
Cranky, dubbed-out electro fizz from Robert Bergman and TBZ, freshly percolated for the R=A 7” series. Dangerous voltage in the hot tub.

Cranky, dubbed-out electro fizz from Robert Bergman and TBZ, freshly percolated for the R=A 7” series. Dangerous voltage in the hot tub.

Mechatronica launches their new White series, dedicated to limited edition white label records across synth, wave, EBM and italo with a VA release featuring Inhalt, Violet Poison, Sneaker and Daniel Holt. Mechatronica White 1 opens with Sneaker’s gloomy remix of German synth-pop band Opus Leopard, followed by the electrifying instrumental version of ‘Alles’ – a relentlessly progressing piece of body music from San Francisco trio, Inhalt. On the flip, Violet Poison summons a fat, trippy EBM-leaning groove, before Daniel Holt finishes off the record with anthemic synths and a ticket to the cosmos on ‘Floating Mansions’.

Athens based producer Morah returns to brokntoys for a full solo EP to showcase his DIY ethos across 6 tracks of unrefined, sinister electro suitable for murky dancefloors.

Dark Entries and Sacred Bones team up to release the early discography of UK synth-punk and Deathrock label Outer Himmalayan Records. Between 1979 and 1982, Nick Blinko and Martin Cooper’s Outer Himmalayan Records released 7-inches by three short-lived bands – The Magits, Soft Drinks, and S-Haters – who would nonetheless cast a massive shadow on the UK’s burgeoning post-punk/anarcho punk scene. Outer Himmalayan Presents collects all of the music found on those original records, along with rare and unreleased tracks by all three bands. It’s a snapshot of a period of frenzied creativity by some of the UK’s most thrilling experimental punks.

Mannequin, Emotional Rescue and Blowpipe come together to release the music of Dutch post-punk, industrial outsiders Nexda, by releasing a collection of music drawn from all their single and EP vinyl releases, to offer a compelling album. Taken from two 12′ EPs, a split 7′ and a flexi 7′, all released in 1982, the music within Word & Numbers captures striking compositions, part of, but some way removed from their contemporary post-punk bands coming out of the Dutch Ultra’ scene of the time.

This is Cobra Club Records with their first ever release. The Marie EP, featuring two originals by The Hague youngsters Sterk Water sporting repetitive minimalism, Dutch lyrics, early 80’s electronica and lo-fi minimal wave on Marie and Zonder Te Voelen. Legowelt and Betonkust are on remix duties. West-coast legend Legowelt obviously closed his curtains for this pitch dark mix for Marie and Betonkust makes you want to put on your ugliest pair of sunglasses with his trancey translation of Zonder Te Voelen.

Meo, pseudonym of Daniele Mei, is a cosmic dj from Rimini, Italy. Fine Corsa was his first record, released in 1985. In those days Meo was active in what was later considered to be the most famous Afro Dance Club in Italy: Melody Mecca. This release is an intensely creative hybrid of many styles and many colors. Even up until the present day this record continues to be very important in some preeminent European clubs.

Editions Gravats kick off the club-ready “Les Disques De La Bretagne” series with 8 tracks by Low Jack, a re-working of tracks from “Glacial Dancehalll 2” (split tape with Time Cow from Equiknoxx).

Jeremy Campbell and R. Zanzibar return as Out 2 with their debut full length, Showcase. Following their recent Moving EP, the duo expand their mix of New York off-kilter pop lyrical poetics riding over percussive desk-dub funk grooves.

Horton makes the scene. The caped rave wonder, alive and spitting since ’88. Pyschedelia set for anthemic mind expansion. ‘Eclectic Day’ a journey to the centre of Jupiter. ‘Smokin’ Roachin’ si bella bella. ‘The Box’ drummers gonna work it out.

Drum Union is a new series documenting the different shades of Leftfield House. London based Tony Nwachukwu (aka Attica Blues aka Wah-Chu-Ku) provides a deep broken dub techno monster. Manuel Fischer presents a beat-driven disco-influenced track to make any dance-floor burn and Mitsubishi Galaxy, who are also known as Jack Pattern take us into a wavy trip to another dimension. Look Like rounds it up and is merging Afro-Cuban rhythms with modern Electronica soundshapes. A journey wider and deeper than most of the average 4/4 business.

Public Release adds another entry to its 2018 chapter with a four-track EP that engineers the intersection of gentle warm-up house of the Balearic genus and frosty chill-out. The 12-inch is the latest from Dylan Khotin-Foote, who goes by the mononym Khotin, a producer and DJ firmly planted at the epicenter of Vancouver’s lively, colorful dance music scene.

DJ Aakmael brings 4 classic house cuts to Dogmatik. His trademark sound is infused with infectious melodies, hard hitting rhythms and soulful vocals, and with this debut EP he doesn’t disappoint. Stepping effortlessly from one beat to the next, Aakmael brings the sound of Virginia to life on this standout EP.

Msic From Memory took a deep dive into the archives of obscure British multi-instrumentalist Mike Turtle, resurfacing with a fine double-album of largely previously unheard cuts. Two years on they’ve taken another stroll through Turtle’s well-stocked vault, resulting in another essential collection of quirky cuts. Check, for example, the psychedelic patchwork “Reincarnation”, where backwards drums do battle with exotic Indian samples, or the delay-laden, lo-fi synth-pop pulse of “Uiko’s Return to Jeka”, which boasts strange spoken word vocals from Turtle and South African style juju guitar solos. You’ll find these kinds of imaginative experiments throughout; tracks that really shouldn’t work, but instead entertain, excite and inspire in equal measure.

Back in the day, French pianist, composer and all-round jazz superstar Jean-François Quiévreux, a.k.a. Jef Gilson, was up there alongside the likes of peers John Coltrane, Oscar Peterson, and Sun Ra. In a fitting homage to the decades worth of sublime music, and his sad passing away in 2012, French quarter Palm Unit have released a lively, honest tribute, upbeat and contemporary re-interpretative vision of his legacy.

Doug Cooney has cultivated his knowledge of techno over many years. Doug’s passion for this craft runs deep and his DJ sets span the full spectrum of Techno, past and present.

Transcendent Records presents a new immersive cinematic techno release by a French producer who goes under the name of Ersatz Olfolks. Heliopolis is the city of the sun and was the theological center of the greatest sun temple of pharaonic times. The sunrays bring brightness but we also find ourselves in the darkest ominous shades of an eclipse. We were instantly captivated by his contra dictionary sound that is filled with subtle harmonic distortions and sophisticated melodic and evolving modular patterns. Heliopolis EP is a careful selection of works recorded during live sessions.

Deep space electro tracks on the Solar One Music sublabel Between Places. After his debut on several years Komarken Electronics comes back to the Solar One Music family. He started 2007 on Luke Eargoggle’s legendary Label Stilleben Records, in 2011 on SolarOneMusic and recently on Brokntoys and AC Records. Now he’s back with some fine spaced out nordic electro-techno tracks.