William Antonini – William Antonini E La Sua Orchestra [SME026]

Very rare’cult’ Library album by maestro William Antonini and his orchestra recorded with the deep sounds of Dirmaphon studios in Rome. Very small Library and Orchestra production by the pianist Antonini during his career as session man, this is the unique long-playing we have and for sure a lost collectible gem. Excellent studio orchestra arranged by the maestro. Expect some strong Blues Rock influences with loads of Killer Psychedelic sounds all over the place / amazing Jazz-Funk and Blues Funk vibes / heavy Progressive riffs with Big Band Swinging Jazz and Jazz-Rock tunes / huge bassline with stoned flute and deep Tenor sax / amazing early ’70s Freakbeat clubbing tunes

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William Antonini – William Antonini E La Sua Orchestra [SME026]

Jimi Tenor – Saxentric [HRKL005LP]

Jimi Tenor has compiled a selection of afro jazz tracks that he has written and performed over the years with musicians Icelandic drummer, Helgi Svavar Helgason, Helsinki based guitarist/bassist and journalist Ilkka Mattila, legendary drummer Tony Allen, Cuban & Berlin based trumpeter Daniel Allen Oberto, Ethiopian/Finnish & Helsinki based percussionist Abdissa ‘Mamba’ Assefa (Itetune), Nigerian/German & Berlin based percussionist Akinola Famson, Helsinki based percussionist Mongo Aaltonen, American & Paris based spoken word artist/singer & painter Allonymous, Helsinki based flügelhornist Tero Lindberg, Finnish & Berlin based guitarist Kalle Kalima, Polish & Berlin based bassist Patrick Frankowski, British trombonist Hilary Jeffery and Ghanaian/German & Berlin based drummer Ekow Alabi Savage. Jimi Tenor, born Lassi Osmo Tapio Lehto in Lahti, Finland, who has been releasing recorded music for 30 years, plays several instruments as is his usual practice. He is credited for playing on the upcoming release Saxentric; acoustic guitar, acoustic piano, background vocals, bass kalimba, drums, drum programming, electric guitar, electric piano, flute, Hammond organ, Korg MS-20, Korg PolySix, Log-o-phone, Moog, organ, percussion, Photophone, plastic bongos, programming, shaker, synthesizers, tambourine, tenor saxophone, vocals and Walton organ.

vinyl / CD

Jimi Tenor – Saxentric [HRKL005LP]

Aviador Dro – Cromosomas Salvajes [MEC019]

EL AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS - Cromosomas Salvajes (reissue)

One of the most influential Spanish techno-pop bands from the 80s is finally taking back to life one of their most successful albums. Originally released in 1985, ‘Cromosomas Salvajes’ marked a big step forward on the career of El Aviador Dro y sus Obreros Especializados. While keeping their message in support of the working class, nuclear energy and futuristic vision, this work had a top production, more dynamic compositions and included some of the fans favorites: ‘Himno Aéreo’, ‘La Ciudad en Movimiento’ and ‘El Color de tus Ojos al Bailar’.This new pressing has been restored and remastered from the original tapes. LP edition comes in yellow vinyl with gatefold jacket with an exclusive postcard, one sticker and includes all tracks from the original issue plus the b-side ‘Tejidos’ and the unreleased track Europa Arde en mi Interior’ that was originally composed for the famous Eurovision Song Contest.

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Aviador Dro – Cromosomas Salvajes [MEC019]

Staccato Du Mal – El Mago En Ti [NOSTILEVO061]

Miami is a Geministic outpost of complimentary halves: subtropical rainforest and art deco cityscape; unmitigated wealth and staggering poverty; limitless sunshine and equally limitless thunderstorms. From this outpost, culturally and geographically isolated from a state teeming with hillbilly abjection, composer Ramiro Jean-Carlo entertains a unique decadence under the guise of Staccato Du Mal, a project perhaps something of an anomaly in Miami, but no less at home. At turns gauzy and drugged, energized and electric, SDM is analog electronics that would be best heard in a blacklit dance club or a mouldering mansion against the background of any given tropical depression. “El Mago en Ti” shows Jean-Carlo keeping things as sinister as ever, with classic SDM sawtooth baselines and rickety clattering rhythms (Spherical Aberration), “La Gran Evasion”), with the requisite amount of reverb (lots), but with a few surprises: opening track “Drowning Feathers” integrates Jean-Carlo’s affection for classical music into the project, with its complex and sullen chord structure reminiscent of a J.S. Bach organ piece, while the songs “El Mago en Ti” and “Fistful Questioning” showcase an industrial aggression unexplored in the context of SDM.

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Staccato Du Mal – El Mago En Ti [NOSTILEVO061]

Amazon Club – Guyana [VG001]

Amazon Club opens the new Rotterdam based ‘Voodoo Gold’ imprint with a 7 track mini album. Operating from the depths of the South-American jungle, Amazon Club brings us a collection of tropical, 70s disco-influenced house tracks combined with some dreamy, cinematic soundscapes. Let the upbeat vibes and rich instrumentation of these tracks carry you away on a journey to the rainforest and the hazy shores of the Amazon river.

