So far the most Punk release in the Borft catalog. This is the meeting between Johan Sturesson (KORD) and Petter Svensson (NEBULA). While Petter has his background as a punkrocker Johan has some years of experience in the Electronic vein this meeting result in a EBM/punk/technoEP dirtier than ever.
Album debut from Inter Gritty. This island-hopping adventure takes us from the quirky depths of Ictis through the 303 workout of Stac Lee and the brutal pounding of Swona, to the lush electronics of Cijin. The Norrköping, Sweden-based producer has taken his sound one step further from his previous EPs and painted a bigger picture, covering an archipelago of sound that offers both rough seas, jagged cliffs and serene forests.
Shipwrec rolls out its new remix series with a serious slab of electro red meat. The main course is served by a machine music master, Umwelt. And what else would the serving be but the rawest of electro, coarsened by surging acid and slicing snares. Accompanying the original are a triumvirate of talent: Ekman, The Exaltics and Eomac.
Tusk says “I wanted to go back to the way the label started for the 20th release, so I’ve put together a VA which captures the way the label has moved in the past couple of years and will continue to shift”.
The German producer Milton Bradley presents his full-length debut on his own Do Not Resist The Beat label. Bradley has been one of techno’s key names for much of the past decade. “Tragedy Of Truth” incloses in 10 tracks, the full range of Milton Bradley Techno sound: dark, Industrial leaning to 1990s style Acid.
Anom Valley follows Damcase’s recent outing on Bunker and positions the Greek producer as a leading light in hard techno. There is a rough, raw feel throughout this release for Bas Mooy’s label; “Delete Scene” is mired in distorted kicks and noisy, barb wire percussion and both “Rusty” and “Towards Them” resound to titanium-powered steel drums. “Interlogon” is probably the most extreme track, thanks to its grisly, punishing rhythm, but Damcase also has a funkier side. He showcases this on “Rn 45” and “X Gun”, where hypnotic electronic pulses, although encased in weeping layers of white noise, see him get his groove on.
Details Sound presents ‘Illumination Through Feedback Distortion’ EP a three-track release of irresistible rhythms, vibrant analogue workouts, displaying the intuitive DIY compositional approach of talented Dutch artist Maarten Epskamp, under his Klankman pseudonym.
Terminal Operations 002 sees the Berlin based imprint unleash four tracks of raw fire power. Kuno and Spaceinvasion take a side each and deliver some unruly cuts of acidic techno.
Lost Trax embody the idea of underground techno. The shadowy group, members unknown, began their music careers over 20 years ago. Output may be low, but quality is high; the style being no compromise techno brilliance. And that’s what’s on show here. Kick drums and squirming acid bars are at the core of “Faith”, a track where soaring strings shift and reshape. The chiselled claps and barbed bass of “Flatliner” follows, taking its cue from the heyday of Detroit. A watery world of analogue abstraction greets the listener on the flip, “Lost” being an atmospheric journey into to the squelching swamps of the TB303. Sniping beats introduce the lush tones of “Renderer.” Blurring the lines of electro and techno the track is an elegant end to an EP of deep and dense layers.
With Noblesse Oblige you find yourself among the aristocracy of the mind and body. A gathering of artists with a different heartbeat and mindset. Fitting the Gooiland Elektro spirit as they operate far away from contemporary music standards. In this case this means sweaty EBM, dark techno and industrial acid.
I Love Acid reaches number nine, with Barcelona native Cardopusher at the helm. Four dirty acid jams aimed straight at the floor.
ITW003 MANIFESTO There is an audience to our drama. Like the hero of a dream, he works for us, in our behalf. there is an Strange world that waits and watches. And an Ancient dread of non – existence. ISTHEWAY 003 will be released in the spring and remixed by the legend Jamal Moss aka Hieroglyphic Being. He considers himself a child of many. Growing up in 1980s Chicago, he was a child of the city’s loft party heyday, pulled into the club scene by the grooves of Ron Hardy and Derrick Carter and kept there by the manic acid of Adonis and Steve Pointdexter. His key influence, though, is Sun Ra; the Afrofuturist jazz pioneer whose cosmic philosophies have permeated his own production work. For Moss, club space and headspace have merged into one. His releases and the catalog of his label Mathematics Recordings have a cult following worldwide, but it didn’t happen overnight: with a DIY ethic and all-consuming passion, he’s been pounding the streets of Chicago as a foot soldier for House Music since the edge of the early 1990s.
Ed DMX delivering some deeply rooted techno and acid tracks reminding of the heydays of Detroit Techno. The first EP features the lighter side, while the second the heavier gyro workout from Ed DMX on his duo release for this fresh label, Ride The Gyroscope.
Conforce alias Vernon Felicity with his first Delft EP, heavy with Detroit leanings and acid crackles.
Toeing the line between divinity and profanity, blurring beauty and debasement, is Drvg Cvltvre. Following Offender Status and Gauwvuur is an eight track album: Into the Endless Night. From the guttural emotion of “Where Embers Die” to the bleak ferocity of “Brakes are Death”, a complex and hardened array is on display. Buried angst is never far away. “There Were Rumours” flexes with embittered bars before the unrefined purity of “Jericho Flats.” Respite from this whirring carnival is a rarity, relief from the seesawing serration of “Shock Corridor” or rollicking jeer of “Charge of the Haploids.” But there is reprieve, radiance breaks through. “Into the Endless Night” pulses with brightening hope, one which is reflected in the gritty finale of “Winnerden Flats.” Heartening warmth piercing the hail. Balancing on the precipice, an album of scared and soulful sounds from this darkeyed light in modern electronic music.
Jamal Moss AKA Hieroglyphic Being with the Gherkin inspired treats. Combining tracks from CDR releases, of the same name, that were circulating at the end of 2015.
Two sides of the Chicago boy Jon Doppler. Two of the tracks is pure Deep Electric housemusic. While the other two has a more free-style feeling but in space of course.
The Hipodrome Of Music 