beaten, Motor City metropolis. Inspired by Julien Temple’s documentary ‘Requiem For Detroit?’ Robert Hood examines the life, history and future of Detroit’s motor industry and its workforce, set against a backdrop of decay, despair, hope and re-birth.

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Robert Hood – Motor: Nighttime World 3 [MMLP038]

Inigo Kennedy – Spectre / Wonderhorse [TOKEN024]

Token sticks to its guns: Inigo Kennedy delivers a big new 12inch with a double a-side. ‘Spectre’ hits hard yet gloomy. Relentless drums bathing in reverb and a strange synth line create yet another unique IK-piece. ‘Wonderhorse’ is built on the same foundations but explores a more melodic & psychedelic trajectory.

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Inigo Kennedy – Spectre / Wonderhorse [TOKEN024]

Drvg Cvltvre – Everything Oblivion EP [V024]

The Hague Electronix veteran Vincent Koreman, Bunker veteran and Angelmaker label owner, presents his new project Drvg Cvltvre with the first release on Viewlexx. Koreman describes the project as an outlet for slow, doomy disco and experimental house, yet the superbly titled opening track “Bring Me Your Labradoodle” long with “Hermes Russia” and “Heart Beat” has more in common with the deranged techno of Gesloten Cirkel. Amidst all this, the vaguely unsettling “Monkey Man” sounds like Chicago Shags remixing Analord.

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Drvg Cvltvre – Everything Oblivion EP [V024]

Donnie Tempo – Systems On EP [MAMSW003]

The mysterious Donnie Tempo has been producing house music for over twenty years. His first release as Donnie Tempo was back in 2001 on Larry Heard’s Alleviated Records, demonstrating his old school acid inspired productions. Donnie Tempo unleashes the ”Systems On EP” due for release in September on MAMSW. The EP drops two previously unreleased tracks recorded between 1989-91 and one new production ”TCB”, that shows that the original Chicago house sound still runs deep. Finally, Donnie has found a new home to release the uncharted authentic house jamz that he’s created.

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Donnie Tempo – Systems On EP [MAMSW003]

Acidliner – Funkhouse [GANGSIGNS002]

The second release on Gangsigns comes in the shape of Acidliner’s ‘Funkhouse’. Funkhouse quite simply rolls. A pure acid house burner. It’s not house, it’s not techno, it’s not bass – it’s a roller. It combines all these styles with ease. No glitz or glamour – just pure electronic funk. Simply devastating. White Science on the flip dips the 303 into a more aquatic electro affair. Hats sizzle, claps jump in and out while the acid line weaves it’s way round some serious 808 action. It’s a mover for sure and a perfect partner to the all out groove of the a side.

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Acidliner – Funkhouse [GANGSIGNS002]

Stallion – Stallion 001 [STALLION001]

New misterious label from Berlin called Stallion. The first EP contains 4 tracks on the vinyl with an additional 2 locked grooves. Comprising of tough basslines, furious percussion, piercing stabs, industrial overtones and drifting melodies. Raw, stripped down techno tracks distrilled to their simplest and most effective form.

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Stallion – Stallion 001 [STALLION001]

Alex Cortex – RAW [KILLEKILL009]

KILLEKILL 009 comes from Alex Cortex with some vintage material recorded in the years 1996-2000, raw and substantial. With Future Acid the A-Side features a bomb acid track recorded live at the legendary HD800 club in Mannheim, which displays the raw power of Alex’ live sets. The B-Side features R-BYTE, a minimalistic Chicago-style stomper and MEM, a hood-like abstract and minimalistic techno piece.

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Alex Cortex – RAW [KILLEKILL009]