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Amazon Club – Guyana [VG001]

Marie Davidson – Adieux Au Dancefloor [CITI021]

DAVIDSON, Marie - Adieux Au Dancefloor

Cititrax presents a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.

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Marie Davidson – Adieux Au Dancefloor [CITI021]

Umwelt – Days Of Dissent [BOIDAE001]

Veteran Lyonnais producer, Umwelt, has a new album to launch the LP focused sub-label of Killekill – Boidae. “Days Of Dissent” is a polished 8-tracker loaded with bold electro stabs, acid riffs, epic, subtle melodies, drama and funk. “It is emotional, it tells a story, it is easily recognizable and it is not interchangeable”. The talented producer is one of a kind as he produces without computers in a single take, without any edits or mixing and cut to dubplates directly in his home which he uses to play out during his sets, conjuring up a insanely vast backlog of productions. Umwelt predominantly releases on his own imprints, however recently made appearances on legendary electro label Shipwrec and Helena Hauff’s Return to Disorder imprint.

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Umwelt – Days Of Dissent [BOIDAE001]

DMX Krew – Escape-MCP [AFSLP003]

UK wave funk veteran DMX Krew returns to Abstract Forms with his latest double album project. Escape-MCP features 13 tracks of synth drenched electro and elastic techno grooves drawing inspiration from a 1983 computer game where the player is trapped inside a computer by a rogue processor. Fortunately DMX Krew isn’t trapped inside a computer and is still with us making killer grooves.

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DMX Krew – Escape-MCP [AFSLP003]

Alpha 606 – Afro-Cuban Electronics [IT036X]

Alpha 606 is Hialeah born, Miami dwelling Armando Martinez, who offers an intoxicating concoction in the form of his unique take on electro. Taking the genre’s classic sci-fi synthetic aesthetics and coding them with his own Cuban musical heritage, there’s a real funk and spirit in Armando’s machines. The carnivalian drum frenzy of “Afriba”, the tipped humanized elements of “Shake”, the hypnotic house headnods of “Black Mermaid” the roomy reverberations and lean make-up of “Whale Memory” and plenty more comprise a unique melting pot that references all points past and future.

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Alpha 606 – Afro-Cuban Electronics [IT036X]

Exium – Reduction Required [NHEOMA018]

Exium returns home, Nheoma, with their third album “Reduction Required”, based on the construction of tracks with very few elements without losing their intensity and characteristic sound.

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Exium – Reduction Required [NHEOMA018]

Doms & Deykers – Evidence From A Good Source [3024028]

After two big EP’s, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel.

vinyl / CD

Doms & Deykers – Evidence From A Good Source [3024028]

Kassem Mosse – Disclosure [HJRLP073]

Subtle music, radically strange and unafraid of the deep, but with a killer understanding of rhythm. Lush drum-machine nocturnes, gnarly electronica and glorious flowerings of zoned-out dubspace: an evolutionary music, continuously engaged with experimentation both in the studio and the club.

vinyl / CD

Kassem Mosse – Disclosure [HJRLP073]

Shifted – Appropriation Stories [HOS470]

How does one appropriate oneself? In the case of Guy Alexander Brewer, the situation is complicated by his various current projects in techno, noise and experimental electronics overlaying a once-hidden past in drum’n’bass. ‘Appropriation Stories’ tackles the matter head-on at length, the endpoint of the mounting inward focus already evident in his work as Shifted. For years shunning his previous work in Commix, more recently Brewer has learned to look back, even making sideways stabs into breakbeat territory with his Covered in Sand alias. The process grows more intricate and subtle on his new album for the Hospital Productions imprint helmed by Dominick Fernow (aka Prurient, Vatican Shadow, et al.). Here rigorous processing and studio treatments transform classic breaks into deeply hidden components that add new layers of character to his highly-developed techno sound.

vinyl / CD

Shifted – Appropriation Stories [HOS470]

Sun Ra – In Some Far Place: Roma 77 [STRUT122]

Thanks to some inspired detective work by Art Yard Records, an intimate trio performance by Sun Ra in Rome in 1977, ‘In Some Far Place’, is receiving its first release. Recorded from the sound desk and mastered from original reels, the album features Sun Ra on piano and Moog, drummer Luqman Ali and occasional Arkestra vocalist Thomas Thaddeus in fine form, exploring Ra staples and revisiting some of the traditional jazz pieces from his early Chicago days. Tracks include the reflective ‘Trying To Put The Blame On Me,’ ‘Spontaneous Simplicity’ and the first Sun Ra version of ‘I Cover The Waterfront’ to ever be officially released. New sleeve notes come courtesy of the Arkestra’s Knoel Scott with cover design by Lewis Heriz.

