Here is the third and final part of my 2013 review, featuring my favorite albums released last year. In the first part of the review, the preferences of hipodrome followers are shown, according to the number of click and stars. In the second part, I presented some of my favorite events and performances from last year.
Now here it comes the serious business. Because there are so many good albums and different genders, I took the same approach as in the 2012’s review.
The list is covering all the genders that I like and post on The Hipodrome Of Music, so I came up with no more than 20 gender lists, going from house to techno, disco and funk to electro and new wave …
Here we go.
Continue reading “Hipodrome’s 2013 Review (Part 3 of 3)”
XEX were an all-synthesizer band from South River, New Jersey in the late 1970s. The band formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers College. They released their debut album “group: xex” in 1980 which Dark Entries reissued in 2010. “xex:change” takes a leap from where the band left off at the end of 1980. David Anderson left the group making xex a quartet. Recorded during the summer of 1981 and produced with Ziggy Rodberg, xex further developed the aesthetic of the first album. The seven songs here are more complex and hypnotic than the synthpunk outbursts of “group:xex.” Their new synthesizers, a Sequential Circuits Prophet 5 and a Minimoog, evoke the high-tech utopia of Patrick Cowley and proto-techno of Afrika Bambaataa. Thumbalina’s vocals have a detached, icy quality. Lyrics revolve around xex’ melange of oeuvres – pop, kitsch and New Jersey mall culture – offering commentary on species-specific adaptations for copulation, technophilia/phobia and the Jersey shore. “xex:change”, a multiple entendre that refers to the evolution of the group since its first album, group interaction in the creative process, and underlying sexual ambiguity. The group did not have the funds to release the album and it sat in obscurity for over 30 years.