Music Man presents the second single ‘Drive (The Age Of Automation)’ on Music Man with remixes from Ø [Phase]. There are two different versions from Ø [Phase] for you to check out. Some good news too for the people that couldn’t get a hold of the ‘Nighttime World’ 3LP too; the original is also included and gets a full side.
Finally we are at the last part of the 2012 review. In the first part of our review, the preferences of our followers are shown, according to the number of click and stars. Top 3 albums of the years, top 3 EPs, compilations and mixes loved by our followers can be seen here.
In the second part, I presented some of my favorite events and performances from last year. For more details go here.
Debbie’s Groove sees Carl Taylor in full on jacking mode, with tinges of disco and a stomping beat that will see you heading straight for the nearest dancefloor. Robert Hood turns his hand to Debbie’s Groove adding that magic touch, with a deep bassline, funky claps and a vocal snippet that echoes his Floorplan sound alongside the tougher tech workouts we’re used to hearing from this master technician. Good Vibrations gives us a deeper blend of the house meets techno sound that Carl has become known for, with its tough syncopated groove reaching dizzying heights.
After the legendary “Nighttime World Volume 1” and “Nighttime World Volume 2”, Robert Hood returns with the long awaited “Motor: Nighttime World 3” on Music Man. With this, Robert Hood returns to the project he first started on Austria’s Cheap label back in 1995 and subsequently continued in 2000 on M-Plant. Fusing his trademark minimal techno into jazz inspired moods and inflections, Hood emerges from the smoke-lit shadows of a downbeat, but not beaten, Motor City metropolis. Inspired by Julien Temple’s documentary ‘Requiem For Detroit?’ Robert Hood examines the life, history and future of Detroit’s motor industry and its workforce, set against a backdrop of decay, despair, hope and re-birth.
As a first taster of the upcoming Nighttime World 3 album by Robert Hood, Music Man presents Torque One (taken from the album) and an exclusive & vinyl-only track to this 12”, called Movement. As a first taster of the album we now present to you ‘Torque One’ (taken from the album) and an exclusive & vinyl-only track to this 12”, called ‘Movement’. With this release, mister Hood delivers 2 timeless pieces of electronic music inspired by a jazzy, dreamy ‘Nighttime World’. Quality.
Now Robert Hood delves back into Floorplan for his next M-Plant release called ‘Altered Ego EP’. The title track jacks out from the onset, just the way we like it! Hood’s distinctive rhythmic grooves are intoxicating as ever. With the staccato vocal cut and Detroit-meets-Chicago feeling, we’re back in ‘Baby Baby’ territory. ‘Confess’ shows the other side to Hood’s Floorplan with an opening gospel style piano riff that’s gradually overlaid with Latin percussion and that special Hood kick, to take the church to the party.
The last part of Ben Sims’ Theory label trilogy for the 40th release celebration. The EP includes a brand new Sims cut “Straight From Bolivia” and a remix by Robert Hood.
The latest release in the ‘Perpetual Masters’ series, which sees the M-Plant catalogue being remastered and re-released, is the classic ‘The Greatest Dancer’.
DJ 3000’s “Hotel Oasiz” is part of the new sound of Motech Records. Not that Motech ever predicated itself on an established sound in the first place, but DJ 3000 (Franki Juncaj) has expanded not only the range of his own style, but also the styles of those he chooses to appear on his remix EPs.
New release on M-Plant with Robert Hood delivering three new tracks as the ‘Sanctified’ extended player, under his Floorplan moniker. With Floorplan, Robert Hood blends techno elements with disco, house and soul to create a real party vibe.
One of the most influential founders of the Dutch techno scene, Orlando Voorn, re-release one of his biggest singles under his alter ego “The Nighttripper”, with brand new mixes. In collaboration with Dutch techno imprint Underground Liberation, Orlando Voorn presents the rebirth of Tone Exploitation and Phuture, supported by remixes from Kevin Saunderson, Robert Hood, Robert Armani and Paul Mac.
Robert Hood, the Detroit legend and true originator of minimal techno returns to revisit the Omega project he first began last year. It was inspired by the 1971 sci-fi thriller “The Omega Man”, which may be unfamiliar, but is based on the 1954 novel “I Am Legend.” The original album was released last year, however, this time around, he has given it a makeover in order to suit a live show he will be touring around this upcoming summer. On ‘Omega: Alive’ Hood takes the raw elements of the originals and builds them into a tense and pulsating live show that propels ‘Omega’ into a new light. Opening with new track ‘Bells At Dusk’ Hood builds over a sparse drum pattern before a scatter shot piano riff announces the unmistakable kick sound of the minimal master. ‘Run’ keeps up with soft pads and then Hood drops one of the albums key tracks with the staccato-strobe flash of ‘Alpha: Alive’ as he works the original into a mesmerizing and melodic, string inflected monster. Then we have new track ‘Minimal, Minimal’ whose hypnotic refrain could well be a call to arms across the world’s dancefloors this summer whilst Hood also re-works classics like ‘Who Taught You Math?’, ‘Unix’, ‘Minus’ and ‘Side Effect’ into his unique rhythm of vision. Finally Hood wraps the Omega story up with three bonus tracks including brand new track ‘Atomic’.
The exceptional music mechanic Robert Hood is firmly back in business for 2011, kick-starting the new decade with more M-Plant excellence. James Ruskin takes a break from an impressive release offensive on his own Blueprint label to remix ‘Alpha’, the first single that was taken from ‘Omega’, Robert Hood’s concept album of last year. The remix adds a touch of Ruskin magic to this A-side. While maintaining the essence of Hood’s initial track, James provides a fresh outlook that is sure to be as well received as the original. Over on the B-side Hood delivers a brand new track called ‘The Family’. This is classic Robert Hood with its unrelenting rhythm, powerful bassline and a good dose of the funk. While most of us struggle through the cold, this will be firing up dancefloors the world over.
Dutch producer Roel Salemink drops his new EP on Bulletdodge Records, with additional remixes coming from the mighty Robert Hood, Roger Martinez, and Pascal Kastel & Steve Ward.
Robert Hood finally restarting his disco influenced pseudonym, Floorplan. Living It Up loops a disco sound while evolving with pads and synth stabs, while ‘Wall To Wall’ takes things deeper, exploding with claps driving things in a way only the Hood can do.
Robert Hood delivers 2 devastating remix cuts of the great Deep Blue Meanies track from Juju & Jordash’s recent album.