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Sun Ra – In Some Far Place: Roma 77 [STRUT122]

Sory Bamba Du Mali – Sory Bamba Du Mali [ASVN035]

In 1979 Sorry produced his third LP for the Paris based Sonafric group. Long out of print Africa Seven is pleased to be re-issuing the LP with the authorization of the newly reformed Sonafric group. The re-issue benefits from extensive restoration and re-mastering to a spectral analysis level, bringing and polishing long lost and distorted sounds. The six track masterpiece opens with ”Mayel”. It blends Afro-space grooves, cowbell and swirling organ with psych guitar and punchy horns. ”Kanaga 78” was named after his band of the time. Sounding as fresh (if not more so) in 2016 as it did in 1979 the hypnotic bass, expansive drums, twisting organ and snakelike fuzz-guitar all combine to create a masterpiece of African psychedelia. ”Bayadjourou” closes off Side A of the LP with its pulsating, incessant organ hook-line and driving tom drums while adding in layers of Malian vocal from a female chorus and Sorry himself. Side B opens up with ”Tjamantie Kolo” which is powered by driving conga and drums layered with traditional vocals and distorted picked electric guitar lines. ”N’Nebakaidi” focuses on the song writing skill and delivery of Sorry who delivers a masterful vocal over grooves which somehow manage to sound melancholy but somehow also forlornly uplifting at the same time. The LP closes with ”Nani Nani” which is a brass driven wall of African sound.

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Sory Bamba Du Mali – Sory Bamba Du Mali [ASVN035]

The Order – Underground Rythmic Project [ML003LP]

The third release of Male Records features “The Order” a studio and live group that shares with “The True Underground Sound Of Rome” the same city and sound. A powerful mix of electronic detroit sounds together with melodic and balearic ambient atmospheres. Still comes as collector’s Album edition of 475 copies only containing the original songs from the rare “The Order EP” from 92 plus two unreleased strong songs: “Quasar” and “Way Back” recorded in the same year and performed only live during the big house event “Night Of Male 92” back in the days. This LP features also Stefano Di Carlo for additional percussions on Long Waves and Leo Young on the mix.

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The Order – Underground Rythmic Project [ML003LP]

Novo Line – Movements [E024LP]

Berlin’s Nat Fowler renders his meticulous Novoline project to Not Waving’s Ecstatic with an inimitable marriage of automated electronic process and live improvisation on his 2nd album, Movements, continuing a lifelong quest for esoteric knowledge and a love of archaic computer hardware. Modelled with mis-used software, run on two separate Atari ST’s using only era-consistent hardware Yamaha FM synthesis via MIDI, pitch tuned to a pure 3:2 ratio Pythagorean scale centred on 432hz, Movements is the compelling, awkward result of obtuse production techniques and painstaking trial and error; basically experimentation at the service of discovering a sound he is genuinely warranted to call his own.

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Novo Line – Movements [E024LP]

Skudge – Balancing Point [SKUDGELP002]

When the duo Skudge started out in late 2009 with their first release on Alphahouse, followed by a string of underground hits on their own label Skudge Records, little did they know that they would be in the forefront of the Stockholm sound of the dawning 2010’s. The complex rhythm textures combined by a echoing audial lightness that still runs unparalleled, paired with sub intense quick basslines and swirling percussion has been the trademark. This updated take on the techno and house crossover of today got appreciated and caught the attention of a full spectrum of artists. With a tight release schedule, 2010 alone saw 6 releases from the Skudge hub. Culminating in 2011 with the release of ‘Phantom’, the full length album release on the home imprint, followed by the sub labels that releases other artists as well. Five years from that era, Skudge has reshaped into the solo work from one of the original artists. This change of production and artistry launches into the crates with the release of the limited full length ‘Balancing Point’ LP. During this time, the sound has shifted into new territory, where the entire A-side acts as the beginning of this grooving whirlpool of a record: quick and immense. The UK influences that was formed in the 90’s, gets picked up and infused through the B-side, ending off in a almost orchestral piece. The delicate subtleness of the second 12′ showcases a familiar coming-of-light type of style that we so much appreciate, firmly ending the long player and leave us sure of the future.

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Skudge – Balancing Point [SKUDGELP002]

Ngly – Cities Of Ilusion [LIES079]

The Argentinian based NGLY had seemingly appeared out of thin air landing on the Brooklyn based L.I.E.S. label in 2014 with an untitled four track white label ep. On this ep, the unsuspecting track “Speechless Tape” ended up becoming a cult hit with select djs in the scene (I-F, Mick Wills, Intergalactic Gary…) eventually leading to it being voted as Intergalactic FM’s #1 track of the year in 2014. On the heels of his successful debut Rudolfo could have stayed the path and produced an easily digestable follow up dance record or two, instead he chose to take his time and reflect. Sitting back in the studio tweaking his live act, recording endlessly, transforming and refining his sound. In the end we get his debut eight track lp, Cities of Illusion, a record that walks a fine line between many of the original strains of the electronic realm. The elements are all there to be picked apart, to be used, to be abused, thrown against the wall smashed to bits…played in the club or on the late night mix shows, it’s magic you heard in the past and crave in the present. To say the music on the lp is one thing or another is an injustice…it pays reverence while at the same time turns a corner; held together by a loose yet cohesive thread. It is a full presentation that is unafraid to challenge or confuse, with no concern for genre imposed limitations.

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Ngly – Cities Of Ilusion [LIES079]