
Chicago legend Robert Owens teams up with Tevo Howard for a 4 tracks single on Tevo Howard Recordings. The EP features a moody original version in the spirit of Chicago House and three remixes.

Chicago legend Robert Owens teams up with Tevo Howard for a 4 tracks single on Tevo Howard Recordings. The EP features a moody original version in the spirit of Chicago House and three remixes.

Two dusty d.i.y. straight to tape house jams from Brooklyn’s lowlands, by basement producer Terekke. Over saturated house energy meets voices of paranoia while shifting Juno chord changes and a dirtbag 707 drums keep things moving.

“Twentyfour Ways” presents four sunset tracks by Benjamin Brunn, Christopher Rau and Smallpeople and special guests C-Beams aka Break SL & Sandrow Mitzschke from Dresden.

Opilec Music bring the first ever remix album of San Francisco’s cult synthesizer-punk legends, The Units. Reworks by Alexander Robotnick, Chris Carrier, Daniele Baldelli & Marco Dionigi, Dompteur Mooner & The Outlier ft. Pollyester, In Flagranti, Klein & Mbo, LoSoul, Nick Chacona, Sinner DC, The Love Supreme and many many more!

Brooklyn band Fall On Your Sword release on DFA Records. “The First Time I Saw Jupiter” creates an atmosphere of eerie, icy desolation; sounds emit outward in what feels like the loneliness and desertion of space. “Rhoda’s Theme” feels slightly more hopeful and less lonely. The song begins with a soft, repeating keyboard line, and then opens up onto beatific synths. There are slight shifts of shape across its nine-minute duration, as it moves from moments of driven beats and rhythms to sections of gorgeous, nearly orchestral streams of sound.

Polish producer Kuba Sojka with a smoky and nostalgic house on London label Souliner. Title track “Berlin News” utilises multiple layers of expansive pads over an ascending analogue bassline; considering how many elements are jostling for position the effect is impressively reined in. On the B-Side, “Electronic Fever”, the same kind of arrangements are used, but building up to a complex improvised piano melody. The last track “Auster Session” is a collaboration with Electribalt.

Next up on Tom Trago’s Voyage Direct series is Maxi Mill, a young producer from Amsterdam. ‘To The Next’ / ‘Sun Rays’ is his debut release and showcases his love for raw, dirty and syncopated house music.

Echocord Color delivers a new EP by the duo Skudge. It also includes a deep and dubby powerful remix by Conforce.

New various artists EP on Stockholm Ltd, including music from Pfirter & Grindvik and The Rumours and the debut on the Swedish label for S100 and Tom Dicicco. Including reworks from Skudge and legendary Oliver Kapp.

The first release on the new project by Ripperton called Tamed Musiq. An emotive and intense track by Ripperton, with a Skudge remix.

Exium presents the follow-up on the great album “Roots of Time”. “The Unexpected” is an excellent take on the deeper side of techno, from the building energy on the 1st part with the lucious chords and wicked percussion to the dreamy sequence on the 3rd.

The Exaltics making their first appearance for Crème Organization, with a very atmospheric and interesting EP. The Exaltics unleashing their unique brand of brooding and dark electronix tech-fi.

DFA Records presents “Night Sky”, a track that grows and grown into an 13 minutes odyssey. The buzzy bottom end enters and expands before Russom’s vocals – alleyway dark and mysterious – make their way in. The song dips and dives, going from barebones synthesizers resting on organic percussion to explosive vocal choruses. The end reunites nearly every sound that made a previous appearance in an ensemble of ecstatic rhythms and noise. Mutant Beat Dance aka Beau Wanzer & Melvin Oliphant III, undo the original and transform it. There are so many new elements to be found here – a thick bassline, shuffling beat, wiry electro etchings, eerie washes of synths that swell unexpectedly and unannounced – it all makes for a collection of sounds that, thankfully, are head swimming in their unique and wonderful unpredictability.

New single on Mannequin Label featuring a real collaboration between Tobias Bernstrup and Martial Canterel, in a sense that Tobias sings on the Martial Canterel-tracks and vice versa.

Enfant Terrible presents a 7” by Sololust called “Total Loss”. Two electronic pop songs, superb synth pop of the highest possible level.

Local Records present the first release by Romanians Rusu & Flore aka Khidja.”Poor Relatives” features 5 original house tracks full of synths and disco feeling.

Preceding the release of his next full length album, Dutchman Conforce has selected four tracks to release as the Dystopian Elements EP. But don’t let the title fool you because, as is often the case with Boris Bunnik, there is a warm analogue/digital harmony to his sounds which is more than worthy of its place on Delsin.

Aybee teams up with Miles Sagnia for two cuts each on the Eternal Radiance EP on Sagnia’s Atmospheric Existence imprint. Taking over the A-Side, Aybee serves up “A Glance” which oozes with classic US house charm. Acoustic piano chords and are layered on top of a chugging bassline and electronic melody, tightly produced and melting in its warmth. “Isis” gets heavier with a more underground vibe of crashing echoes and tinny drum arrangements. On the flip, Sagnia’s “Journey 2 Forever” fuses multi-tracked choral chants, the impeccable sound of the Hammond and a rapid techy groove. His Visual Foci Reprise of “Journey 2 Forever” ditches the chants, instead opting for a sensual male vocal.

Detroit heavyweight Jeff Mills has always been one of techno’s visionaries, prone to translating great concepts into near-cinematic soundscapes. Given techno’s roots, it’s no surprise that many of these concepts have been inspired by science fiction, and in particular obscure sci-fi films. Inspired by Franklin Adreon’s 1966 film Cyborg 2087, “2087” offers a dark and uneasy but at times brilliant mix of intense dancefloor techno, creepy electronica, woozy ambience and clunking IDM – all designed to mirror the cloying futurist horror of the original film.