Ghost Train – Ghost Train [EES008WL]

New mysterious release on Emotional Especial. First track ‘Ghost Train’ is a shouty dischordant dance floor number that hits all the right spots. It cleverly builds tension through it’s shifting synth line, avoiding all the usual dance floor clichés whilst still managing to retain the right energy. It comes with a dub version on B side. B1’s ‘Meteor Shower’ continues in the same vein though is the more subdued of the pair, with trance leaning synths underpinning more spooky synth work. It doesn’t kick as much as the A side but will find favour with DJs unafraid to mix things up stylistically. listen1 / listen2
Ghost Train – Ghost Train [EES008WL]

Bariş K – 200 [EES002]

BARIS K - 200

The second release from [Emotional] Especial sees the welcome return of Baris K. Known for his edit series of obscure Turkish Psychedelic, Rock and Disco, here he takes the producer’s chair to present “200”. Working with musicians and singers to create a completely original production. The song’s message for equality (of the sexes) highlights the bigotry and backward political and religious boundaries his country faces and acts as a siren to the current troubles. Handed to Emotional Recordings over 5 years ago but with no label to release it at that time, now we are delighted to be able to release 200’s message. The original is backed with remixed from new Romanian production duo Khidja, as well as East London’s finest, The Asphodells. Teaming up with guitarist Balabas, Romania’s Khidja turn in a deep and introspective interpretation mixing their own heavy eastern influences, while the B-side sees Weatherall and Fairplay don their Asphodells mantle for two renditions that firmly lay it before the ALFOS alter. With artwork (by Jamie Paton) highlighting the struggle for fairness and freedom in his homeland, we hope the release can be seen as a support for their tribulations and highlight the talent that lays East.

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Bariş K – 200 [EES002]

Hipodrome’s 2012 Review (Part III)

Finally we are at the last part of the 2012 review. In the first part of our review, the preferences of our followers are shown, according to the number of click and stars. Top 3 albums of the years, top 3 EPs, compilations and mixes loved by our followers can be seen here.

In the second part, I presented some of my favorite events and performances from last year. For more details go here.

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Continue reading “Hipodrome’s 2012 Review (Part III)”

Hipodrome’s 2012 Review (Part III)

Alan Hurst – Nzambi Remixes [ERS004]

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After the tense and dramatic soundscapes of Jason Letkiewicz’s Nzambi LP under his soundtrack guise Alan Hurst, Emotional Response have put the tracks to the test for three appropriately oddball remixers. Fellow L.I.E.S. affiliate Terekke turns out a heavily sedated dub of “Nzambi” that rides a pacey house beat but buries everything in delay and reverb. Timothy J Fairplay brings some serious sleazy 80s electro tones to “Parallel Sensations”, complete with predatory vocal and thick ladles of synthy goodness. Finally, Jonas Reinhardt cools off the intensity with a blissful ambient version of “Before The Dawn” which plunges headfirst into a warm bed of melodic drones.

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Alan Hurst – Nzambi Remixes [ERS004]

Alan Hurst – Nzambi LP [ERS001]

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The debut release on Emotional Response comes from Alan Hurst – aka Brooklyn based producer Jason Letkiewicz – with a deeper exploration in to the experimental, ambient electronics first seen on his debut work ‘Processed World’. The results are a darker mixture of hypnotic rhythms and uncertain soundscapes, hinting at soundtrack and library forms. Known for his productions under a series of alias’, including Steve Summers and Innergaze, this is Jason’s sophomore album under his Alan Hurst moniker and is the perfect way to launch the label.

listen

Alan Hurst – Nzambi LP [ERS001]